Merely chewing gum for the brain. It is a frantic mind numbing twin-stick action shooter that is relentless at times. There is a story to be had but it takes a back seat to the twin-stick shooter chaos.

In the end if you forget that you’re playing as World War II Germans, and you play a mission or two at a time, there’s some fun to be had in there now and then, even if it is bug sized and not as complex as an actual tank. That being said, the overall experience isn’t a particularly good one.

Overall, its a competent strategy game that is bogged down by its immature humor and annoyances.

There is a ton of stuff to do in The Good Life, even multiple main storylines to pursue. Unfortunately, completing them and fulfilling the side missions is not very fun. Between the constant back and forth across the huge map and the fetch quests, I feel that more in-depth gameplay features would really help me enjoy this game.

1348 Ex Voto joins games like A Plague’s Tale and Kingdom Come: Deliverance in giving players a slice of medieval life. Unlike those titles, 1348 Ex Voto is a short time commitment with a relatively simple story and unique character dynamics. If the world weren’t quite so barren and the combat were less frustrating, 1348 Ex Voto’s attractive environments could be the foundation for a special little game.

While there’s definitely promise in the concept of Wolfenstein: Cyberpilot, the shiny visuals don’t make up for the lack of content and subpar execution. It’s a decent showpiece for the PSVR, but at this point in the platform’s lifecycle something with more meat is the expectation.

If you’re looking for a bit of nostalgia, then Syberia is for you. It does date itself with its visuals and controls, but sometimes that’s the appeal of sitting down to re-releases of old gems that you may not have access to otherwise. While the game itself remains intact, the controls are frustrating and the graphics could really use a paint job.

This is a fine update if you own the season pass, but you may want to skip it otherwise.

It’s a tedious game that this title may have been served best as a cheaper iOS game for those boring bus rides to and from work.

Pylon: Rogue excels because it knows what it is; a rogue-like RPG about skill, precision, and stacking a crazy number of skills. Its presentation is nice if a bit simple and some enemies sadly tend to blend into the environment due to lighting which can lead to unfortunate hits, but it’s still a solid experience.

The biggest frustration was the lack of indication when a chapter is completed.

Trulon: The Shadow Engine is an impressively mediocre game. Not good enough to really encourage you to pick up at its current price point, but enough to say “maybe if it goes on sale”. The game isn’t bad, it’s just not as good as it could be. Maybe one day we’ll see a sequel with several improvements.

The Unexpected Quest mostly looks good, mostly plays good, and I would mostly recommend it. I don’t know if I’ll remember the game in a couple of months, but I still had a good time with it, even with all its frustrations. It might not be a glowing recommendation, but if you have a fantasy itch to scratch and a little money to blow, hey, why not?

A strong debut featuring a fun concept and great visuals so I look forward to what else Yanim has on the horizon.

Unfortunately, this isn’t the Digimon game fans will be jumping up and down for nor is it something they deserve.

The game has a fantastic look and a ton of content for those who love Dragon Ball Z. In the end I think fans of the series may overlook the game's deficiencies, but casual fans that have a Kinect may want to walk right on by this one.

Perhaps a bit over priced at $5.00, considering its 99 cents everywhere else, and there really isn’t much new to offer, although the three stars and leaderboards give you a bit of replay value.

Fallout 76 is a confused product that blows it on so many levels. 76 represents a critical misunderstanding about what makes the Fallout franchise special, and sacrifices all those pieces to shoehorn in a half baked and barely functional online system. While I applaud taking a chance on a crazy idea, Fallout 76 would undoubtedly have been a better and more engaging experience as a traditional open world RPG. As it stands, this is a broken, unfun, and repetitive title that I can’t recommend. And that hurts me to say.

There are charming aspects to the game past its initial impression. I considered dropping it early on, but I’m glad I didn’t: some of the later settings are very picturesque, and there are funny moments throughout. While the missions followed a pattern, I could see an attempt at differentiating the levels. I wish this game felt better to play; I wanted it to succeed. Unfortunately, there aren’t many people I can recommend Zorro The Chronicles to. If your child is a fan of the show, the game is worth picking up, but if you’re a more general fan of the Zorro franchise, it’s worth waiting for another outing – Zorro always rides again.

You might dig the groovy aesthetic for a short while but inevitably you’ll walk away either bored or frustrated.

