It was wonderful to explore the world and to listen to Henry and Delilah open up to one another about their lives. I'd easily recommend it to anyone who values a good, mature story. While the final destination leaves much to be desired, the trip was well worth it.

Despite being a mechanically sound entry in Traveller's Tales' long-running series, it's hard to recommend Marvel's Avengers over Lego Marvel Super Heroes—the latter is still superior in nearly every way.

Bombshell is a failure in every meaningful way, and feels like a barely-functional Alpha build rather than the finished product it's supposed to be.

Despite its crazy name, Nitroplus Blasterz: Heroines Infinite Duel is actually a solid little brawler, though it definitely lacks the depth, fine tuning and good looks that would give it a shot at being competitive with more established series in the genre.

Tales of Zestiria had a good chance to surpass Vesperia as my favorite Tales title, but the weak plot left me wanting more. On the other hand, the combat system is currently tops, so that's a plus. Overall I still enjoyed my time with it, and would recommend it to Tales newcomers. Just come to it for the combat (and not the story) and everything will be roses.

Gamers will play Van Helsing because it scratches the itch for this type of action adequately at this price, but the repetitive action, awkward controls, poor graphics and strange tower defense levels make it feel like an unfinished title. Despite being a cheap (or free, on Xbox One) diversion, Van Helsing is a bad value, and a worse investment of players' time.

While the opening acts are engaging, they're undermined by the newest chapter's bumbling writing and nonsensical changes. With luck, the fifth and final episode will knock it out of the park and justify episode four's existence.

This is very nearly the exact same single-player excursion from last-gen consoles. There is no local or online co-op. There's no traditional multiplayer. There are no update-exclusive features. It's simply a mildly prettier, equally flawed action title with a few pieces of DLC adding more of the same to an already samey package.

For players who click with these characters, Oxenfree offers between four and six hours of walking around and listening to them hash out issues in their lives. I congratulate the developers on the quality and production of the dialogue, but as a whole, Oxenfree is a weightless slip of a game that left no lasting impressions.

So Dragon's Dogma has worthwhile elements even if it feels dated, and even if I very nearly quit just before hitting the all-important twist that actually made the story worthwhile.

With difficult games coming into vogue over the past few years, Not a Hero isn't fresh or deep enough to make it stand out despite the humorous notes. A title like this will have an audience for sure, but the silly charm didn't outweigh the irritating difficulty for me.

Star Wars fans who want more and can't wait until the next film can at least partially tide themselves over by racking up a few million points with Rey, Finn, Kylo Ren and the rest. Zen's done a great job of capturing the source material, and this package is sure to please pinball players who aren't Force fans, as well.

I'm quite happy to see that ACE Team has finally clicked all of their elements into place, and if there's a better homage to 50's schlock than The Deadly Tower Of Monsters, I have no idea what it could possibly be. For fans of the material or the era, this is a big win from start to finish.

There's greatness in Xenoblade Chronicles X, but it's a shame that it's too often buried under terrible writing and awkward design decisions. That said, when standing atop a forgotten mountain in a hulking Skell as the sun sets... well, it's easy to forget those issues temporarily. Despite all my complaints, I still had a hundred and ten hours go by in the blink of an eye. Xenoblade can be a great experience and surprisingly absorbing at times, but its extreme rough edges could easily shear the skin off a rhino.

I enjoyed my time with Resident Evil Zero back in the day, and I largely enjoyed it now. This remaster holds up pretty well despite the fact that some of the sheen's rubbed off over time. It might be a harder sell for anyone who doesn't have fond memories of it, but it's still a damn fine way to brutalize the undead.

Yatagarasu: Attack on Cataclysm is aimed at the very niche audience who genuinely champion gameplay over graphical achievements, and who aren't afraid of putting in some hard work to get the most out of it. Given its Indiegogo campaign, this game had the potential to become one of the worst cases of buyer's remorse that I've ever had, but it turned out beautifully in the end. Weird PC port quibbles notwithstanding, of course.

