Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Jacquot economically conveys the small, painful sacrifices both lovers -- but particularly the woman -- must make, and the constant, ongoing negotiations of power required to maintain no-strings freedom.
  2. There's a shocking, casual quality to the self-destructive narcissism of the pretty, petty kids squandering their lives in the L.A. sunshine of The Young Unknowns.
  3. Well-made film. Indeed, discovering such a small pleasure is the kind of experience that rewards film lovers who browse with open eyes as well as hearts.
  4. Peter Bogdanovich taps deep into the Hearst mystique, entertainingly reenacting a historic scandal.
  5. O
    To an astonishing degree, O gets the tragic Shakespeare mood, that somber stentorian passion born of hidden slivers of ambition and betrayal.
  6. In the scurrilously enjoyable documentary Porn Star: The Legend of Ron Jeremy, we get to know the man whom Al Goldstein dubbed ''the hedgehog of porn."
  7. Casé, with her sturdy, elemental body and shining eyes, is the reason phrases like ''inner beauty'' were invented, and she's also the reason this idealistic, naturalistic film by Rio de Janeiro born Andrucha Waddington has been such a success at festivals around the world.
    • 64 Metascore
    • 83 Reviewed by
      Ty Burr
    Fine candy for mind and eye.
  8. At times, the movie smacks of a standard-issue Hollywood chick flick, especially in the obligatory scene where the women bond by singing and dancing in a kitchen (to Doris Day's ''Perhaps, Perhaps, Perhaps'').
  9. The dramatic power, though, comes entirely from the eloquence of old people, shot in medium close-up, barely moving as they remember things.
  10. Ozon specializes in dissecting the vulnerability, erotic longing, and garbled intentions with which people regularly rub up against one another.
  11. Leguizamo owns Empire, the first film to capture the live-wire crackle of his one-man stage shows -- He's front and center in nearly every scene, and he holds the screen with a simmering self-assurance.
  12. Undoubtedly downplays the seamier, less attractive experiences of Arab women and men in Tunisian cabaret culture, and plays up the fairy-tale charm of the universal ''Flashdance'' formula in an unusual setting.
  13. Korine remains unnecessarily smitten with sordidness, and there's plenty of it here.
  14. The movie luxuriates in cinema references while laughing at its own fetishes -- a neat talent.
  15. Peculiarly bloodless.
  16. As loose and restful as pajamas.
  17. There are moments in Baran as wholesomely heart-tugging as any involving Charlie Chaplin and a blind girl, but the film is saved from aren't-kids-cute sentimentality by a warmth that isn't faked and a stately sense of composition.
  18. It says a lot for Joel Schumacher's Flawless that you can see the picture's high-concept heart a mile away and still be won over by it.
  19. There's something Slavic about Warner's storytelling.
  20. With every detail in this clever peekaboo, the sly filmmaker dangles the possibility that fiction is fact and that Yvan and Charlotte are real -- or at least as real as the movies.
  21. The Australian actress Frances O'Connor is a true find. She's as beautiful as the young Barbara Hershey, with a stare that's pensive yet playful, and she puts us in touch with the quiet battle of emotions in Fanny.
  22. Slow -- sometimes maddeningly, soporifically so.
  23. Färberböck's sensual adaptation is a matter of fact embrace of the unconventional and dangerous during a terrible time.
  24. There's unwieldy mess -- but there's also unruly brilliance to this dark and funny story about the havoc that ensues when a man's uncensored Freudian id is allowed the run of the place.
  25. Moving and eerily beautiful.
  26. Pandaemonium goes a long way toward capturing the compelling delirium of opium among a crowd of freethinking British iconoclasts.
  27. A gaily busy kid flick.
  28. Charms because of its natural, non-magical attitude toward humanity.
  29. Charms with its amalgam of absurdity, optimism, humor, and avuncular regard for the million small daily chores, rituals, suspicions, and courtesies of dwellers on even the sparsest spots on earth.

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