Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Cynical and cheerily merciless.
  2. Ice Age: The Meltdown blithely looks on the bright side of life, amassing a screen full of vultures to sing and dance ''Food Glorious Food'' and daring us not to get happy.
  3. There are times (and plenty of them) when Slither slops over from smart, affectionate homage into unmodulated frat goofiness as Gunn cannibalizes so many horror plots with such high spirits.
  4. Johnson also grabs hold of a fundamental truth and seduces us with it: The schoolyard can be the noirest burg of all.
  5. A fascinating and lovingly crafted musical documentary that nevertheless misunderstands its own subject.
  6. A blithe, funny, and engaging movie.
  7. Hard Candy is extreme - a battle of the sexes that glides from tricky to angry to shockingly ugly.
  8. The movie, in a sense, is just like Bettie's photos: all glorious surface. The Notorious Bettie Page captures, with seductive finesse, how Bettie Page happened, yet what it leaves us with is the tantalizing enigma of a girl who couldn't truly be ''bad'' because she made sex divinely delicious.
  9. Ineffably Australian and intriguingly (rather than annoyingly) artsy, Look Both Ways introduces a handful of people gobsmacked by life-changing crises, all of them trying to make sense of responsibility, mortality, and connection.
  10. Blessed with excellent turns by Angela Bassett and Laurence Fishburne, this feel-gooder revels in its hip-to-be-square hyperliteracy, and neatly exceeds its own PSA-ness, practically amounting to a black, preteen "Good Will Hunting."
  11. A gratifyingly clever, booby-trapped thriller that has enough fun and imagination and dash to more than justify its existence.
  12. It's a buoyant, old-wave disaster pic for a generation of well-conditioned thrill seekers charmed by the revelation that Richard Dreyfuss really is the Red Buttons of our day.
  13. The visual and verbal jokes are as bouncy and multilevel (hip height for adults, knee-slap-size for kids) as we have come, no doubt selfishly, to expect from DreamWorks.
  14. Gehry sketches and free-associates about how he's not nearly the menschy aw-shucks pussycat from Canada he appears to be but rather a wily, complicated L.A. lion.
  15. The movie, which has the slightly glum perversity of early Chabrol, is a dream of betrayal, with the squirmiest attack-of-nature tableau since Willard.
  16. What sustains the film is the performers' belief in their shaggy-dog selves, which is more than just talent - it's faith.
  17. A breakneck inner-city odyssey of jump-cut shaky-cam suspense.
  18. The film is a furious full-court press, its subjects aflame with the kind of passion only youth can furnish.
  19. Director Sérgio Machado, who worked as an assistant to Central Station's Walter Salles, lingers sensually over every wrong move his attractive tragic trio make.
  20. Cheery, expertly constructed Spanish farce.
  21. I'm not generally a big fan of tribute concerts, but this is a glorious exception.
  22. The Hidden Blade is tranquil, touching, and, in its climactic sword fight, excitingly real.
  23. Greggory anchors Gabrielle in manly bewilderment and rage, while Huppert claws the title character's way to self-awareness.
  24. Good times and bum times, they've seen it all and they're still here. Lucky us.
  25. An effortlessly clever animated confection.
  26. The result is an unabashedly home-cooked homage to New York eccentricity.
  27. The Illusionist looks rigorously styled and measured, and every one of Norton's postures feels chosen. Yet the interesting actor has chosen so thoughtfully that we're riveted.
  28. Beerfest panders shamelessly to the 15-year-old in this 30-year-old... without assuming he is a 15-year-old. It's R-rated puerility for actual immature grown-ups.
  29. Wahlberg, with shaggy hair and a pumped bod he wears more convincingly than any actor, plays Vince as a guy who truly doesn't expect to win. That makes his rib-bruising triumph all the more believable and touching.
  30. The chief frustration of this otherwise well-made, well-acted, well-heeled picture -- a movie classy in its artful modesty, with every detail of plot and period furnishings lovingly conceived, every lick of jazz-influenced score true to the times -- is that it is so very self-absorbedly graceful about something so very insular and...unremarkable.

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