A game of two halves, there’s just about enough in one half to make up for the frustrations of the other. Easily an afternoon’s enjoyment in there.

A fun and simple affair, Aluna hearkens back to classics like Gauntlet and Diablo, but in a much brighter setting. However, any fun in this action RPG is stifled by technical issues on the Switch and just some simply terrible voice acting outside of the main cast.

Failing to stack up anywhere near it’s contemporaries, Blackwind is a hollow exosuit complete with unengaging combat, mind-numbing exploration and puzzle elements, repetitious presentation, poor story and baffling design choices. There are plenty of potentially great ingredients to this package, but unlike the age-old adage, the sum is certainly no greater than the parts. A meek gust of breeze as opposed to the promise of a gale-force wind.

This game pretty much falls slap bang in the middle of two genres, the simulator, and the shooter. Hunting Simulator 2, doesn’t quite match up to the needs of what hardcore hunters would be after, yet it’s way too boring for those who prefer a casual shooter experience. So I’m not really sure who this game is targeted at.

One of the best AA games to release in quite some time, Werewolf: The Apocalypse – Earthblood combines brutal combat, smart stealth and a well-developed lore into a 20 hour long action adventure campaign. It can get a little repetitive before the midpoint but there’s some excellent moments waiting for those that can push through to the end.

In Nightmare is a pale competitor to other titles of the horror-adventure genre. Stealth that’s preferable to charge through, puzzles that are the blandest of time-wasters and a narrative of dark themes burdened with typos and poor delivery. Real nightmares threaten your sleep with terror and fear, whereas In Nightmare only threatens to bore or frustrate you to death.

Project Downfall’s clunky and contradictive gameplay is the least of its worries when it’s also abysmally copying games that do the same much better. The disingenuous attempt at edginess and lack of originality make this worth nobody’s time.

Considering the resurgence of the Turtles franchise of late. It’s disappointing to see the brand reduced to this. If Fisher-price produced a game titled ‘My First Beat-em-up, this his would probably bit it. Stick to the pixel perfection of Shredders revenge for your Turtle Time.

At its heart, Die By The Blade is an addictive and brutal swordplay dueller that will definitely appeal to those that like lightning-fast fights. But without any real narrative and a snail’s pace rewards progression, it falls short in what should feel like a full release title. Let’s hope time proves us wrong on this one.

Bloodhound takes inspiration from the Doom’s and Quake’s of the video game pantheon but fails to deliver anything more than lukewarm decency. The fires of hell are muted, dimly lit and unfortunately repetitive, holding back what may have been a more thrilling boomer shooter entry. A cheap and underwhelming way to spend an afternoon, Bloodhound offers something for retro shooter fans, but won’t be achieving true satanic infamy anytime soon.

Whilst it’s not unplayable, it’s not far off. It’s trying too hard with its story scenario hopping all over the shop, coupled with an inventory management system that just doesn’t work in this kind of game.

Crime Boss: Rockay City is exactly what we thought it would be. A turgid waste of a solid central idea with a cast stacked with actors who sound like they’d rather be anywhere else or are just purely hateful. There’s a little delight in falling into b-movie nostalgia, but it’s few and far between. There’s very little here to recommend because very little of it works, if anything at all. Well, the title is fun to say at least.

Rough visuals, clunky and repetitive combat and a narrative that spectacularly misses the emotional connections it attempts to evoke, Waking makes you want to do anything but.

It’s not perfect and there is not much variety but when you do play it, you can’t help but enjoy it for what it is. I guess it must say something if I enjoyed playing this more than I did the Avengers game.

Redout Space Assault feels like two games; an enjoyable arcade shooter on rails, and a free-movement space-sim with no exploration. Glitches, unbalanced difficulty, and a lack of any worthwhile story weigh down what could have been much better.

It’s hard not to admire the goal of Clash Force. Releasing a Mega Man inspired shooter in 2020, even sticking to the 4:3 aspect ratio and adorning the wide screen sides with images of the main characters, is bold. This game is obviously a labour of love for Spicy Gyro Games. That said, compared to it’s peers in an era when we have retro inspired titles that are actually pushing the genre forward, it doesn’t do enough to look anything other than a pale imitation of the original’s its trying to emulate.

The promise of branching story lines and visceral combat fall unfortunately short in this upgraded Beat ‘Em Up experience. Despite a fantastic animation style and strong technical performance, it can’t quite grasp what made the best of the genre so compelling. If you have a buddy you can unleash your inner warrior alongside you’ll find something worth risking your honour for. If you venture out alone however, prepare to be a rather disgruntled warrior, provided your non-playable counterpart doesn’t break the game altogether.

