After the forecasted storms turn out to be little more than hot air and the sedated story fades into bland repetition, you’re left with little more than effective new ways to customize your grapple abilities and the same gratifying destruction that the series has nailed from the beginning. Just Cause 4 clearly didn’t get as much briefing as it should have before deployment. It’s rough edges are unmissable, and its structure weighs too heavily on the simple pleasures of blowing stuff up and funneling your own creativity into how you use the chaotic tools at your disposal. It’s still fun to start a revolution, but it feels like this series can do so much better.

Earth Defense Force: Iron Rain has its heart in the right place. Instead of simply treading water, it wants to push ahead. Such a drive makes the game entertaining, especially if you're already invested in the series and are curious about the evolution. Sadly, the game doesn't match its own ambition, grasping at greater heights without fully solving the problems its ideas create. Even so, there's something valuable here, and hopefully Yuke's gets another attempt to refine its direction.

Nintendo Switch Sports is a tricky one to consider. It’s as fun as the series has ever been, and online interactions ensure that you have a reason to keep playing between holidays. If all you’re looking for is the chance to bowl with your family without pulling out an aging Wii, Switch Sports is great, if overpriced. It could just use more – more sports, more mini-games, more progression, more cosmetics, and so on. There are so many ways that the concept could be expanded upon and made more robust without sacrificing its simplicity.

The Secret of Mana remake adds a few good things like hot keys and cut-scenes, but fails to improve upon some of the most notable flaws of the 1993 original. The adventure that so many people fell in love with is still there at its heart, but this version fails to show it off in the best light.

The Medium has grand ambitions, but stumbles under the weight of them all. The story is emotionally engaging, but the environments fail to leave a memorable impact. Puzzles are repetitive and typically solve themselves, while slowly moving through the hotel loses its threatening aura. The Medium is a great story to watch and listen to, just not to play.

Biomutant’s faults are especially frustrating because it's so wonderfully weird. The stronger and faster you get, the more you want to explore and conquer. Each new gizmo you discover presents an opportunity to change up your playstyle, and its map holds some genuinely startling surprises. But despite a rich customization system, it’s hard to connect to everything the way it's presented. It’s a clever and colorful world, it’s just not very cohesive.

This latest Need for Speed doesn’t have any luck-based schemes disrupting the progression this time around, but there’s nothing moving the series forward either. The core parts that have been strong in the past aren’t quite as potent here, and the supporting elements feel directionless and half-baked. Need for Speed Heat is like a beat up old ride that’s still good to burn some rubber and get you around town, but don’t expect to turn any heads along the way.

Harmony: The Fall of Reverie is a difficult case where strong individual aspects don’t fully come together as a strong whole. There are precious characters here that are worth getting to know, but it feels like they get lost in the macro-events of later chapters. And while there are numerous variations and endings to replay this 10-hour story, the systems governing which choices you make feel more limiting than liberating.

The DioField Chronicle establishes a decent framework for a fresh new strategy franchise with a solid, streamlined control scheme, but it's not quite fleshed out enough to keep gameplay interesting until the end. The lack of a more dynamic story and a flat presentation don’t help either. Despite its flaws, there’s still some fun to be had here if you’re looking for mechanics that tread different ground from the usual Square Enix tactical fare. Hopefully it will do well enough to get a sequel that can realize its full potential.

There are numerous worthwhile aspects of Brilliant Diamond to dig into, but it's infuriating that you essentially have to trudge through an entire game to even gain access to so many of them. It's an absurdly high barrier to clear, one made even less palatable by the full retail price. The game is ultimately a giant missed opportunity. Instead of looking critically at Pokémon, Brilliant Diamond plays it as safe as it possibly can. The remake perfectly encapsulates all the good and bad of the series: there is something remarkable to enjoy, but you have to work through too much nonsense to get there.

The Gunk is a slippery one to pin down. It doesn’t get too bogged down in any major flaws, but it doesn’t do much to surprise either, sticking to adventuring basics, and a small toolset of abilities. That said, there is some good characterization here, and whether it ties into the SteamWorld universe or takes its own branch, it would be great to see Rani and Becks back for a more grand adventure.

Sea of Thieves is an ambitious game filled with some great ideas. Being able to explore the high seas with friends while collecting treasure, battling other pirates, and solving riddles is fun the first few times. However, after the short honeymoon phase is over, there’s not much left to keep your crew from abandoning ship.

For all Andromeda does right, the game constantly feels like it’s going to fall apart, suffering from countless bugs and performance issues. We’re playing on a standard PS4, and the game constantly struggles to load in assets. Simply driving across the environment often results in the Nomad stopping in place for a moment before moving on. Large sections of landscape will just disappear under the right circumstances. Even in small areas, like our ship, we’ll see entire rooms missing at times. We’ve encountered doubled character models. We’ve had XP notifications cycle endlessly and minor quests that won’t complete. We’ve been forced to reset when we couldn’t choose any dialogue options, and we’ve regularly encountered enemies that get stuck in the walls or just stand there unresponsively...It’s hard to wrap your head around how much of a mess it is when other areas of Mass Effect: Andromeda are such a step forward.

