Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Paranoid Park has the slightly glum insularity of minimalist fiction, but it's the first of Van Sant's blitzed-generation films in which a young man wakes up instead of shutting down.
  2. Lucy Walker's observant film Blindsight is about profound East-West differences in the importance of journey versus destination and comradeship versus competition.
  3. Marvelously inventive, often-ironic Israeli storyteller Etgar Keret and his life- and workmate, Shira Geffen, spin in Jellyfish a dreamy, arty, alluringly cockeyed tale involving three unrelated women in Tel Aviv.
  4. In Shine a Light, a crackling concert movie directed by Martin Scorsese, the Rolling Stones are now so old that they seem new again.
  5. This audaciously issues-loaded indie drama works, improbably and entirely, on account of the marvelous, often familiar-looking, rarely starring character actor Richard Jenkins and his perfect performance as a stodgy, widowed economics professor.
  6. Nakedness has rarely looked so...naked. And innately, universally comic.
  7. A sly catalog of deceits and a gentle commentary on slippery creativity and desire.
  8. Mamet regulars Ricky Jay and Joe Mantegna blend well with Mamet newbie Tim Allen, a treat as a spoiled-rotten aging Hollywood action star.
  9. A movie that taps directly back into the show's primal appeal, which is the sweet, sad, saucy delight of sharing these women's company.
  10. The unexpected star is Hathaway, looking cool as a runway model in the role originated by Barbara Feldon, lithe as a (pink) panther, and displaying great comic timing.
  11. The Golden Army dazzles like something out of "Jason and the Argonauts." To make a comic-book fantasy this derivative yet this dazzling requires more than technique. It takes a director in touch with his inner hellboy.
  12. Quite grand, quite exotic, David Lean-style epic.
  13. Their love story was inevitably complicated. And so is the documentary Chris & Don: A Love Story -- not simply a love letter to love -- by Guido Santi and Tina Mascara.
  14. A smart, playful, informative pleasure.
  15. That's Trumbo's message -- that the true victim was America.
    • 63 Metascore
    • 83 Critic Score
    Even cynics might concede that, again, four capable actresses have pulled off a relatively rare thing: They've convinced us they're an honest-to-God movie sisterhood.
  16. As a movie, Hamlet 2 is lively, energetically daft, and very, very scrappy -- a broader, more loony-tunes knockoff of "Waiting for Guffman."
  17. A spare, controlled study in communication gaps and a piercing sketch of suburban American loneliness.
  18. It's an indelibly warped cartoon of lust and despair.
  19. Ritchie concocts a crime-jungle demimonde that's organically linked to the real world, and it's a damn fun one to visit.
  20. Quarantine director John Erick Dowdle and co-writing brother Drew wisely stick close to the told-from-the-cameraman's point-of-view template of the terrific original, though they add a few fine flourishes.
  21. This is no real-life comedy à la "Election" -- more like a valuable, teen-scaled version of the presidential election that currently obsesses us.
    • 45 Metascore
    • 83 Critic Score
    Edward Norton is in top form as Ray, a burned-out detective whose investigation into the deaths of four cops leads him to suspect his brother-in-law, Officer Jimmy Egan (Colin Farrell, also terrific).
  22. A nifty horror movie that doesn't claim to be anything other than a zippy exercise in creature-feature entertainment.
  23. Gini Reticker's simply made, affecting documentary Pray the Devil Back to Hell reveals how these heroic ordinary women prodded the factions to peace and literally brought down Taylor, a leader of sociopathic cruelty.
  24. This charm-filled documentary about passionate Harry Potter fans (and one foe) leaps all over the place.
  25. It's an enjoyable ramble, with a feel for what made the early days of rock as wild as any that followed.
  26. A tough, authentic street drama born, bred, and shot in the no-spin zone of working-class South Boston.
  27. Writer-director Salvatore Stabile has a good eye for the details of hard-luck ordinariness, and he sketches believable family bonds with a minimum of flourish.
  28. Lurie hits closer to the bone here than he did in his ham-handed "The Contender" (2000).

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