GameOver.gr's Scores

  • Games
For 2,598 reviews, this publication has graded:
  • 45% higher than the average critic
  • 6% same as the average critic
  • 49% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Game review score: 72
Highest review score: 100 Brothers: A Tale of Two Sons
Lowest review score: 10 Ride to Hell: Retribution
Score distribution:
2598 game reviews
    • 66 Metascore
    • 65 Critic Score
    Kingdom Hearts III ReMind is a dlc that offers the post game content (boss fights) and the difficulty challenge that was absent from the main game.
    • 66 Metascore
    • 70 Critic Score
    The end of the XIII trilogy, from a gameplay standpoint, gains and loses its strength from design mechanics and decisions that sets Lightning Returns apart from its predecessors. It’s nevertheless a title that caters to the trilogy fan, giving also a different perspective and a fresh air of play to the veteran Final Fantasy players.
    • 66 Metascore
    • 60 Critic Score
    Detective Pikachu Returns is an especially simplistic game with very slow pace, non-existent challenge and a lot of backtracking. Nevertheless, a decent story in addition to its cute visuals may offer a passable experience for fans of Pikachu.
    • 66 Metascore
    • 65 Critic Score
    When compared to last year’s addition to the franchise, MotoGP 18 by Milestone seems a step back, a product that resembles more of an update of the previous edition rather than a completely new game. Nevertheless, the superb physics and overall great handling are guaranteed, elements that newcomers to the franchise will surely appreciate.
    • 66 Metascore
    • 50 Critic Score
    Trüberbrook is a gorgeous looking game that will certainly catch the eye of a prospective player. But inside this beautiful packaging, the main course is a strange mixture of confused direction, poor pacing, uneven story and very low challenge rating. It just feels like this is more of an impressive tech demo from an Artist Collective rather than a cohesive, full gaming experience.
    • 66 Metascore
    • 40 Critic Score
    Chivalry II is a very poor game, devoid of single player content, clumsy battle system, scarce multiplayer modes and awfully repetitive gameplay. Apart from that, it is the ultimate barebones experience, and developer Torn Banner studios should have explored the option to publish it as a free-to-play title, like many other similar games out there.
    • 66 Metascore
    • 60 Critic Score
    The Occultist is largely focused on building a series of atmospheric, Lovecraftian-inspired stages, and it succeeds in delivering a visually engaging aesthetic. The experience is supported by simple yet satisfying environmental puzzles. However, its storytelling feels bland, the voice acting is subpar in many cases, and the stalker-type enemies should have been removed entirely.
    • 66 Metascore
    • 70 Critic Score
    Need for Speed is a well-wrought game, full of interesting features, albeit without many fresh ideas. However, it is prone to deliver most of the gamers in the uncomfortable arms of boredom sooner than later, although it is bound to satisfy the hardcore fans.
    • 66 Metascore
    • 70 Critic Score
    The videogame adaptation of the London Olympic Games is quite a surprise. Leaving behind the "button mashing" gameplay of the past, SEGA's latest sports game delivers an exciting and enjoyable experience that's better suited for multiplayer sessions.
    • 66 Metascore
    • 60 Critic Score
    With heavy inspiration from LittleBigPlanet and the Lego games, Disney Universe offers some enjoyable gaming moments that are suitable only for kids.
    • 66 Metascore
    • 70 Critic Score
    If you're a fan of the Worms franchise, Flockers will deliver many hours of the same beloved gameplay along with lots of laughs.
    • 66 Metascore
    • 50 Critic Score
    An utter embarrassment to an relatively solid series, The Devil’s Daughter falls into every cliché mistake of trying to cater to a massive audience. Overuse of QTEs, terrible action sequences, oversimplification and a lackluster story are just some of the complaints behind this massive letdown by Frogwares, giving us the worst Sherlock Holmes adventure in the past 25 years.
    • 66 Metascore
    • 60 Critic Score
    Vampire: The Masquerade -Swansong is a narrative-driven RPG that is faithful to the original “World of Darkness” cosmos. It is very engaging, with some brilliant ideas, especially in the dialog challenges, but fails, somehow short, due to its half-baked role-playing system that “punishes” the player’s character build decisions.
    • 66 Metascore
    • 60 Critic Score
    Despite its good intentions, Beyond the Ice Palace 2 ultimately feels derivative. It fails to evolve beyond the 30-minute mark, resulting in a repetitive experience. On top of that, traversal issues and excruciatingly distant checkpoints make it an often frustrating journey.
