Rage 2 is a frenetic, brutal and satisfying shooter, but it is too easy to complete and it lacks content. At least the game made by id Software and Avalanche is still an enjoyable experience.

This is undoubtedly a successful episode, even if it is the victim of some small rhythm problems, and now we just have to wait for the next (very hot) act. Just a shame that we will have to wait quite a while ...

Space Junkies is a solid and fun arena shooter, with all the essential ingredients in the right place.

We found ourselves facing a title driven by insufficient and inadequate gameplay on both PC and mobile systems.

The new work by Bertil Hörberg will keep you glued to the Switch screen thanks to its style and its adorable vintage look.

But it is above all the prospect of living in such a fascinating setting in portability, and such a profound epic, worth much of the ticket price.

Despite a rather slow start and a "Dark Souls-like" combat system that also disappoints on the distance, the post-apocalyptic journey of Black Forest Games, at the crossroads between the action-adventure and the management, demonstrates qualities that could be tempting to lovers of the tough and uncompromising challenge.

The lack of interactivity and emotional involvement, the ease with which the few hours of play are dealt with and the almost total absence of replayability unfortunately prevent the Italian studio from flying high towards the sun.

Zanki Zero is a meltin 'pot of genres, influences, ideas and theories, where each element has its own importance in the gameplay context.

A version that imposes on players a long series of graphic compromises dictated, as usual, by the specifications of a hardware far less powerful than that of the living room counterparts.

An enjoyable experience, essentially, especially for all the "devotees" of the reference genre.

A delicious game, with a boundless heart and lots and lots of passion behind it.

For better or for worse, Day Gone exceeds expectations. Bend Studio focuses heavily on the plot of its latest work, sometimes even at the expense of the gameplay, forced to adapt to the narrative needs of the survival game. Despite this, Days gone is still a very unique experience, thanks to its extremely recognizable personality shining through.

The poor quality of the artistic direction and some fillers too can not obscure the excellent work in the conception phase, writing and conception of the work.

In no uncertain terms, Katana ZERO is perhaps the first big surprise of 2019: a breathtaking action game.

A poor collection. There is no delicate way to say it.

The repetitiveness of the schemes and the re-use of assets risk making the product much less long-lived than the other exponents of the genus, reducing in the advanced stages the variety of situations, the originality of their outcomes, and more generally the transport for this adventure of the past.

The purchase of the Switch version is recommended despite these reservations, especially given the good list price and the prospect of playing it in a portable format. And then, who knows: to relive this adventure could prepare us, sooner or later, on the return of the Arisen ...

Mortal Kombat returns after four years of absence, flooding our screens with an incalculable amount of blood and ultra-violence. The eleventh chapter of the saga signed by Netherrealm and published by Warner Bros. Games is a concentration of new mechanics and classic elements, masterfully united under the sign of an above-average production.

With a budget price, in fact, it offers a co-operative campaign that - while banishing any form of narration - will entertain and entertain those who will play it with other colleagues. This is due, in a nutshell, to the only real diamond point of the offer: the gore system and the swarms of the undead.

Instant classic.

Even on a personal level, Senua's determination should remind us more often that "even in darkness, the beauty of the world is always there ...".

Although not a revolutionary chapter for the series (net of the subject matter), Anno 1800 is a solid and well-structured city builder, recommended to all.

Having the chance to play it on Nintendo Switch has made the experience even more enjoyable and accessible.

A great wasted opportunity.

The title boasts a complex management system, but the superficiality and above all the linearity of the plot prevent Nelke's path from capturing the player's attention and holding it for the entire duration of the affair.

A must for anyone appreciate experimentalism in the videogame field.

World Mission is not a particularly deep game and is also technically obsolete. But it is also true that it offers a wealth of content that can make the experience as fun and long-lived as required, combining the whole with a huge amount of fanservice for all Dragon Ball lovers.

The lamentations of those who do not want to accept it are worth less than the wonder of those who have always wanted it.

Has an undeniable charm.

If Phoenix Wright: Ace Attorney Trilogy were a less lazy operation, at the bottom of this page would take a very different score.

Poor in content but not in spirit.

Despite its limitations, in short, it is a pleasure to run dangerously between the slopes of Dangerous Driving.

The ideas certainly were not lacking: a little extra budget and a bit of greater dedication would have been enough to create a truly special game.

