Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Even as the pacing falters, Majors is impossible to look away from: a man who desperately needs the world to see him — and if they refuse, to feel his pain.
  2. For all its hilarity, explicit sex — which, for the record, is a) extremely sexy, b) earned, and c) hysterically funny — and foul-mouthed dialogue, Poor Things is a romance about a woman learning to fall in love with herself, no matter what others think she should be.
  3. The Zone of Interest is a formalized and frightening Holocaust film, largely for the ways it displays the Hoss family as merely human beings. It's a stark reminder of our complicity and the capacity for great evil in the most mundane of circumstances.
  4. Haynes’ camera often perceives these characters from around a corner, or from the other side of a mirror, or inside what they think is a safe space — always giving the viewer the simultaneously icky and exhilarating feeling of being a trespasser on private secrets.
  5. Grief is a funny animal; it tangles itself in our organs and sinews, permanently altering how we love, how we see ourselves, and how we make sense of our identity. That's what Haigh is unraveling here, with a bittersweet emphasis on the power of love and its ability to transcend even death itself.
    • 84 Metascore
    • 91 Critic Score
    In William Wyler’s richly torrid melodrama The Letter, Davis unsurprisingly mesmerizes as a duplicitous murderess pleading self-defense. What is surprising is how, with the help of a good, sympathetic director, she doesn’t play the role in all-out pit viper mode. Instead, Davis reveals something vulnerable and pitiable.
  6. The Fall Guy offers a potent blend of action and romance, as refreshing as one of its touted “spicy margaritas.” Sure, it’s got a little kick, but mostly, it exists to ensure that anyone who consumes it has a fantastic time.
  7. Conclave is packed with unexpected twists and its final reveal is one viewers will never see coming, an increasingly rare occurrence in modern movie-making and the mark of an impeccably crafted thriller.
  8. This is a portrait of all that an artist must sacrifice for their work and the ways that is amplified further as a female artist. It's a fable of fame and control, but it's also an ode to a woman who could only find peace by singing her heart out.
  9. It is piercingly honest, remarkably sardonic, and breathtakingly brave in the way it lays bare some of women's deepest struggles and truths. But it is not a film that is anti-motherhood. It celebrates it as well, in all of its primal, animalistic, savage contradictions and complexities.
  10. As haunted house stories go, Presence is more interested in lurking dread than bloody jump scares, slowly ratcheting up the tension with long, uninterrupted takes.
  11. August Wilson is a poet of the American stage. In the hands of this remarkable cast and Washington's assured direction, Wilson's work finds its best conduit to the screen yet.
  12. Nickel Boys is a fragmented film, so much so that it can be difficult to grasp it. But at a certain point, it turns around and grabs you instead, refusing to let go until you're left sitting in a startling and stunned silence.
  13. What makes Freakier Friday so special is that amid the laugh-out-loud humor and welcome fan service, there's also a beautiful film here about parenting, coming-of-age, loneliness, grief, loss, and sacrifice.
  14. Apart from the sci-fi element of the soulmate test, it's familiar fodder for romantic drama, but it's of the highest caliber thanks to its sharp script and devastating central performances.
  15. It's a wildly entertaining love letter to a night of television that marked a cultural watershed.
  16. Prepare for more gruesome kills, more gross-outs, more insight into how a society might actually look a generation after an unfathomable event. These movies are clearly infectious.
    • 70 Metascore
    • 91 Critic Score
    Overflowing with Lester’s trademark irreverence and slapstick, these films still retain a vivid and bawdy period flavor.
  17. How is Invictus as a sports movie? Let's just say that its lump-in-the-throat climax is predictable, but that doesn't mean it's less than earned.
  18. Bridges' guileless performance makes this piquant little indie tale of country music, redemption, and the love of a pretty younger woman such a sad-song charmer.
  19. A grandly entertaining historical drama.
  20. The Young Victoria has a subtler flow than you might expect, and at times it's calmer than you may like. Director Jean-Marc Vallée's images have a creamy stateliness, but this is no gilded? princess fantasy.
  21. There's nothing drab about the tormented place these men take each other to. You'll want to go along.
  22. At the bone, Zombieland is a polished, very funny road picture shaped by wisenheimer cable-TV sensibilities and starring four likable actors, each with an influential following.
  23. The performances are razor sharp. And the ideas in this movie are, no kidding, big.
  24. Fan-ready and saga-solid.
  25. What's lost in translation is recovered easily enough in Michael Sheen's astonishing performance as Clough.
  26. The result is a playful, elusive movie that isn't so much heartwarming as soul-cleansing.
  27. 9
    Storyboarded with precision, and enhanced with a resonant score by Deborah Lurie, Acker’s handsome, feature-length 9 is, for all its visual flights of fancy, grounded in an apocalypse-proof message graspable by any schoolchild.
  28. It hooks you up, happily, to your inner top chef.

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