    • 66 Metascore
    • 70 Critic Score
    This edition is composed of the best bits we loved from the first two Tony Hawk games, but at the same time there is an absence of some major characteristics (no offline multiplayer and only 7 stages) that's completely unjustified.
    • 66 Metascore
    • 60 Critic Score
    An interesting and well written story, told through an adventure game created by just two people. Even though it becomes tiresome and repetitive at moments, it has a certain charm and multiple gameplay elements to keep you going until the end.
    • 66 Metascore
    • 70 Critic Score
    Quite an enjoyable, beautiful and nicely crafted Move game for kids. The motion controller of Sony needs more games like this one.
    • 66 Metascore
    • 60 Critic Score
    While the ideas behind Shades of Darkness are nice, we cannot in good conscience recommend a game that has obviously bypassed its beta testing. When it gets fixed though, it will be an interesting addition to the Heroes of Might and Magic universe.
    • 66 Metascore
    • 60 Critic Score
    Criterion's "side project" cannot stand on its own in a market full of great arcade games. It's fun and it stays true to the Burnout spirit, but the fun will last only for a couple of hours.
    • 66 Metascore
    • 60 Critic Score
    It doesn't need much thought to figure out that Re:coded is just a quick cash-in in a long line of spin-offs. Being essentially a smartphone game, not only does it fail in comparison to the exceptional Birth by Sleep, but also fails to justify its price as a DS title altogether.
    • 65 Metascore
    • 50 Critic Score
    Somewhere within Greedfall II lies a compelling blend of an intriguing story about colonisation and a well-designed real-time-with-pause combat system. However, it becomes difficult to appreciate its world-building and combat when the real battle is against a myriad of bugs and game-breaking issues, some severe enough to force a complete restart.
    • 65 Metascore
    • 60 Critic Score
    Saints Row is one of these reboot cases that fails to build upon the legacy of the previous games in the series. While it does bare the essence of the series, it utterly fails in other domains. The new adventure in the Saints Row universe is plagued by gamebreaking and other bugs, heavy repetition in exploration missions and character models, and feels bland and tasteless. Players looking for customisation options can find loads of features that can keep them happy; ultimately, though, they are not enough to guarantee an exciting time in Santo Ilesso.
    • 65 Metascore
    • 50 Critic Score
    Change isn't always for the best and this transition of Pendulo from the realm of comedy to darker planes seems like a hasty move. Marred by bad design decisions, awfully short playtime and frustratingly easy puzzles, Yesterday is a game that starts really strong, has a great story idea, but utterly fails to hook the player.
    • 65 Metascore
    • 60 Critic Score
    This trilogy is a prime example of why nostalgia is sometimes best left undisturbed. All three titles—especially the atrocious Angel of Darkness—mostly serve as reminders of the rough early days of 3D platformers.
    • 65 Metascore
    • 60 Critic Score
    If you want to experience a "what if" of an early GTA styled game that is set in Medieval times, Rustler is your only choice. Be warned though, the crude humor and the problematic controls might not be ideal for everyone.
    • 65 Metascore
    • 70 Critic Score
    Some of the games in this pack are great, others not so. In any case, you can buy 8 games in a budget-price that will keep you occupied for many hours.
    • 65 Metascore
    • 60 Critic Score
    Just when you got invested in the beautiful world of Basswood and started to learn more about the great characters, the moment you feel like the very interesting story is about to take off, the game abruptly ends, rushing to tie up just a few of the many loose ends. The player is left staring at the screen, awaiting the last part of a game that will unfortunately never arrive, leaving a bittersweet taste in the mouth for something that could have been great, not simply good.
    • 65 Metascore
    • 65 Critic Score
    Though the quality of Maize’s humor is a subjective matter, we have to admit that we enjoyed this crazy descent to the top-secret facility. However, its gameplay is so simplistic and devoid of challenge that exists only to transfer us from one gag to the other, impacting the overall three hour experience.
    • 65 Metascore
    • 65 Critic Score
    Feist is a charming dark adventure that unquestionably draws its inspiration from Limbo. Even though it has its merits with its concrete gameplay and nice artistic direction, it nevertheless cannot achieve greatness due to its short length and the insufficient variety of environments, enemies and environmental dangers.
    • 65 Metascore
    • 40 Critic Score
    The first MOBA game for the PSVR is quite the disappointment. The controls are awkward, the grinding nature of the gameplay is a chore and the overall result is a tedious game that only hardcore fans of MOBA games might appreciate.

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