While the opening 30 minutes might convince you otherwise, The Fridge is Red is an uninspired walking simulator with little actual game to engage with. A cool retro art style and sense of atmosphere dissipate out of this open fridge into the ether of a bland, empty and lukewarm room. This fridge is sadly more grey than red.

What could have been an interesting premise about religion, murder and cults, soon devolves into a bland and uninspired point-and-click. Saint Kotar has some originality with its faith-testing plot, but ultimately will only really appeal to die-hard fans of the genre.

Whilst the market for something neon-soaked and high octane may be lacking, Cyber Clutch: Hot Import Nights isn't going to be the game to reignite that spark. Shallow content, lacking multiplayer and just overall poor performance will see this one up on the blocks.

When Demon Skin works, it works pretty well – it’s a nice-looking title with an interesting story and some combat mechanics that set it apart from other similar games. Unfortunately, its missteps are just too impactful on the overall experience to ignore. If you have the patience of a saint, you might find enough here to enjoy. If time is at a premium, and you don’t fancy the slog, I just can’t recommend it. A real shame.

A sugar glider nature documentary as a video game, AWAY The Survival Series is an interesting idea for an hour. At that point its otherwise buoyant glide is dragged down by erratic camera, game-breaking glitches, poorly implemented combat and awful gliding controls. This one is better left in the wild.

Whilst reminiscent of classic, isometric battlers, Dog Duty doesn’t make it easy to get into. There’s fun when it’s in full swing, but the wind up to it just won’t be worth it for casual players.

While FMV game fans will likely enjoy moments of I Saw Black Clouds, there are some core issues here that prevent it from fulfilling the potential that occasionally glimpses through. The branching narrative needs a rework to ensure it respects all of the players’ decisions because right now it feels broken, squandering what spooky atmosphere some decent acting performances manage to conjure up.

It’s not just the moths that bug Remothered Broken Porcelain. It’s the fundamentally broken narrative structure, nonsensical cut-scenes, unimaginative gameplay, and tired, badly implemented mechanics. Then there’s the masses of crippling bugs. There’s no amount of patching that will fix this game.

Repetitive, uninteresting, and lacking in substance, Jumanji: The Curse Returns contributes nothing new or dynamic to the game board genre apart from a dose of movie nostalgia. This game didn’t feel suited to the Switch console, and likely best played on a mobile device because it is short and sweet, but not much else.

Glover returns with very little fanfare and sadly, it's not going to win a new audience with a lackluster remastering. The physics-based puzzles are still fun to attempt, but there's so little else here, one could argue it should have stayed back in the 90's.

Ambulance Life: A Paramedic Simulator tries to capture the chaos of an emergency response but fails. Clunky gameplay, stiff graphics and a tone deaf portrayal of mental health leaves it feeling like a missed opportunity and not a life saving experience.

Soulless and boring, Street Power Football offers nothing back for its ridiculous asking price. Vote with your wallet and leave this one on the shelf.

Built on mobile game design, Robo Wars has gameplay a toddler could master and a slide-show of boring “levels”, if you’re generous enough to call them that. The use of time-gated loot box structure for progression (with no actual microtransactions) only sullies the experience further. There are apps with far more interesting countdown timers available basically everywhere, which are probably much more worthy of your time… and money.

One of the more disappointing games of the year, Tamarin is pretty to look at but dead behind the eyes, offering very little to win over fans of Rare’s golden age.

Spy Drops desperately wants to be an authentic homage to the original Metal Gear Solid, but fails in almost every aspect. Riddled with issues, from the camera, to the AI, to the level-breaking glitches, there's simply little redeeming quality to this low-effort copy. Just do another re-run with Solid Snake himself and save yourself the pain of this.

This desert revenge adventure loses its way in the heat and the bloodlust. Whiplash inducing story inconsistencies, mind-numbing combat and stealth, alongside a complete lack of real exploration cause Blood of Mehran to suffer a fate worse than death - exile into a barren and unending trial of tedium. At least the landmarks are nice.

It had a chance, and with plenty of nods that will please fans The Edge of Reality should have been the ultimate Doctor Who gaming experience. Instead, dull puzzles and a surprisingly flat atmosphere – along with a dreadful use of the Weeping Angels – leaves The Edge of Reality somewhere that should have remained undiscovered.

