Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. An animated family movie about penguins -- in the wake of "March of the Happy Feet," they're the Angelina Jolie of animals, both cute and admired everywhere. Plus, it's about surfing.
  2. Hurtling and impassioned, driven by some of the greatest popular music ever recorded, this wildly overripe and unkempt biopic is a true experience.
  3. An irresistibly vibrant concert-tour documentary.
  4. The Cuban escapade, designed to provoke, backfires when he loses focus by including Cuban firefighters in an homage to 9/11 first responders.
  5. Vitus, a fizzy domestic fairy tale from Switzerland, gives you a lift, as it revels in the oddball joy of genius as kid power.
  6. The flourishes don't answer the question most on Potterites' minds -- who lives, who dies? -- but they briefly stupefy.
  7. An unlikely comedy charmer.
  8. Another thinking-person's thriller from director Danny Boyle and writer Alex Garland, also co-pilots on "28 Days Later."
  9. The best thing about this long-awaited feature-length project, a classic Simpsonian interplay of family psychology, social commentary, and brainy visual and verbal jokes tossed off at rat-a-tat speed, is how relaxed it manages to be.
  10. Devious and inspired enough to juice you past any weak spots. Thou shalt be amused.
  11. There's no denying its grip: It is lurid, fascinating, sickening, and eye-opening.
  12. Its pulpy violent excess will tip over...into slightly more excessive excess. That's its silly, scuzzball joy.
  13. What makes The Hunting Party an original, gonzo treat is the way that Shepard plants the movie's tone somewhere between hair-trigger investigative danger and the from-the-frying-pan-into-the-fire glee of a Hope/Crosby picture.
  14. It's as if the star (Douglas) finally gets to integrate all his onscreen personas, all at once.
  15. This is familiar psychological as well as stylistic territory for Anderson after "Rushmore" and "The Royal Tenenbaums." But there's a startling new maturity in Darjeeling, a compassion for the larger world that busts the confines of the filmmaker's miniaturist instincts.
  16. Control goes past the clichés of punk rock-god gloom to offer a snapshot of alienation that's shockingly humane.
  17. The whole film is cracked, but in a stylish, downtown way.
  18. It's galvanizing to see it played out through the furious contradiction of Carter's personality. He is pious, stubborn, compassionate, testy, moral, unreasonable, and wise.
  19. The title Terror's Advocate is both a statement of fact and a worrisome understatement in a documentary as slippery as its subject.
  20. Captures the Joe Strummer who, in the late 1970s, just about firebombed the rock establishment with his fury.
  21. As skewed, prismatic, and free of fluff as the man himself.
  22. Beowulf is a solemnly gorgeous, at times borderline stolid piece of Tolkien-with-a-joystick mythology.
  23. Enchanted is festooned with extravagant set pieces -- there's a great number in praise of romantic gestures, and a ballroom scene to make even grown-up girls swoon.
  24. There's a grim modern parable to be read into the dangerous effects of the gospel-preaching local crazy lady Mrs. Carmody (brilliantly played by a hellfire Marcia Gay Harden) on a congregation of the fearful.
  25. This beautiful and urgent eco-doc takes a bite out of the shark mythology made indelible by "Jaws."
  26. It's all about a likable scoundrel who discovers what it means to act out of conviction. The film's underlying twist, though, is tartly ironic.
  27. The movie is so finely minced a mixture of Sondheim's original melodrama and Burton's signature spicing that it's difficult to think of any other filmmaker so naturally suited for the job.
  28. Cloverfield, a surreptitiously subversive, stylistically clever little gem of an entertainment disguised, under its deadpan-neutral title, as a dumb Gen-YouTube monster movie, makes the convincingly chilling argument that the world will end -- or, at least, Manhattan will crumble -- with a bang and a whimper.
  29. Rutina Wesley glowers with just the right touch of sweetness as a brainy student (and stellar after-school stepper).
  30. What the characters in The Witnesses -- and we, the audience -- pay testimony to in André Téchiné's urgent, compassionate, and ultimately optimistic French drama are the toll the epidemic has rung, and the responsibility of the living to choose life.

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