Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Notorious makes the death of Biggie Smalls look like a tragic mistake, instead of the outgrowth of a culture devoted to selling the fantasy of who's the biggest man.
  2. Fados connects today's leading interpreters with legendary fadistas of the past. And it's the last title to be released under the banner of the venerable New Yorker Films.
  3. The characters in Alien Trespass (directed by X-Files producing alum R.W. Goodwin) are specimens of Sputnik-era determination, led by a gung-ho Eric McCormack.
  4. It offers an attractive getaway route from self-importance, snark, and chatty comedies about male bonding. Here, stick shifts do the talking.
  5. An artlessly powerful performance by newcomer Nicole Behaire anchors American Violet.
  6. The intimate movie hums with a back-in-the-hood vibe that gets the two stars playing contentedly, and delightfully, for the love of local filmmaking.
  7. Jack Nicholson's dyspeptic retiree in "About Schmidt" would no doubt identify with O'Horten's entertaining pain.
  8. Scott gets into the zip and rush of urban energy with an enthusiasm bordering on hilarity.
  9. Battle of the Smithsonian has plenty of life. But it's Adams who gives it zing.
  10. Spells out the problem in clear, urgent, prosaic terms.
  11. Pfeiffer transcends any hint of cliché ''cougar'' voraciousness.
  12. A grubby, disturbing serial-killer mystery, a kind of blood-simple "Rashomon."
  13. The story is timeless; this could have taken place when Doyle graduated in '76 -- or any year, really, since the effects of high school linger throughout adult life and nerds are forever.
  14. The movie's hide-and-seek attitude toward truth mirrors the intricacies of one lover getting to know another -- an arresting notion of the heart that's much more than paper-deep.
  15. It's a David-and-Goliath tale, full of anger and disturbing accusation, but it's also inspiring.
  16. Turns into a lyrical and stirring meditation on the mystery of autism.
  17. It's the die-hard camaraderie that undergirded this squad and lifted it to the top.
  18. Rock gives Good Hair a rousing message: Where African-Americans in the '60s adopted a ''natural'' look, they now feel free to coif their heads any way they want. That's cultural power.
  19. There's wit but never a wink in this smartly shot production, which pays homage to the 1980s without fetishizing the era.
  20. His pluck and chutzpah shine through.
  21. Gray has an artful, understated way of conveying what's going ?on inside, often simply by focusing his camera on Kazan.
  22. Does a great job of being in two places at once: In the head and gangly bodies of kids, and in the hearts of those of us who have survived grades 6-8.
  23. Baumbach's movies are addictive dispatches from a genteel jungle of white privilege, where highly educated people behave badly. I can't take my eyes off the exotic wildlife.
  24. What holds The Eclipse together is Hinds' sorrowful and moving performance as a man haunted in more ways than one.
  25. The joy of cartoons meets the agony of office politics in this fascinating, inside- Hollywood-baseball documentary.
  26. Passionate and saucy comedy.
  27. A documentary that digs deep inside this most revolutionary and tortured of punk quartets, it's hard not to feel that the Ramones, who never had a hit record, were the greatest band in 50 years to be stonewalled out of success.
  28. If anyone steals the movie, though, it's Sylvie Testud, who never lets on whether the sexy French country maid she's playing is mournfully obtuse or embodies the wisdom of the ages.
  29. Art history majors may write in with corrections. Meanwhile, I'm declaring that the masterly, big-canvas biographical drama Chi-hwa-seon: Painted Fire is about the Jackson Pollock of 19th-century Korea.
  30. Lasse Hallström calms Irving's typically busy 1985 best-seller with a balm of the Swedish director's typically soothing lyricism.

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