Bounty Battle might be the most ambitious cross-over event in indie gaming history. It unites 22 indie games under one banner and has their heroes duke it out in Smash Bros-esque fashion. This project might have been too ambitious though as the touted story mode is missing, the existing single player content is mundane, the AI needs work and the fight stages lack variety. Still, the game looks first-rate and with friends, all the mechanics are there for a good night of scrappy indie combat.

Played almost entirely on one screen with clunky controls and game play which has you at the mercy of a random number generator, Mittleborg: City of Mages is quite a tedious game to play.

What could have been Daedalic’s chance to break into mainstream has ultimately backfired. A waste of a license, riddled with performance issues and just downright ugly gameplay, Gollum should be cast into any nearest fire, let alone a wasted trip to Mount Doom.

The environment is initially interesting but it’s such a poorly designed, awkward experience that’s so bare bones, it’ll have outstayed its welcome within half an hour of play. While it’s a cool concept, the execution shoots it in the foot and leaves it for dead.

An interesting concept, potentially exciting systems and some appealing visuals are utterly squandered in Alpha Invasion. With a profound number of technical issues, mechanical inconsistencies and level design that portray a slapdash feeling, you’ll need an immense amount of patience to overcome this games annoyances. After having to quit out of the game 6 times on the same chapter because of 6 different glitches, I think this is one E.T. that should have simply stayed home.

Snakes and Ladders on PS4 is a functional, child friendly recreation of the timeless board game. It has a few convenient features which make it easy to play and the board you play on has some 3D snakes which give the game personality. For the asking price though, the real world alternative is much cheaper and just as enjoyable.

If you liked the Baldur’s Gate or Neverwinter Nights games from the 90’s and have been hankering for something similar and traditional yet modernised, Tower of Time delivers just that. You will need to have some patience with its slower segments to see it through to the top/bottom.

A colourful third person party shooter with adorable aquatic characters, Otterman Empire is rough around the edges with a tutorial that does more harm than good. The single player and co-op game play flits between fun and pedestrian while the Versus mode might as well be the games saving grace. A decent multiplayer mode that’ll have you laughing at a party or with family, it’s the best part of Otterman Empire by a long way. It’s just a shame that a lot of small issues sour the rest of the experience.

Golf on Mars is a natural evolution of the Desert Golfing formula introducing new mechanics and a more interesting landscape. There’s no adverts, no microtransactions and no distractions – just you, the never ending landscape of Mars, a simple but engrossing concept and a game play loop that won’t get boring for many, many hours. For some, the reduced challenge in this game will take a little away from the experience and some old frustrations have been replaced by new one’s but if you’re looking for something to kill time, there’s only a few games that can do it as expertly as Golf on Mars. Only 25,769,997,800‬ holes left to go…

I am reminded as I try, often unsuccessfully, to manage my family and my subjects and stave off invasion, of Yes, Your Grace’s first message. Don’t try to satisfy everyone. This applies to your petitioners and family, but I think it also applies to the developers and their uncompromising creation. This game will not satisfy everyone, but so what? Instead of doing that, they have catered to a core audience, and to the already diehard fans, who will find within Yes, Your Grace something unique, narratively complex and unwavering in its vision.

The novelty of the absurdness wears off pretty quickly. But it makes up for it by being a fun little football game.

A featureless, shallow, bland and thoroughly turgid experience, Sabec’s “Bowling” is poor even compared to the bowling mini-games you find inside other games, like GTA IV. It doesn’t follow the rules of bowling, isn’t fun to play and lacks even a hint of personality. The search for a decent bowling game continues. At least things can’t get any worse.

With a vast interconnected cave system to explore, and all the genre trappings and pitfalls, Outbuddies has the elements most will be looking for in a new digital spelunking fix, just without the flair to find its way back to the surface.

There are a myriad crafting and survival games that are better designed and more refined than this and most of them cost less. It’s simply far too many GAME OVER‘s for my tastes.

Like a great piece of music, I’m excited to revisit Across The Grooves over and over again.

With better, more functional games already in existence and more exciting ones on the horizon (hello Dungeon Chess and Auto-Chess), it’s incredibly difficult to recommend Sabec’s version of Chess to anyone. Checkmate? There’s no way out for this one.

Warborn is a stylish, smartly designed and content packed sci-fi strategy game. The 30~ hour campaign tells a fun narrative, despite a rocky start, that tests the player to overcome a decent variety of foes and puzzle like missions. With a tactical depth that’s immediately clear but surprisingly deep, it’s a joy to play both on and offline. A few niggles aside that could be fixed post release, Warborn is one of the better strategy games you’ll play this year.