In addition to the lack of direction, Vane’s controls are floaty and often unresponsive, which makes puzzles and general navigation that much more frustrating. Collision detection is also relatively wonky at times, which is especially challenging in a game where all of the puzzles involve pushing something from one spot to another, or landing on a small piece of metal. The only bit of solace or reward that comes from operating these forklift controls is the severely underused smooth synthwave soundtrack.

Corpse of Discovery is a big idea sporting the trappings of a little game – though a great concept with loads of philosophical waxings, the game mechanics and aesthetics just don’t match the heady, cerebral premise and subject matter.

Loop8: Summer of Gods started so promisingly. It has an extremely compelling narrative, and gorgeous visuals. I loved how the story tied into the gameplay structure. But all of the JRPG elements are way too light. The combat is pure trash, and devoid of almost any strategy. And every loop after the first few became an aggravating chore. By the end of Loop8: Summer of Gods, I was only playing for the story.

This Spider-Man entry feels rushed, remains largely unchanged from previous Beenox Spider-Man games and the new web slinging mechanic zapped the fun out of arguably the most enjoyable things about Spider-Man games.

Dex felt unoriginal and generic, and the long load times really did not help.

It’s a love letter to the franchise’s history, and really it’s only for fans of the series.

My expectations with Damage Inc. Pacific Squadron WWII were wide open, and as it turns out the game is a pretty decent one with plenty of options for view, control, and playing with or without friends.

At the end of the day Dollar Dash just didn’t grab me like it could have. Sure, a minor amount of fun might be had in a party situation with friends, but the lack of depth and overall madness that each match turns into won’t keep you playing for long.

Moto Racer 4 is a prime example of a missed opportunity. The gameplay is enjoyable in small bursts, but it’s packaged in such a terrible way that it becomes hard to recommend even to longtime fans of the series. With some extra polish and a different structure it could’ve been a surprisingly fun throwback package, but in its current state it reeks of being rushed to release.

This just annoys the hell out of me because with the original Dark Souls approaching its 10th birthday, there are a lot of gamers out there who only know the game by association. I honestly think it gives people the wrong impression of what the genre can be like, and it cheapens the original masterpiece. Just like how first-person-shooters were called doom-clones before it, we really need a new name for this genre.

Homefront: The Revolution has more problems than I can list, including some illogical design decisions I couldn’t wrap my head around. But it truly executes on some of the good ideas it presents, and redeems itself in its latter half to an extent.

Overall, the fact that the Prototype Biohazard Bundle is so poorly named and that it was snuck on to the market without so much as an acknowledgement it was there should be all the warning you need. But allow me to reiterate the obvious; they didn’t bother to graphically update an outdated game nor did they try to clean up the messy controls.

Driving at insane speeds on a wise cracking sentient motorcycle should be gaming nirvana, but the writing, mechanics, and design of Lococycle are subpar. It’s not worth the price of admission, and is one of the Xbox One’s weaker launch titles.

Overall, Those Who Remain is fine. Just fine. It’s not terrible and doesn’t deserve to be hate-played or mocked or anything like that. Edward is a fine protagonist, the eerie atmosphere starts out strong and devolves to fine, and the gameplay is fine. I’m sure a lot of work went into this experience (I say this a lot, but I mean it), but unfortunately, there doesn’t seem to be anything keeping this game safe from the gaping maw of irrelevance.

Fundamentally, it is flawed with poor design and weak content. Colonial Marines feels dated, and fails to capture any essence of what an Alien game should be. Though Aliens: Colonial Marines has been crafted with the fans in mind, it just needed a stronger approach in its design, accompanied by some serious polish.

Dead Alliance may not have the best visuals or the biggest budget, but it implements a MOBA-like system into an appropriate zombie shooter mold and provides a unique experience, unlike anything I’ve played in the genre. Other developers would do well to take notes from Psyop Games on their brilliant combination between MOBA and multiplayer shooter.

AWAY: The Survival Series is an audacious game that fails to deliver on its excellent premise. Although clearly built with love and passion, the number of bugs and flawed mechanics make this a frustrating and arduous trek through the wild.

The first-person gameplay is where the game really shines, offering immersion to the genre that only VR can.

I admire the concept but am underwhelmed by the execution.

