Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The Cove is the rare documentary specifically designed as a thriller.
  2. Williams hasn't been this sympathetic in years.
  3. Even at his coolest, Downey's Iron Man remains a ghostly, neurotic crusader -- one whose life, in the Marvel tradition, has become a grand spectacle of overcompensation.
  4. The spectacular battle scenes are the engorged heart of the delirious adventure. But Woo also gets maximum romantic value from Tony Leung as a war hero married to Chiling Lin as the tea-pouring beauty.
  5. The best thing about Revolutionary Road, a cool-blooded and disquieting adaptation of Richard Yates' 1961 novel about a powerfully unhappy Connecticut couple, is that it doesn't end with that rote vision of bourgeois anomie. It only begins there.
  6. The film is consistently fun, and Tucker's comeuppance ? will leave you gasping (if not gagging) with laughter.
  7. The chemical energy between Bullock and Reynolds is fresh and irresistible.
  8. Excels at creating a keen, creepy sense of a civilization stopped dead in its tracks -- vaporized, almost, except for those disemboweled bodies left still undisposed.
  9. The fun of Role Models is that it's a high-concept movie executed with speed and finesse and the kind of brusquely tossed-off obscene banter that can get you laughing before you know what hit you.
  10. For one of those obstreperously original books that are themselves impossible to translate, Everything Is Illuminated is impressively well lit.
  11. The film's style is so ''objective'' it's a bit subdued, yet this is a sports drama of total originality, as well as the most authentic inside view of the immigrant experience the movies have given us in quite a while.
  12. Reveling in mess and homegrown multiracial mayhem, Death at a Funeral finds a new lease on life.
  13. Ong-Bak (taken from the name of the sacred statue) is delivered raw, with an on-the-fly compositional approach from director Prachya Pinkaew that includes dim lighting and jumbled editing.
  14. Gorgeous as the underwater life-forms are, the excitement of Aliens of the Deep comes from that most old-school, low-tech of elements: real human beings.
  15. It's in the brightly observed vignettes from mall-society life, captured with a low-key, on-the-run visual style, that Burman shows his best stuff and deadpan wit.
  16. In watching the birds and the man with an affectionate, curious eye, the filmmaker builds a story of surprising emotional resonance.
  17. To Winn-Dixie's great credit, both as a book and as a dandy, dignified movie, there's nothing condescendingly lesson-like in the wisdom India acquires.
  18. At times too movieish, yet Ashkenazi creates a memorable figure: a spy who operates - admirably - out of the most unyielding nationalist conviction, only to learn that he needs to let some of that conviction go.
  19. Zippy, enjoyable sci-fi slapstick jamboree.
  20. The highest praise I can give to Mondovino is that it makes you want to sample every vintage it shows you.
  21. An elegant adventure of a different kind.
  22. A skillful and winning piece of honest booster portraiture.
  23. Andrew Bujalski's Funny Ha Ha, an ebullient sliver of a movie, follows a group of men and women in their early 20s, and for once the un-dialogue dialogue doesn't come off as an affectation.
  24. Mysterious Skin dawdles more than it flows, but it comes alive whenever Araki, hovering between tragedy and voyeurism, reveals how sex can tear lives to pieces.
  25. How exceptional a film actor is Russell Crowe? So exceptional that in Cinderella Man, he makes a good boxing movie feel at times like a great, big picture.
  26. It's okay for a grown movie critic to admit she cried freely and with great feeling for more than half the movie, and grinned like a dork through the remainder.
  27. Full of splendidly shot wonders.
  28. As long as it showcases the art of krump, underscoring the dancers with ominous hip-hop beats, Rize is such a vibrant eruption of motion and attitude that you can forgive the film for being disorganized and too skimpy on street-dance history.
  29. Lila, played by Vahina Giocante, who resembles a sexed-up young Emma Thompson, is a teasing, 16-year-old blond baby doll with a gleam of perception beyond her years.
  30. The Beat That My Heart Skipped lacks the screw-loose existential vibrance of "Fingers," yet it teases out a romantic underside to the original I never quite knew was there.

Top Trailers