If you’re hankering for a game that looks like it comes from the late 80’s/early 90’s and can keep you busy for an hour for a few pounds Sterling, that’s what you’ll get here. It is sorely missing multiplayer, leader boards and game modes that could really elevate it to bigger and better things. Maybe in a sequel…

If you’re desperate to play a Match-3 game and the only system you could possibly play it on is a PS4 then Rune Lord will give you what you want. There’s some easy trophies to earn here too. Unfortunately, if you’ve got a mobile phone or PC with an internet connection at hand then you already have access to a plethora of more innovative, more original and simply better Match-3 games that are free to play and will only cost you the amount of time to dismiss an occasional advert. When there are better alternatives with no monetary price, Rune Lord becomes a very hard game to sell or recommend.

Clocking in at just under 3 hours for a single play through, Gunman Clive HD Collection is a short yet charming experience on PS4. For the first game, the length isn’t so much a detriment because the game flows very quickly and is constantly fresh and fun. The remastered sequel is a far less enjoyable experience, doubling its length but containing some truly irritating or confusing sections. The unique art style is as much an annoyance as it is pleasing on the eye when used incorrectly but at least the soundtrack remains consistently pleasant.

Troubleshooter is ugly, mechanically shallow, stylistically mundane and lacks any kind of innovation. Without a framing or story to give it meaning, it looks like a hodgepodge of assets thrown together with some barely working systems and mechanics built around them. The design flaws are numerous, the soundtrack irritating and it is quite frankly the worst game I’ve played in 2020.

If you’re a veteran of Solomon’s Key and are desperate for more, Ghost Sweeper will provide you with what feels like the levels from the 1980’s classic that didn’t make the cut. The mechanics and enemy types have been recreated with a spit shine for modern TV’s and having a second playable character is a nice touch. Compared to modern day puzzle platformers though, Ghost Sweeper feels like a relic from the past that needed more of a refresh that simply updated visuals.

WarriOrb is a painful experience, and your enjoyment levels will depend on how masochistic you are. I found no impetus, no driving force to get the wisecracking Orb from A to B through any more sorry-looking levels. Very quickly I had had enough of retrying broken platforming sections two or three dozen times, for what is essentially no reward, except more of the same relentless, slow, monotonic boredom.

As a single-player experience, there is little to keep you playing past the first few rounds, but as a party game with some mates, there’s fun to be had. It’s not the epic that Rocket League is, it’s not the clever and skilled party game that Over-Cooked is, nor is it as memorable as many classic party games, like the Crash Bash, Mario Parties and Pokemon Stadium mini-games of old. But it does what it sets out to do, just with absolutely no embellishments or flair. There’s just very little to it and that lack of content is the main story here.

Those with the patience to can forgive its foibles and push through the issues that Construction Sim 3 has though will be rewarded with that strangely therapeutic and relaxing game play loop. It’s surprisingly rewarding to stand back and survey your virtual creations when they’re finished but there’s plenty of room for improvement with the inevitable next instalment in the Construction Simulator series.

Null Drifter is a fun game for a short burst of chaos and has plenty of good points with the dash mechanic and the various power-ups. However, give the game thirty minutes or so and you’ve pretty much seen all it has to offer. If your eyes can somehow translate the flurry of pixels on the screen, you’ll have fun unlocking the trophies, something you seem to win after every bullet fired. Null Drifter is a simple, fun, but ultimately shallow shooter, which is fine if you want a quick blast.

This is a simple game with a simple mission with only the bare minimum of content to keep you playing. Usually, even the simplest games are at least polished in one particular way or another with either beautiful graphics, or some interesting gameplay gimmick to keep you coming back. Galactic Warfighter has no unique selling point. It is as generic as its name suggests.

Simplistic but fun mini-games can’t quite match the quality of the music they’re accompanying in Teenage Blob, a unique split EP music/game that’s over before it really hits its stride.

A sound puzzle platforming concept that leverages character cooperation is ruined by technical flaws and a show stopping bug. There’s mushroom for improvement here.

It’s almost impossible to recommend Sabec’s Golf, a game with a single course, frustrating physics, a low-poly environment that’s difficult to read and a distinct lack of personality. This game is a hole in 1/10.

A cracking roguelike with a welcome progression system, Collapsed is only let down by its dated Flash-like graphics. See past that, and there’s a cracking adventure to keep coming back to.