Overall I think playing Unknown Fate through on a PC with a regular controller really highlighted the elements that were lacking in the game. Things like mundane combat and easy puzzles are evident too in VR, but they are somewhat masked by the immersion factor that VR provides. Stripped of that feeling of total immersion, you get something wholly dependent on the story to drive your interest forward – and of course that’s provided a bug or two along the way doesn’t sap some enjoyment out of the experience. While I like the effort to make the game work with both VR and traditional PC gaming, it could use more polish and ironing out so as to make a better experience for all involved.

I Saw Black Clouds is awful. The story is stupid and confusing. Halfway through the game, you’ll be treated with this bizarre twist completely negating the first half of the story, and then the final half is a rushed mess that ruins anything the first half of the story had built up. The filming is brutally amateurish. I can’t help but think this mess could have been saved by a director who had a better understanding of camera angles, movement and so on. The only redeeming quality is that when you replay the game, you can skip any scenes you’ve previously watched – this will allow you to experience alternative scenes faster. Ultimately, there really is nothing here worth recommending. I Saw Black Clouds so you don’t have to. You’re welcome.

A game about the clashing forces of heaven and hell deserves to be far more interesting, if not in gameplay, then at least in story. Devil’s Hunt fails to deliver on both fronts. It does have a neat take on the afterlife — Lucifer is essentially a shady businessman who outsources his dirty work, and the angels wear suits and conduct their operations from a pristine office tower – but these ideas are lost in the banality of everything else surrounding them. This is not a hunt worth embarking on.

Despite its shortcomings, Super Toy Cars really is a lot of fun, and a breath of fresh air from a very under appreciated genre. An obvious labour of love.

This dizzy dance of frustration and elation perfectly encapsulates my time with Extinction. I loved the feeling of annihilating the Ravenii. Mastering the slow-motion rune strikes meant I could bounce from limb to limb, disintegrating armor and severing limbs with reckless abandon. Yet I was stonewalled by the combat controls and the camera more often than I could ultimately reconcile.

Frank Rising provides a much-needed conclusion to Dead Rising 4, but it’s also a completely unacceptable cash grab.

Evil Genome is a Metroidvania that gets the most important part right and left me wanting in every other category. The sheer ecstasy of stringing together a dozen moves is betrayed by the game’s misunderstanding of what it wants to be. However, an unnecessarily complicated upgrade system and disappointing localization issues doesn’t stop Evil Genome from being a blast to play, for the most part.

Agony is an ambitious game; it sought to give gamers an experience that they had never had before, which it does somewhat deliver, and I have to credit its developers for even the attempt. But this final product just doesn’t feel finished; this is more like an Early Access game – full of promise and great ideas but just lacking in content, polish and attention to detail.

For every infrequent good idea, Crime Boss: Rockay City seems determined to undermine it. First-person roguelike mechanics in a narrative-focused game is an intriguing concept, but between bugs, bland performances, and rote action, the killer concept is dead on arrival.

I hated Line of Defense Tactics: Tactical Advantage, so its price tag of twenty five dollars is almost as baffling as the game’s quality itself.

It performs extremely poorly.

If you’re even able to find a copy of Cooking Mama: Cookstar, you should probably reconsider where you’re spending your money. I know there’s a fanbase for the series that are vehemently wishing that the game will be good and that the bizarre story behind its release is all just an unlucky set of circumstances. But the fact of the matter is, Cookstar has nuked the kitchen and left us standing among a snowfall of ash and burnt Chicken Tikka Masala. I hate to say it, but the series may be cooked.

Not only are the ideas of both the narrative and combat experiences not well executed, but the game seems to struggle with an identity crisis. It appears the developers were trying so hard to make environmental interaction a top priority that they forgot to pay attention to the other aspects of the game. Had they delved deeper into Richard’s story with a longer game, and slapped some much-needed polish on the graphics, voice acting and combat, this could’ve been a completely different and exponentially more enjoyable experience. That’s not to say it’s all bad however as they nailed the tone of the game, the soundtrack is great and the object manipulation is pretty satisfying.

Overall, Coffin Dodgers isn’t the worst kart racing game but it doesn’t reinvent the wheel either.

For what it costs, this is simply too generic and unimpressive. It feels dated and a little unfinished, leaving you wondering if it was supposed to come out five years ago.

Inmates seems undecided on what it wants to be. There are not enough puzzles to call it a puzzle game and not enough scares for it to be a true horror. In its current state, Inmates plays more like a promising proof of concept than a finished product. It’s a shame that these different elements don’t form a cohesive whole, because — beneath the rough edges — Inmates has an original, worthwhile story to tell.