Still the same incredible experience it was two years ago, only better. For new players it's a game full of twists and turns, daring level design and terrifying foes. For veterans it's the best version yet of an amazing formula, just as fresh and thrilling. It's a stunning experience from beginning to end, but I do hope the developers can fix the metagame elements and bump perfection up to the next level.

While the threat of so much death in such a short period of time might throw fans of Knight's sunshine for a loop, Rubble Without A Cause felt different and fresh, and I'm glad that The Odd Gentlemen didn't just do a repeat of the previous installment. Good work, Gentlemen... You've got me hooked.

White Night is meant to be a slow-burn investigative horror story, but I grew impatient with how incompetent its mechanics are and how they combine to make the experience as irritating as possible. I'm a fan of old-school horror, but one-hit kill enemies, mazelike, hard-to-parse level design, obtuse camera angles and a punishing save system override any nostalgia I might have. I admire that it's trying to pull off a bit of an homage here, but with every good element canceled out by a misstep, I'll stick with the original stuff.

Aside from that irritating final segment there's nothing significant to complain about in Planet of the Eyes, but neither is there anything to praise. It has solid action, and it looks and sounds fine. What it lacks is a hook, something for the mind or eye, or even just the reflexes to work over. Without that, Planet of the Eyes is just a competent thing that passes quickly and leaves no impression.

While they're certainly a strange pair, I'm glad Zen combined these two tables into a single five-dollar package. While I quite probably would have paid three dollars for CastleStorm, I doubt I ever would have taken a chance on a complete unknown for the same price. Maybe their plan was to convince people to throw a little extra money at a dud by attaching it to something with brand recognition, but in the end, the unknown was the real gem.

If you can put up with the ever-present grind and can see through the frustrating moments then you’ll have a good time playing through Punch Club’s celebration of 90s action, if not then you may find yourself looking for a new keyboard, or worse, a monitor as a result of working through game related anger issues.

My thanks go out to whoever at Sony was responsible for choosing King's Quest: A Knight To Remember as a free Plus title. It's an outstanding piece of work that surprised me not only for being a wonderful experience in a genre that I usually avoid, but also by coming from a studio whose past work gave no clue that they were capable of such. My hat is off to the The Odd Gentlemen, red feather and all.

Despite thoroughly grasping of the rules of Tharsis and even being able to offer advice on how to be more successful to others, my winning runs were due entirely to luck. Sheer chance might be a solid basis for gambling or having a good time with friends, but when it comes to single player games, I should have a bit more say in whether my crew survives or not.

It's so good, in fact, that I'm still eager for more. It's a good thing that the next expansion, Blood and Wine, is coming soon...

This is the friendliest, most approachable tactics game I've seen in a while, and it's a credit to the 3DS.

Although I liked the minimalist aesthetics and I'm open to interesting little projects like this, Three Fourths Home: Extended Edition didn't feel like it had much of a point. I'm sure that something about this content is very significant to its creator, but the problem is that it wasn't very significant to me.

It's hard to beat blasting aliens on a commute, but its long-term prospects demand a tolerance for repetition that the game's charming awkwardness might not overcome.

Albert and Otto certainly has a few issues, but it's still well-made and endearing. In fact, it's good enough to get me excited at the prospect of another installment which is sure to come—I just hope they tighten up the controls and straighten out its tone before it arrives.

While the developers could have made a by-the-numbers vampire story, they've done something far more interesting, turning it on its head to creating one of the most delightfully absurd narratives I've seen in ages.

Yakuza 5 is more Yakuza. Way more, and while the content isn't always the best of the series, it's still damned good for the most part. While every decent moment of pulse-pounding drama may be matched by a dose of piffle where characters stare into the distance and talk about following their dreams, there's no denying that Yakuza still brings the heat. Even after spending seventy hours on this, I'm still definitely up for more.

The Rivers of Alice is a vehicle to display the talents of its artists and musicians. The adventure is short and simple, and if not for the loading, slow movement and obscure puzzles, it could probably be finished in under an hour. Of course, game length does not equate to game quality, but with its other flaws taken into account, it's hard to recommend Alice to anybody who isn't already deeply invested in small indies.