Bringing nothing new to the table, suffering with some frustrating sections and with an art style that’s nice to look but can make the game hard to read, The Explorer of Night is a retro inspired platformer that’ll scratch that twitchy platformer itch for a day or so – but no longer.

The Darkest of Times stark and sobering reminder of how lucky we are, and what sacrifices were made for the greater good. As basic as you can get for a strategy game but it’s all the better for it.

Cave Digger loses a lot of immersion in the journey to flat screen TV’s but the game play loop of mining and then re-investing in making the digging faster and more efficient still works a treat. Coupled with the darkly funny DLC which is included in the non-VR version of the game, this is a game that’s still worth a look when played on a TV rather than a headset.

While it’s far clunkier than it’s PC counterpart, Niche on the Switch is still an interesting strategy game that uses population genetics as a core gameplay loop to both entertain and inform. It has its issues but it’s weapons grade cute and anyone who enjoyed Spore will get something out of this.

Described as a “sandbox hunting simulator”, Sabec’s Hunt is anything but. A poorly crafted open world, shallow shooting mechanics, bizarre AI reactions and very little incentive to play the game beyond a few runs, Hunt is the worst hunting game on PS4 by a country mile.

Whilst it initially looks like carnage, Police Stories offers a level of tactic and forethought to the top-down shooter genre. Get past that initial steepness and there’s a wealth of fun to be had in the methodical approach.

A shallow and featureless package, Air Hockey is a game that wrestles with its control method and loses. It lacks any personality and within a few seconds, you’ll have seen everything this game has to offer. Compared to many of the other Air Hockey games available today, or from history, Sabec’s effort is a spectacular own goal.

A console version of a classic pub quiz machine game, Sabec’s Spot The Difference is fun to play as a group and intuitive enough for a toddler to pick up. Unfortunately, a lack of content means that within a few hours, the images have repeated so often that there’s no more differences to find. There’s much better versions of this concept elsewhere and for a much smaller entry price.

Erratic physics, sluggish controls and a lack of any meaningful game modes means that while Sabec’s Table Tennis might look like the great sport of ping pong, it doesn’t play anything like it.

The saying “you get what you pay for” certainly applies to Road Bustle. An unsightly runner that’ll keep you entertained for mere seconds, this game is little more than a Platinum trophy with a price tag.

A unique narrative framing and art style give Stilstand the tools to tell the story of one woman’s summer long existential crisis in a compelling and original way. It’s a short experience but one that’ll be deeply relatable and darkly funny to those who know the sting of anxiety and depression. This is one of 2020’s hidden gems.

Probably the quickest and most pleasant platinum trophy on the Playstation 4, Feather gives you the chance to soar like a bird. It’s a shame that it is held back by an empty world, a lack of interesting things to do beyond flight, and control glitches.

A perfectly serviceable remaster, Panzer Dragoon: Remake still feels like a missed opportunity to reinvigorate a franchise that deserves it. Would love to see what MegaPixel Studio could do with one of the sequels and a little more creative freedom, but this feels a little too difficult to recommend at the price.

Rip Them Off is a niche game made by a small team. The 1970’s thematic elements and corporate jargon carries a solid core concept for a time but it needed to be more accommodating to the player during its more challenging moments as the game can degenerate into tedious trial and error very quickly.

A series as imaginative and as entertaining as Trollhunters deserved a better tie-in video game. Defenders of Arcadia has a few enjoyable moments and it certainly looks the part but uninspired combat, tired level design and a story which feels more like a TV clip show than a cohesive narrative means it falls well short of fan expectations.

Ben 10: Power Trip delivers an adult sized game with a child friendly veneer. The co-op might be partially hamstrung with technical issues and a large chunk of the game might feel mundane but this is the best Ben 10 game to date with an open world that kids love to play around in.

A visual novel that stands shoulder to shoulder with the giants of the genre, Along The Edge is a fantastic and fantastical story that’s delivered eloquently and masterfully. It’s missing some modern quality of life innovations but that doesn’t spoil what it one of the most majestic hidden gems I’ve ever had the pleasure to review.

Well crafted and responsive, Terror Squid is an addictive one-stick dodger through a bullet hell of your own creation. It does it’s one thing really well, but with just a single mode and a single gimmick, there’s not really enough to justify the price tag. This is one for the score-chasers.