Some exaggerations and shortcomings in the script phase, combined with the poor quality of some processes present and a not particularly exciting general writing, must not obscure the quality of its systemic structure, particularly effective in describing a play of powers in which the law is an instrument stronger, and no guarantee of the weak.

A very confusing operation.

This collection failed to save itself from a disastrous landing.

Although Generation Zero seemed to have a lot of potential, it failed every expectation.

The roar of the Apocalypse has remained the same as always: fascinating, epic and roaring.

Assassin’s Creed III: Remastered brings with it the flaws of the original, but has made some improvements both in terms of graphics and gameplay.

A convincing start to the season for Nintendo Switch 2019.

Square-Enix's fifteenth fantasy will end up condemned to darkness, as the protagonist of his latest DLC.

Xenon Racer is rewarding, fun and well thought out.

The hope is that in the future the development team can add a multiplayer component.

A work that certainly does not lack inventiveness and originality.

Xenon Racer is rewarding, fun and well thought out.

Above all, there is a technical, rapid, stratified combat system. A grueling challenge of nerves, tenacity and reflexes, which knows when to open up to less obsessive rhythms, enhancing stealth and exploration. A masterpiece of style and wickedness, lightning and lethal, forged in the blood of mistakes and in the resolution that is hidden in each of us.

It offers a decidedly solid base for the future of the Ubisoft branded work.

Although the world of Eden Tomorrow is intriguing, the playful limits that compromise its enjoyment are difficult to overshadow.

Although the willingness to add several extra content types is appreciable, some questionable choices in this regard betray an unpleasant “cut and sew” effect that sometimes threatens to stain the precious dress made by the virtual artisans of HAL Laboratory and Good-Feel.

A game that, despite being sufficiently effective, could have balanced more carefully not only the length of the conversations between the characters, but also the difficulty level, clearly set down.

A series of elementary inattentions in game design echo a dull and decidedly non-dynamic open world.

Exalted, rocking, technical, pleasantly excessive, the action of the game conquers and wins from the beginning to the end, almost always without reserve: apart from a slight imbalance of the old protagonist, Capcom has assembled a combat system that sits effortlessly at the top of the action game, in terms of diversity and depth.

From the last effort of White paper games emerges a highly political, exquisitely interactive, courageous work in being perhaps late with technical standards, but fresh and original in the formula play.

A product designed for old and new fans: fans of the original visual novel will find a refurbished title, both visually and in terms of content.

At present, it is only recommended for players in withdrawal from the JRPG.

The problem is that Left Alive really misses on too many things: it presents itself with clearly limited gameplay, which only in the number and in the diversity of gadgets succeeds in convincing. When it comes to infiltration and shooting the problems are overwhelming, and they concern the responsiveness of the control system, the artificial intelligence, the variety of stealth approaches, the structure of the missions.

Full Body could therefore prove to be a temptation to which to surrender without any repentance.

The weakest chapter of the trio, perhaps because it does not quite conceal the fact that it is a somewhat 'superfluous episode, which tells in three hours what could be said in a cut-scene.

On Nintendo Switch the title seems to dull some angularity due to its endemic repetitiveness and maintains the metaludic hilarity that distinguishes this "epic" fantasy adventure.

Dead or Alive 6 is a fun experience, but lose any comparison with the previous chapters of the series. The gameplay suffers from the inclusion of new mechanics, and the offer doesn’t shine for a technical sector that's far from modern standards.

With a resoundingly evocative and cathartic ending, and with various, small secrets waiting to be unveiled by the community and by the players, Ape Out is already a classic of the genre, for its extraordinary aesthetic and sound style, and for the excellent quality of the its game design.

Intruders: Hide and Seek is not a mediocre production, but presents some structural fragility that does not allow it to scale the PlayStation VR video game Olympus.

The adventure of Band of Bastards does not alter in any way the overall budget of production, and fails to provide the public with a sense of continuity and progression that should characterize this kind of additional content.

Trials Rising does not innovate, it limits itself to perfecting a widely tested formula, improving, albeit marginally, almost all aspects from both a qualitative and a quantitative point of view.

A roguelike with little exploration, mechanics and depth, and that only at some moment manages to stimulate the curiosity of the player.

A rich narrative composition, multifaceted and enveloping, is the setting for a frenetic and amusing gameplay, which draws strength from a surprisingly effective movement system, able to offer a unique flavor both to combat and exploration.