I wish I enjoyed A Fistful of Gun more than I do. There's a lot about its visuals and arcade-style presentation to like, but it never stops feeling disappointingly shallow and overly-chaotic. Exciting and charming in small doses, it's just a relentless slog through hails of gunfire during extended play. Fans of the Western genre might get into it, but I'm riding to another saloon.

With its perfectly-realized art style and a wide variety of puzzles that never break its themes, The Bridge takes its inspiration and runs an impressive distance with it. The developer has produced a charming, inventive, and only occasionally aggravating puzzle experience that I hope Escher would feel honored by.

Cross of the Dutchman feels lightweight and disposable. The action is basic, the world is tiny, and the story doesn't cover the most interesting bits of the hero’s history. Unlike its giant titular character, Cross of the Dutchman is a thin slip of a game that passes by too quickly to make much of an impression.

Because its worlds are so expansive and fascinating, and because moving across them is such a pleasure, Corpse of Discovery might have been an all-time great had it been a straight exploration game. Instead, it grapples artlessly with a theme that has been done to death.

Dishonored was an incredible accomplishment—a game that offered stylish murder and great storytelling in equal measure. It accomplished everything that it set out to do and made it look easy, while games all around it failed to impress. Three years later, nothing in its genre has come close.

While it's a solid action title, DmC doesn't measure up to the queen of the genre, Bayonetta. Ninja Theory's combat and graphic design illustrate their talent, but the weaker environmental exploration and narrative make the game an uneven package. Fans of the action genre may find a lot to love, but for most, this is a title better left in Limbo.

For newer players who'll likely have an experience similar to mine, Dynasty Warriors 8: Empires is not a place I'd recommend they start.

While I ended up being surprised at how much I liked Need for Speed when it wasn't trying to strangle the very joy out of life itself, it's a game that's obviously flawed -- the cheating AI, the always-online requirement, the glitches -- but it's still a damn good looking racer that gives a real buzz when it's working as intended. Whether people will be willing to put up with the bad in order to enjoy the good... Well, that's debatable.

Just Cause 3 may offer a metric ton of content, a ridiculously huge world to roam, and some unbelievable aerial acrobatics, but none of those things are enough to save the day because the writing is phoned in and the game's core is too rooted in the last generation. Apart from the traversal, everything here has been covered time and time and time again, and it absolutely wheezes without anything more interesting to sustain a player over the long haul.

Difficulties with the interface aside, Divinity: Original Sin Enhanced Edition is an intriguing, challenging, relentlessly charming game that serves as a refreshing break from bleaker RPGs that have dominated the rest of the year. It absolutely shouldn't be overlooked by RPG fans who never played it on PC. For those who have played the original, enough has changed in the story and progression that the remastered edition is well worth a second purchase to play locally with friends.

Although I enjoyed Ether One, the game is based entirely on exploration, and unraveling the story is key to its appreciation. Players who don't have the patience for this sort of slow-burn adventure might find that things are fairly incomprehensible if they don't take the time to do some of the non-essential puzzles. However, those who find the idea of a casual stroll through someone's mind would do well to check this one out.

Rememoried is a deeply flawed and inaccessible title and I can't in good conscience recommend it to anyone. Its central conceit isn't a striking idea, and it mostly results in frustration. The lack of a plot means the game doesn't have any draw to pull the player forward. Yet even when it's at its worst, Rememoried has an interesting atmosphere that can be rewarding. There's something valuable here, but Rememoried gets in its own way no matter where you look.

It's a testament to how expertly-crafted this DLC is that I can replay the base game in preparation, still get my ass kicked to an embarrassing degree, and ultimately walk away feeling satisfied and as capable as ever. The Old Hunters is definitely more "hardcore" than anything From Software has cooked up in recent memory, but those who want this know who they are, and for that select group, The Old Hunters is everything they signed up for and more.