Although there's still some excitement to be found in the fundamentals of Attack on Titan 2, it's a game whose lack of meaningful strides forward is its own undoing. What is new sounds promising at first, but since it's so underutilized, the game ends up feeling like an extension of the first entry rather than a true sequel. If Omega Force does tackle the story of Eren Jaeger yet again, hopefully they’ll find more compelling reasons for players to revisit this gruesome world.

What it manages to faithfully recreate from the past is merely a facade that quickly shatters as you dig deeper into the game and stumble through its numerous faults. All that’s left is a platformer that fails to rise above mediocrity, in this day and age or any other.

Resident Evil Resistance is wildly inconsistent. There are great ideas buried underneath abysmal balancing, annoying technical issues, and matchmaking woes. Playing as series icons like William Birkin and Mr. X is an appreciated novelty, but the routine objectives make playing as the survivors tiresome. With enough love and care, hopefully Resistance’s better ideas can rise to the surface, but right now there’s still a lot of work to be done.

Agents of Mayhem has some positives to work with. The animated cut scenes and original songs definitely show off some flair, and the characters present a strong range of fun play styles with room to experiment. However, the enemies and environments aren’t nearly strong enough to match, and the game is further weakened by progression issues. It maintains interest well enough as it introduces each new agent, but the repetition smothers it in the end.

While there’s nothing else out there that can deliver the thrill of racing across this vast city and scaling massive buildings using insane parkour techniques, the sense of wonder isn’t as strong as before. Catalyst is held back by a horrendous combat system and a lackluster story that takes itself too seriously. If you can get past its flaws, you’ll find Mirror’s Edge Catalyst is still a modest platformer.

Rising is absurdly dragged out for no real reason and suffers as a result. It's still worth checking out for anyone excited about the upcoming Eiyuden Chronicle JRPG, but it's hard not to wish the recommendation could be more fully throated than that.

We wish the story had a stronger narrative, the online restrictions weren’t so frustrating, and the humor had more variety. But the diversity in everyone’s abilities and playstyles should be enough to keep the light of this last star shining for dedicated Gearbox fans.

It's possible, and even likely, to walk away from Deadly Premonition 2 absolutely loving it. Few directors can construct a world or a cast as curiously compelling as Swery does. Yet it's hard not to desperately wish that these charms were presented with more capable craftsmanship. There is a special flavor that Swery games have, and that sometimes comes across in spite of the jank, but there has to be a better way of preserving that flavor while also making a stronger game overall.

Sniper Elite 4 is a game for stealth enthusiasts. Setting up the perfect kill from a huge distance after sneaking past a base full of Nazi soldiers feels rewarding and earned. However, the scenarios fall flat, and the scope of the game is fairly limited. Attempts to offer more options and extend its lifespan don’t really pay off, but it’s still satisfying to shoot someone’s eye out.

Carrion starts strong with a solid premise but fails to fully capitalize on its ideas. The novelty of eating faceless humans wears thin as the sole motivation to escape isn’t expanded upon in any meaningful way. The environments fail to encourage rewarding exploration while the puzzles and combat encounters quickly become routine. It's hard to write Carrion off entirely because the novel concept has its charm, but without more depth and variety, it’s easy to lose your appetite for consuming flesh.

Finishing Twin Mirror takes about 6 to 8 hours. With a completed save, you can go back to specific chapters to try new choices, but there are only a few moments that feel worth such experimentation. Even though cracking the case is pretty straightforward, the more traditional aspects of investigating Basswood and talking to the people that live there end up being more interesting than traits like Sam’s mind palace and alter-ego. There’s still enough to appreciate here, but it feels underdeveloped. Like two voices in one head, Twin Mirror has a tendency to get in its own way.

The prospect of playing alongside the Ghostbusters in a story that serves as a proper sequel to the original films is exciting, but this adaptation only leaves us heartbroken. Initially a captivating experience, the magic fades fast, dispelled by poorly designed sections, bad AI, and a repetitive gameplay cycle. Thankfully, the series has since been revived with new and upcoming films, but it’s a shame that Ghostbusters: The Video game squanders a golden opportunity to become something truly special in this medium.

Pokémon Mystery Dungeon: Rescue Team DX is a decent remake that nicely updates its presentation, but fails to improve upon its most prominent aspects. Exploring dungeons and battling should be standout features that excite and motivate you, but it quickly becomes a mundane routine. If you're a big Pokémon fan, you may find enough enjoyment out of recruiting new pokémon and building up your rescue team, but if you're looking for more beyond the Pokémon license, this Mystery Dungeon may not offer enough to keep you engaged.

There’s a lot of potential in the combination of the Mario and Sonic universes, and the Olympic setting is one of the grandest stages of them all. Yet after over a decade, the developers simply can’t make the series live up to its massive billing. The retro angle could have been the missing ingredient, but the game doesn't lean into this strength enough. What’s left is a party game that’s fun for a few hours, but will just as quickly be forgotten.

State of Decay 2 has so much potential that's not fully realized. The simple brutality of combat and the demands of keeping up a base offer noteworthy moments on their own, but that enjoyment is hurt by an array of bugs and a gameplay structure that loses much of its challenge and intrigue far too quickly.