In Tyd wag vir Niemand, abstract yet repetitive puzzles make way for frustrating challenges that manage to make time manipulation boring and irritating, something I thought impossible. It can be easy on the eyes at times but that’s little consolation for a game that actively encourages the player to give up through overtly aggressive and clumsy game design.

Death Ray Manta SE is laser targeted to a very specific group of players. If you long for the heydays of the Llamasoft games, this game gives you the feeling you had playing these games back in the day but with spruced up visuals, a plethora of fish puns and a more accommodating nature. There’s some required repetition and the visual presentation might immediately repel some, but for those it’s aimed at, Death Ray Manta SE is an excellent “just one more go” game. Only now, it’s “just one more go, on the go” with the Switch version.

It’s hard not to admire what Nova-box attempt to accomplish with Seers Isle. There’s some narrative devices used in this game that most visual novel games would shy away from and there’s a cast of characters that beg to be explored further via player choice. It’s easy on the eye and tells some entrancing stories – but a few of these tales trip up over the complexity of essentially having 8 lead characters and being unable to give them all a satisfactory arc without repetition.

You’ll need dogged determination and the reflexes of a cat to get anything out of Double Pug Switch. It’s inventive dimension switching mechanic is lost in a sea of spikes and overtly difficult levels that are tough to fur-give.

A charming bubble popping puzzle games that replicates most of what worked back in the 90’s, Rusty Spout Rescue Adventure is a fun if limited game. There’s nothing wrong with emulating the classics but when a game does this without bringing anything new to the table, it’s hard to see it as anything but inessential.

It’s not a massively deep game, with a skills-and-stars upgrade system cribbed from many a game. That being said, Red Wings: Aces of the Sky is a fun little adventure in a First World War mold. Taking to the skies has never been so colourful.

There’s much to love in 9th Dawn III: Shadow of Erthil but it requires such an investment and patience from the player in order to pay off that many won’t push through to see the game’s best moments. The plot could have been tightened up, the presentation will be divisive and the combat lacks meaningful depth but the game world and activities it contains will have you busy for many, many hours if 9th Dawn III gets its hooks into you.

So Speed 3: Grand Prix could be a fun F1 arcade game if you take away the game’s main selling point. It would have been a nice spiritual successor to Virtua Racing, but only if you don’t play the game as intended. You can have some fun bashing up other cars but it’s all rather pointless so it kinda makes this nothing more than glorified dodgems.

Often as generic as its name, Battle Hunters needed a far more nuanced plot to really make use of its bloated 28 strong cast of heroes. That being said, the game world and it’s combat (despite not working as it should) are entertaining enough to fill it’s 15 hour length.

Fight is one of, if not the single worst fighting game on PlayStation 4. A few saving graces mean there’s maybe an hour of car crash entertainment here but beyond that, this game is a pale imitation of the classics in the genre. It either demonstrates a severe lack of understanding of the design tenets that make for a fun and competitive fighting game or that Sabec just didn’t care enough to implement them. I’d prefer to get punched in the face than play this game again.

Inexpensive and familiar physics puzzles with a quirky art style will grant any King Oddball player with a few short hours of mindless entertainment. The lack of any new content or utilisation of the DualSense controller means if you’ve already played this on the myriad platforms it’s already on, there’s no need to double dip. This one’s for those that have already completed all of the PS5 launch games and are scratching around for anything else to play.

It will mentally tax you at times, but Bridge Constructor: The Walking Dead is a treat to play. A couple of technical issues here and there don’t ruin the experience, and any faults usually fall on your shoddy workmanship.

While it has lost some of its uniqueness in the 2 years since it launched on PC, BFF or Die still has the capability of lighting up an evening with friends on PS4. 1-4 player co-op puzzles that are more to do with your group dynamic than what’s happening on screen deliver equal doses of hilarity and chaos despite a few frustrating levels. This one would be perfect for a gaming group or as part of a playlist of party games sandwiched between Gang Beasts and a Jackbox game.

Controlling like a more leisurely-paced Geometry Wars, Sparkle 4 Tales is a languid affair which could have used a little more focus and drive to make it something you’ll want to stick with until the end. As it is, it’s an aesthetically pleasant experience that I struggled to care about after the first thirty minutes.

For new players, Concept Destruction on PS5 will provide 2 hours of no frills car smashing before it gets dry. The structure of the game, emphasising survival rather than the cathartic crashing, feels at odds with the fun the game can deliver elsewhere. For PS4 players, the upgrade here can barely be described as such and beyond an easy Platinum Trophy, is hardly worth a download.