As an overall package, though, Code: Realize is professionally presented and stands out as one of the best otome games available in English. In fact, if I could only recommend one otome game released in English this year, this would be it. With a strong female protagonist, exciting story, and likeable male characters, it's an exemplary title in the genre.

Red Goddess isn't a bad game, but not being ‘bad' isn't enough to make it stand out. The Metroidvania holds up well enough for those looking for an indie-sized experience, but the story is where it falters most—it promises a great set of ideas and fails to deliver the necessary elements to make it resonate.

Cute but ultimately forgettable, Animal Gods is a slow, short ride that some will enjoy, but it's not much more than a pleasing time-killer that's over before you know it.

Overall, the core of a highly successful soccer game is in FIFA 16 but there's a niggling sense of "been there, done that," alongside a healthy dollop of "coulda shoulda woulda" that gets in the way. It's just a bit too safe and predictable. FIFA is still the Cup winner, but PES 2016 has made this annual Friendly a more heated affair.

The game is gorgeous, authentic, highly detailed, and rife with potential to grow into something much bigger.

It seems like the developers of RIDE have a passion for motorcycle culture, as evidenced by the narrator's enthusiastic burblings and plenty of descriptive loading screen text, but they lack either the necessary budget or the level of technical know-how to bring that passion into the final product. The mediocre graphics could easily be forgiven if the rest was up to snuff, but the absurd loading times, glitches and lack of polish and speed kill it at the starting line.

As I end this review, I'm reminded of a phrase attributed to Oscar Wilde: "The bureaucracy is expanding to meet the needs of the expanding bureaucracy." That sentence perfectly describes Prison Architect—as it is with many sims like it, it's growth for the sake of growth, and when I was done with the game and had my prison and had every little detail perfectly in place, I let it burn to the ground again.

Unfortunately for those sticking to the main route, Rise is a repeat of the 2013 title with less character development and several years' worth of mounting standards.

Assault Android Cactus is good, but it used to be great.

In its base form, Chariot is cute but frustrating—a great idea with a lot of flaws.

If the harmonization sequences appeared on their own, Laserlife might seem too thin, but I'd be willing to replay it. As it is, Laserlife is a game I'll be fine with forgetting.

On a system without a lot of high-profile support lately, Runbow shines as an exclusive that plays to the Wii U's strengths and reflects the Nintendo ideals of a couch full of friends, laughing and playing together.

Norn9 offers pretty visuals, a nice cast of characters and some interesting dynamics, but little more. The romance content should be its main draw, but it suffers thanks to the quantity-over-quality attitude, and the overarching plot is somewhat tepid. On the other hand, the bite-sized routes provide an ideal introduction for newcomers to the genre, and more experienced otome players will enjoy the replayability. It's not the best in its genre, but still worth checking out.

Because of my love for otome, I wish I could wholeheartedly recommend Amnesia: Memories to fellow romance fans, but I can't do so without mentioning the many issues it has. Players who dig the brand of "I'm going to be a jerk to you even though I like you" boy that Amnesia: Memories prominently features, get ready to swoon. Those looking for a little kindness and a more compelling overall package, however, will likely come away disappointed.

We don't live in a sports game world where "definitely playable" is a testimonial. Gamers expect authentic sports experiences from head to toe, and a flawed-but-functional title just can't compete for their hard-earned cash when 2K's bulletproof NBA title will set them back the same sixty bucks.

Broforce is a conceptual triumph that could be successfully sold as a jokey bit of nostalgia, but what's truly amazing is how well it works on a moment-to-moment basis.

Quibbles aside, Undertale offers a great story with excellent dialogue, a truly fantastic soundtrack and tons of unique, clever, and occasionally demented twists on RPG genre tropes that aren't just window dressing or subtle winking nudges to the player. It's not a perfect game, but it is a great one.

343 Industries made a terrific impression with their first dip into the franchise, but with a lackluster campaign and multiplayer that still needs tuning, Halo 5: Guardians makes them look like one-hit wonders.

