Entertainment Weekly's Scores

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For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
  1. Positive: 4,958 out of 7797
  2. Mixed: 2,079 out of 7797
  3. Negative: 760 out of 7797
7797 movie reviews
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  1. Undisputed
    Undisputed is a shrewd and splendidly volatile B movie structured around a highly original gambit of suspense.
  2. The Broken Hearts Club: A Romantic Comedy
    A majority oriented movie that assumes sophisticated familiarity with a sexual minority.
  3. Blind Spot. Hitler's Secretary
    Her memories lack the quality of revelation -- that is, up until the remarkable final section, in which she describes the last weeks in the bunker with Hitler and Eva Braun.
  4. The Mothman Prophecies
    It's made with deftly unsettling genre flair.
  5. Chunhyangdyun
    It's a good bet the average American moviegoer, however familiar with the rhythms of cinematic global culture, has never experienced such a handsomely self contained world.
  6. Spring Forward
    Great, restrained performances of Beatty and Schreiber, delicately framed by the filmmaker's taste for visual compositions.
  7. Warm Water Under a Red Bridge
    Imamura's delight in the infinite oddity of men and women is goofy; it's also, at heart, reverent.
  8. The Lady and the Duke
    The technique is impressive. But it would count for little if the human story -- of a magnetic, resourceful, and, in the way of all Rohmer heroines, articulate woman who was mistress to the Duke of Orleans -- weren't engrossing on its own dramatic terms.
  9. Stardom
    It may be the first movie that mirrors, in its very syntax, the ''snap crackle and pop'' narcotic superficiality of the E! channel. I mean that as a compliment.
  10. The Source
    The rare case in which a filmmaker's unadulterated worship of his subjects adds force and resonance--and not just luster--to the way that we see them.
  11. Merci Pour Le Chocolat
    Huppert has never been this cheerful, or lethal, and the movie itself is like Hitchcock's ''Rebecca'' reshot for House & Garden, with all the ghosts pulled out of the closet.
  12. Stevie
    Gripping in its intimacy.
  13. The Hurricane
    Washington immerses himself, even more than he did in "Malcolm X," in a stare of unforgiving outrage.
  14. Dr T and the Women
    Funny and ebullient look at a man in full confusion.
  15. Biggie and Tupac
    At best, a half-finished puzzle, but Broomfield leaves you with questions that few investigators have even dared to ask.
  16. Mondays in the Sun
    The performances are relaxed. The open-ended, vignette-like structure of the filmmaking sometimes imitates the movement of weary, life-worn men nursing liquor.
  17. Mein liebster Feind - Klaus Kinski
    Herzog's fascinating, rambling, love-hate documentary about their friendship and creative partnership, and in its discursive, anecdotal way it gets at the essence of one of cinema's indelible crackpots.
  18. Felicia's Journey
    Like a dowser who can divine hidden sources of water, Atom Egoyan has a talent for locating the dream-state perversity that runs just under the surface of everyday life;
  19. Nicholas Nickleby
    At a little over two hours, this is a pared-down but no less essential Dickensian feast.
  20. Erin Brockovich
    Roberts, in her most forceful dramatic performance, allows us to take in every moment through fresh, impassioned eyes.
  21. Domestic Disturbance
    Every signifier in this quintessentially American domestic thriller is in satisfying running order.
  22. The Tailor of Panama
    In a world full of off the rack thrillers, it's fine boutique quality.
  23. The Crocodile Hunter: Collision Course
    The mad genius of this cheerily bonkers feature is the integration of a documentary-style safari into an outlandish fiction involving a fancy-pants CIA pursuit of a downed spy satellite, and a shotgun-wielding outback widow.
  24. Tosca
    Conveys the heaving passion of Puccini's famous love-jealousy-murder-suicide fandango with great cinematic innovation.
  25. Rabbit-Proof Fence
    Noyce honors the story best by standing back (and getting Kenneth Branagh, as a supercilious official, to stand back, too): Noyce lets the landscape and the untrained young actresses own the screen, particularly the naturally magnetic Everlyn Sampi.
  26. Only the Strong Survive
    One of the happiest movies around.
  27. Shine
    Shine beams with warmth, sensitivity, and fine taste.
    • Entertainment Weekly
  28. On the Run
    Genre-hoppers like Steven Soderbergh ought to love this neat triple doozy. [Note: From a review of the entire trilogy.]
  29. An Amazing Couple
    Genre-hoppers like Steven Soderbergh ought to love this neat triple doozy. [Note: From a review of the entire trilogy.]
  30. After the Life
    Genre-hoppers like Steven Soderbergh ought to love this neat triple doozy. [Note: From a review of the entire trilogy.]
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