For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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- Critic Score
The brilliance of Michael Mann's Manhunter is that it appreciates that the true nexus of humanity is our shared closeness.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Bright dialogue and finely embroidered performances adorn The Guru like festive beading on a pair of made-in-India bedroom slippers.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Underneath the ravishing imagery however, hearts are in flux.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Wide-ranging and beautifully edited -- it's a vivid evocation of a moment when even the ugliest guitar feedback could be taken as a serious political statement.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A sturdily diverting old fashioned heist thriller that looks like a masterpiece of sheer competence next to the slovenly action fantasy F/X grab bags that have been passing for summer entertainment.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The two XXL personalities are in fit, fighting form in a comedy as bracing and furiously right for the moment as it is broad and huggable.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Smart enough to hook us with the best thing it has going: Cedric the Entertainer's gruffly uproarious and lived-in performance as Eddie.- Entertainment Weekly
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
Crowe sometimes summons up one of the most powerful depictions of mental illness I have ever seen with barely an eyelid flicker separating manifestations of sickness from utterly sane displays of creative concentration.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Although it shares a bitter interest in slum desperation with last year's Brazilian-underbelly docudrama ''City of God,'' Bus 174 pulls ahead, I think, by not confusing cinematic pizzazz with the content of misery.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
To explain a serial killer is to diminish his madness, but Dahmer does something quietly riveting. It lets you brush up against the humanity of a psycho, without making him any less psycho.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Zigzags across the conventions of genre, occasionally driving on the shoulders of black humor -- it's a road movie for the way we process suspense today.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie has a mystery, and moral unease, that lingers.- Entertainment Weekly
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Lisa Schwarzbaum
Reflect the robust status of Yiddish theater in the early 20th century, and its post-Holocaust decline.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
That his (writer-director Tom McCarthy) strange, often funny film is so well-disciplined and deadpan refreshing is an achievement.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Ty Burr
Alec Baldwin is on camera for barely eight minutes in Glengarry Glen Ross, the tightly wound — and actually very fine — film adaptation of David Mamet’s play. But his big speech, whipping up the assembled real estate salesmen with reptilian gung ho, could stand as a compressed version of what makes Baldwin, when bad, so good.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The already heavy-footed clomp of Grisham's declamatory storytelling style has been given an extra-thick-soled, wing-tipped, liberal-leaning, reality-tampering kick thanks to a screenplay credited to four writers.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
This charming, if unnecessarily coronation-length production gets the duckling-to-swan ambivalence just right.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The easygoing silliness with which this late-summer movie surprise scuttles from mayhem to mayhem and the verve with which the cast throws itself into the fray are so cheering and liberating.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Another grotty drama about junkie love? Well, yes...I make an exception for Jesus' Son.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
The movie is a great big feast of wreckage. But that’s also what makes it a bit numbing.- Entertainment Weekly
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Reviewed by
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- Entertainment Weekly
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Reviewed by
Owen Gleiberman
A pulsating snapshot of America caught in a mad, liberating identity crisis.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
May not tell a great story, but it's a great wow.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
This is an origami story, really, about what a construction of chance the big world is.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
When they're good, the Yes Men are astonishing, anarchic sights to behold.- Entertainment Weekly
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Reviewed by
Ken Tucker
The biggest problem with Lone Star is that colorful Charley Wade isn't the center of the movie -- it's bland Sam Deeds. Cooper isn't a compelling enough movie star to carry us along some of the film's more languid twists and turns.- Entertainment Weekly
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