While SOMA never hits the highs of Amnesia: The Dark Descent, it's still largely decent in its own right. Some confused environment design and lackluster monster scenarios work against it, but as an atmospheric jaunt under the sea with a reasonable storyline behind it... well, it works pretty well. Faint praise perhaps, but praise nonetheless.

Blood Bowl 2 captures everything that makes the board game great and makes it available to those not willing to shell out a hundred dollars on miniatures. The passion the developers have for their game is clear to see, and the result proves that their love was not misplaced—it's easy to see that Blood Bowl 2 is one of the greatest board game translations ever.

In a year when games like The Witcher 3: Wild Hunt have redefined what open-world RPGs are capable of, I suspect that a lot of Fallout fans will be forced to question whether the usual Bethesda shtick of providing vast amounts of unpolished content with no emotional investment is still enough. I had a pretty good time, but despite its many strong points, Fallout 4 feels like one of Bethesda's minor works.

If the online multiplayer had modern social features and an engaging story worthy of the IP, Shadowrun Chronicles: Boston Lockdown would be as essential as other recent entries in the series. Unfortunately, the fundamental issues leave it hard to recommend. In lieu, I'd suggest replaying Shadowrun Returns and Dragonfall instead.

The game isn't deep or diverse enough to justify the 20-plus hours players can expect to invest before reaching the end. A tighter, narrower scope would have elevated Rebel Galaxy beyond being the sort of mild distraction derived from marathoning a TV show.

As I put in more time, the game kept opening up and more of my own light bulbs lit with the realization of potential.

Despite the fact that the game is only two or three hours long (depending on how lost a player gets) I found it to be absolutely unbearable. I became so bored with the lack of interesting things to see and do that I literally put a rubber band on my controller's left stick to keep her moving for long stretches of time, which gives an idea of how interactive Beyond Eyes is. I badly wanted to quit after the first thirty minutes, but I was determined to see where the story was going. Naturally, the ending was a total non-event and not worth the time and aggravation.

As a philosophical rumination on the ownership of art, The Beginner's Guide is what Boswell might call an "ingenious sophistry", but not a compelling argument. As an exploration of an obsessive relationship that failed painfully, it's a sneakily effective success. Is the latter so bound up in the former that it loses impact? I thought not, but that's just me.

For a two- or three-hour game with an asking price of $7, Leo's Fortune might seem a bit overpriced, but throughout the journey I found myself enjoying the controls, the well-placed puzzles, and yes, even the nostalgic gaming environments.

Anyone looking for a better example of TenNapel's creative spark should seek out a copy of The Neverhood—it hasn't aged perfectly, but it's far more entertaining than this failed follow-up.

Tales is far and away the most entertaining game I've played from Telltale yet.... And given the way the final episode ends, I'm very much looking forward to the sure-to-come second season.

The combat is brainlessly entertaining, but this sort of content only occupies someone for so long, and with no other improvements or expansions to the core play, I can't in good conscience praise this game. That said, I did find it interesting enough to want to find out more about the IP, and I strongly suspect those who are already fans will happily climb aboard this particular pirate ship.

While Disgaea 5 definitely had me hooked once things got cooking, it's unfortunate that so much of the game is tucked away at the start. I understand not wanting to bombard newcomers with too many systems, but doling them out at a snail's pace over ten or so hours takes far too long, and runs the risk of alienating returning vets.

Older gamers who aren't Minecraft devotees may find Story Mode skewing a bit young, but that's quite all right. We've had plenty of mature offerings lately, and it's great to have something that's fit for families and kids.

A tightly-designed and visually pleasing title that could stand to wring more content out of a clever and relatively under-explored central mechanic. Players who click with it will likely enjoy hours of maximizing scores and minimizing accidental deaths, but those not in love with the core mechanic aren't likely to be won over by this spooky shooter.

As time goes on, I grow more intolerant of the extreme eleventh-hour difficulty spike found in so many games. Mushroom 11 begins wonderfully, with some striking 2D background art and a bounty of inventive puzzles in its earlier levels. I want to recommend it for that, but the unfortunate truth is that too much of my time with Mushroom 11 was spent writhing in fury.