With issues regarding the AI, graphical glitches, and a high difficulty, I just don’t see myself alien raging again anytime soon.

Gravity Falls: Legend Of The Gnome Gemulets is a beautiful platformer that accurately recreates the look and feel of the TV show it’s based on. Unfortunately, the game is so short, and so lacking in variety, that it feels unfinished.

While the humour seems to be the centre of the game, Zenith has some major fundamental flaws that make it less fun to play and all the more frustrating. If you like the story, the writing and the humour, it might be worth your time. If you need fluid controls and care about the combat and game mechanics, then absolutely not.

It’s short, fun and capable of inducing the occasional rage quit.

Once in a while, Safe House successfully pulls me into the allure of mindless task managing, but the gameplay drags down the strong elements of the story through its repetition, and despite the multiple endings, its replay value is low. Safe House delivers enough of a good time but never quite follows through with its promises, falling short of something that I’d recommend to friends.

It’s probably easy to just pass off Super Seducer 2 as garbage that’s not worth your time. However, if you do take that time to look at it you’ll find that the idea behind the helpful stuff is pretty sound advice if you’re in need of that kind of direction. The other thing you’ll find is some pretty fun shenanigans. Sometimes the cringe is what sells it, like a train wreck you can’t keep your eyes off of. That cringe factor isn’t an accident, which leaves you wondering if it’s all just a big old trolling of those who have far too much to say about everything. If you’re not so serious about everything all the time, though, it’s a fun diversion.

I understand that release windows are a big thing that helps boost sales maximizes exposure. I’m sure that’s the reasoning behind Tennis World Tour’s release in this state because I can’t think of any other reason a developer would willingly release such a debacle.

Bubsy as a character has very little to offer and the gameplay – despite looking nice – is repetitive.

Reservoir Dogs: Bloody Days is a game with sky high potential that is crushed by its lazy execution.

I won’t say Soul Axiom is a terrible game, but I honestly believe if developers focused on creating a shorter game, with more effort put into the games pacing, graphics and sound, the overall experience would have been far more enjoyable.

While it can be enjoyable for a mission or two, it’s easy to get bored and move on to something else. If you are simply dying for a mech game and have some money to spare, it might be worth it.

Fast & Furious: Arcade Edition is a lot of fun, for about an hour or so. After that, you’re running the same six courses with different vehicles until you’ve memorized them. Along the way, you’ll almost certainly get sick of seeing these races run over and over. While the essential arcade experience has been successfully ported to consoles, you still lose something essential in doing so. If you can find this game at your local arcade, you’d be better off playing it there. These races are just more fun with the noise, the lights, and the specialized controls.

I really wanted to love 007 Legends, given the source material they had to rely on, as well as how I had enjoyed the previous Bond games; however, at the end of the day I am left underwhelmed by the whole experience having played what I view as a average game at best.

After the polish and fun of Until Dawn: Rush of Blood, it’s hard to believe this company let such a barely baked like Bravo Team out the door.

Dream Alone brims with potential but falls slightly short in multiple areas. The concept and artistic execution is beyond intriguing, but certain kinks still need to be ironed out to make it a smoother and more flexible experience. The main musical score is hauntingly beautiful, and my only complaint is that I wish it were integrated into the levels more in place of the constant rain sounds that tempted me to mute the game on more than one occasion.

It doesn’t commit any wrongdoings, but it’s also boring enough to become forgettable.

There is no question Transformers: Rise of the Dark Spark plays and feels like your typical movie tie-in game. Everything about it screams ‘rushed out the door’ to satisfy the needs of all those poor suckers who wasted money watching the big screen stinker.

All in all, the game simply does not work as a stand alone title. This leaves one disconnected from the events of the story. Given how the story is structured, the developer should have waited releasing the game as a complete package with all three parts included.

With a few more level types and a real change in difficulty other than needing better reflexes, Johnny Kung Fu would have been entertaining for more than a weekend; as it stands now, I would let Mr. Wang win this battle.

One could also make the argument that if a game’s story is poor, the gameplay can at least make up for it, and vice versa. Husk manages come frustratingly close at times, leaving the game undone by its inconsistency.

If all you’re looking for is fan service, I guess Jujutsu Kaisen: Cursed Clash provides it, though it adds almost nothing to the established lore or characters. If you’re primarily interested in Jujutsu Kaisen: Cursed Clash as an anime-inspired fighting game, look elsewhere. A very short story mode, no 1v1 matches, poor design choices, and an overall lack of polish more often than not overshadow some occasionally fun combat.