A visually satisfying but ludicrously poor title, which will unfortunately be forgotten a few tens of minutes after taking off the VR viewer.

A solid production, tailor-made for touch devices and made with care.

It is a pity that the exploitation of such a valid idea has produced a result below expectations.

For all fans of the discipline in question and racing games in general, this Dirt Rally 2.0 is really an almost obligatory stop. If only there had been virtual reality support, it would probably have been the perfect rally game.

With a surprising overall performance to be his first commercial work (he had already experimented with this free-of-play Where the Goats are), Cardenas gives us a small but complete artistic treatise in the form of an interactive experience, succeeding in a single stroke on stage a fierce criticism of traditional gaming structures and to enhance the school of subtractive design, describing with a bittersweet and poignant approach to the life of new generations.

Tetris 99 is a little stroke of genius. Nobody felt the need, but now that there is - and it's free - there is the risk of not being able to do without it.

An unlucky product, born under a bad star, passed from hand to hand without anyone being able to fix it. A pity, but now that all the fears have been confirmed, we can at least look beyond.

Jump Force is an ambitious fighting game that stumbles several times over itself, in an attempt to overcome its predecessors and to chase other famous exponents of the genre.

New Dawn remains a fun title and able to satisfy the tastes of Far Cry fans, but it is clear that the future of the saga depends on its ability to bring the substantially new to the table.

We can not say whether this will really be the end of Fortnite that many talk about, but personally I can tell you that Apex: Legends works great.

Oot only an excellent shooter, characterized by a unique and inimitable gunplay, but it is also one of the last bastions of FPS dedicated to single player, still able to put the player at the center of the narrative.

With Gathering Storm, Civilization VI gets even richer and turns into a true mastodon of the 4X strategy. However, the "new" diplomacy and the World Congress pay the price of an outdated artificial intelligence that struggles to control all the aspects proposed by the Firaxis game.

Slay the Spire is the ultimate deckbuilding game: stimulating and relaxing at the same time, combining a playful structure truly cared for with the variety and brevity of roguelike.

The overall experience is very engaging.

God Eater 3 is still a must for fans of the saga, who after many remastering will finally have something new on which to vent their hunger for divinity.

Exudes passion for motorcycles from every pore.

Not always fascinating.

Unless you are a huge fan of the TV series in complete abstinence of content related to the famous trio of presenters, sincerely, we advise you to turn your gaze elsewhere.

Unruly Heroes is a delight for the eyes from beginning to end.

The positive and negative sides of the curious Piku Odyssey end up being absurd: the first work of the collective Sectordub entertains and distracts, without leaving a mark beyond the carefree and cheerful tones.

Ultimately the title is highly recommended to those who have not played the adventure within Bowser, while we suggest a little caution to those who had already lived it.

A lover of Miami-like games can safely acquire it, aware of finding a series of playful patterns not easily pursued in other genres, but as regards the various elements of the work (from history to aesthetic choices, through the variety of enemies and possible interactions), we are faced with a concentration of banality.

Life is Strange 2 finally begins to discover its assets, proving the ability to repeat the success of the first season.

The pulsating heart of the product is in fact also represented by the wanderings of the hero through the brilliant licenses Disney and Pixar, capable of supporting and embellishing a fresco so undoubtedly epic but also imperfect, wounded by the gears of time.

The more the soul shatters, the more difficult it will be to put the pieces together again.

Resident Evil 2 is exactly what it was supposed to be, what we wanted it to be: a stunning reincarnation of some of our best videogame memories. Welcome back to Raccoon City.

Given the rather high ticket price, it is natural to advise you to wait for a price drop before diving into the Hitman HD Enhanced Collection.

Ace Combat 7 stands out as one of the most convincing episodes of an ancient and glorious series. In no uncertain terms, Skies Unknown represents the best possible result of a saga that decides to remain linked to its legacy, classic to the extreme.

Despite the goodwill and beyond the very clear references, Vane is not the apocryphal work of Fumito Ueda that we would have hoped for.

Travis Strikes Again: No More Heroes lives in the contradiction of wanting to pay homage to the indie philosophy in a sincere and heartfelt way, without, however, drawing out qualities that are even minimally comparable to those of the titles he cites throughout his performance.

After a moderately captivating departure, The Legacy of the First Lama continues at a crawl, with no upsurge in rhythm and inspiration.