A decent installment in a long-running series, but this reboot is perhaps a bit too authentic in that it lives up to its predecessors, but fails to exceed them. Since it's been over a decade since the series's fourth entry, the sights might have been aimed a bit higher.

A peerless piece of fanservice wrapped around a pretty enjoyable brawler, and the developers' love of the subject matter shines through as brightly as the sun.

The sheer immersion of Madden NFL 16's gameplay makes this the best football video game since the series's salad days, and the most improved football experience since NFL Gameday first graced the PS1.

Despite my issues with the story, Technobabylon remains an exceptional game. Its clever puzzles, complex characters, and unique setting make it a gem that stands out as a welcome change from more gritty, nihilistic cyberpunk stories.

It's decent in short bursts, but I have a feeling that it will be quickly forgotten once the Vita's upcoming Senran Kagura: Estival Versus hits.

Afro Samurai 2 sports questionable design, is broken in many ways, and is generally unworthy of anyone's time or money. I wouldn't even recommend this to the hardest of hardcore fans of the series. Why the developers and publishers let this game hit the market, I'll never know.

The beauty of its locations can't be denied, but it seems to be at odds with the game's core. The backstory didn't grab me, and the avatar's journey lacks internal logic or a narrative thrust of its own. Rapture coasts a long way on the strength of its visuals and score, but in a minimalistic game, production values can't mask the weak storytelling and thematic inconsistency.

Atlus has got themselves one hell of a spinoff.

While Evoland 2's trip through video game memory lane made me feel like a kid again, the high points are outnumbered by the times I muttered "Ugh, one of these." Nostalgia can be great at times, but but most of this stuff is better left in the past.

Party Hard is not a game that rewards players who take chances or attempt to learn the layout of levels, since the developers randomize the stages after each failure. Trap elements, items, and victim gathering points change every time. There's no value in practicing techniques when there's no guarantee players will have a chance to use them.

It's always a great feeling to go into a game with no expectations and then come away highly impressed, and that's exactly what happened with Onechanbara Z2: Chaos. It's an irreverent, enjoyably kinetic game, and the takeway is that quartets of highly skilled warrior women murdering the absolute hell out of zombies in bloodthirsty fashion is, above all else, completely and totally rad.

It's kind of insane that the spiritual follow up to Peace Walker and easily the most ambitious Metal Gear title to date somehow winds up as arguably the least interesting entry overall, but there it is.

Armello has tons of appeal. The art is gorgeous, the premise is engaging, and I'm always interested in new virtual boardgames. Unfortunately, the mechanics don't feel like they're quite where they need to be, the singleplayer mode comes up short, and the online mode can be slow and frustrating depending on the other players.

Zenzizenzic is a neat take on bullet hell, sans the Anime kitsch that it's usually wrapped in. For a debut project it shows professional execution and polish, and the catchy soundtrack should sweep players off their feet. With a price around ten bucks, it's a must-see for fans of the genre.

While Mad Max doesn't reinvent the open-world genre, I loved reveling in the things it gets right. Burning through the wasteland in a guzzolene-fueled killing machine and smashing desert raiders at high speed is a perfect screen-to-screen translation of this seminal cinematic series, but the deeper richness of the world itself is a masterclass in subtle presentation, and it goes a long, long way towards selling the experience overall. Top class.

I absolutely recommend the game, but it should only be played a single time—once the surprise wears off, the flaws become too great to ignore.

The amount of content in Hatsune Miku: Project Mirai DX is simply staggering, and will surely offer hours of fun for Vocaloid fans.

Until chapter two arrives to change my mind, I'm going to have to call Missing an interesting failed experiment in reviving the FMV genre.

Though Absolute Drift was not the drifting game that I wanted it to be, I was pleasantly surprised by what it actually was. As a relaxing and engrossing experience over the course of a short playtime, it's an interesting foray into the growing genre of alternative driving games.