The big problem with Music VR is that the game just doesn’t have a lot of substance.

With so much potential in the premise, it’s a shame MilitAnt didn’t deliver where it counts in the gameplay department. Annoying A.I. and frustrating combat mechanics make for a tough recommendation even for the biggest fans of action platformers.

There’s just really not a whole lot going on for Bombshell. The cutscenes look kind of nice, and when you look at the gameplay from a distance it can seem fun, but ultimately what you’re left with is a game that is worth far less than the asking price of thirty dollars.

The lack of diversity and challenge is boring and the level design doesn’t do anything to help the gameplay.

The game is boring, repetitive, and simply not fun.

Once this game actually runs how its supposed to, New Gundam Breaker could be a pretty decent time.

Unfortunately LEGO Friends doesn’t have any extravagant features that make it stand out among other dress-up like games. Add to this that although LEGO is supposedly a main part of the game, it barely utilizes the brand power and you almost forget it’s a LEGO game.

Considering the price, and if you enjoy these types of first-person dungeon crawlers, you really can’t go wrong if you need a quick fix to waste away a few hours and earn some easy achievements.

I can’t think of any way that Yaiba: Ninja Gaiden Z could have been worse.

Tamagotchi Plaza is a mediocre experience. While the aesthetic and the mood of the game fit its target audience nicely, portions of the game are unnecessarily complex and without instructions, making it even harder to fully grasp. While Tamagotchi Plaza features some interesting and even fun mini-games, the overall package isn’t worth the headache. Would it kill them to incorporate parts of the traditional Tamagotchi experience into its video games? Whether that would help with the game or not, at least it’s worth a discussion.

Sure your child may get an hour of two of cheap thrills, but simply put there are far better family oriented Kinect games already on the market that offer much more content, replay value, and are simply much more polished.

I will be very interested to look at WWE 2K20 a year from now, after some massive updates, and featuring all modes. It’ll probably have the same ugly graphics, but let’s hope that this is a wake-up call to 2K games that they need to release a polished product. Some of us still like having our games on disc when we buy them.

Scar-Lead Salvation is a roguelike third-person shooter that ultimately misses the mark. While mechanically competent, it lacks the ambition needed to elevate the experience. Its roguelike elements are too basic, causing each run to blur into the next with little variation. There are flashes of creativity, but they’re not enough to sustain momentum. In the end, the game fails to deliver that essential, just one more run thrill that defines the genre.

Perhaps the truly hardcore fans may have some interest in adding this to their collection, but with dreadfully long and uninteresting cutscenes, repetitive combat and monotonous level design, as a newcomer to the series I was left with a bitter taste in my mouth, and I simply cannot recommend purchasing this game.

Star Trek: The Video Game is definitely not worth the price of admission; spend the money and take a friend to see Star Trek Into Darkness in IMAX 3D instead.

I can’t totally ignore the flaws present, and I suspect that many potential players will not be able to either. But this is a rock-solid title nonetheless. If you know the Touhou name, or even if you know the masochistic joy of bullet-hell gaming, Battle Burst is worth checking out.

The whole affair feels sort of perfunctory.

Enchanted Portals falls far from its influences due to its poor execution. The controls are not tight enough for a precision-based shooter and the bosses lose momentum due to the transition between stages. There’s some creativity with the design and it does achieve the 30s cartoon aesthetic, however, gameplay issues hinder the overall experience.

The crude, last-gen visuals, the walled-off world, and the dull, errand-boy story are just not up to the standards of the Witcher or Elder Scrolls series that we have gotten used to in the last decade.

This game is not what I had envisioned, instead giving me wonky tech and an adversary who’s about as frightening as Barney the Dinosaur when all is said and done.

Totally Reliable Delivery Service has great music full of funky basslines and bumping beats, a cute and comical art style, and a lot of customization items to apply to your character and rides, but sadly the cooperative gameplay is nothing to write home about, and neither is the rest of the gameplay. I found that the combination of frustration mixed with the repetitive gameplay was not my cup of tea, and quite often, it felt like pulling teeth trying to get through it. It’s the fundamental premise of the game to struggle, but putting in a dozen attempts just to throw a package on to the bed of a truck simply doesn’t feel rewarding when you’re working towards the same goal over and over again.