We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. The Last Voyage of the Demeter
    The Last Voyage of the Demeter makes a decent attempt at reinventing the Dracula mythos, but foregoing the early tension in favor of all-out action proves to be its undoing in the end.
  2. Meg 2: The Trench
    Ben Wheatley's blockbuster debut reduces him to an anonymous bystander in a sequel that's inexplicably weaker than its predecessor. If we get 'Meg 3,' then somebody needs to remember these things are supposed to be fun.
    • 74 Metascore
    • 80 Critic Score
    Teenage Mutant Ninja Turtles: Mutant Mayhem
    With only a slightly underwhelming plot among its infractions, Teenage Mutant Ninja Turtles: Mutant Mayhem flies high on some gorgeously evocative presentation and an untouchably charming take on the eponymous reptiles.
    • 47 Metascore
    • 50 Critic Score
    Haunted Mansion
    A marked improvement over the similarly-titled 2003 film, 'Haunted Mansion' nevertheless falls at too many self-imposed hurdles to make the most of what should have been a self-sufficient recipe.
    • 90 Metascore
    • 90 Critic Score
    Oppenheimer
    The true test of 'Oppenheimer' is whether Nolan can maintain his typically mammoth vision with a narrative that mostly comprises white men talking in small rooms. Like his protagonist, the writer/director succeeds in a grand and unexpectedly horrifying fashion.
    • 76 Metascore
    • 100 Critic Score
    Talk to Me
    Talk to Me is an aculmination of years worth viral content creation, mixed in with Australian storytelling. Together, it transformed a comedic short premise into something that gets your heart racing.
    • 80 Metascore
    • 70 Critic Score
    Barbie
    Greta Gerwig's summer blockbuster is well worth watching, but fails to reach the storytelling heights of her previous work.
  8. The Unknown Country
    The Unknown Country proves to be a road trip unlike any other.
  9. They Cloned Tyrone
    They Cloned Tyrone is comfortably Netflix's most original blockbuster of the year, and being exactly the movie you think it is and something completely unexpected at the exact same time is easily its biggest strength.
  10. Bird Box Barcelona
    Bird Box Barcelona expands the mythology in several new and fascinating directions, but it also makes the mistake of posing several bigger questions that it doesn't seem to want to answer.
  11. Mission: Impossible – Dead Reckoning
    Tom Cruise has only gone and done it again, with 'Mission: Impossible - Dead Reckoning Part One' delivering a stunning summer blockbuster that'll leave you wondering how it can possibly be topped next summer.
    • 74 Metascore
    • 80 Critic Score
    Joy Ride
    Fresh takes, classic gags, and excellent performances from its leads elevate an occasionally clunky and very packed script into something well worth watching.
  13. Indiana Jones and the Dial of Destiny
    Indiana Jones and the Dial of Destiny is a solid action-packed blockbuster that ticks all of the franchise's required boxes, even if it isn't quite a farewell worthy of a cinematic icon.
  14. Extraction 2
    Extraction 2 is everything you'd expect it to be; bigger, bolder, brasher, louder, and more spectacular. Unfortunately, it peaks way too early and fails to recapture that early momentum.
  15. The Flash
    The Flash is good, and occasionally flirts with excellence, but anyone who goes in heading the game-changer that was promised may be left feeling a touch short-changed.
    • 42 Metascore
    • 50 Critic Score
    Transformers: Rise of the Beasts
    What an annoyance to have a Transformers movie with well-drawn humans, only to have them choke on the exhaust fumes of franchise expectations.
    • 86 Metascore
    • 80 Critic Score
    Spider-Man: Across the Spider-Verse
    Spider-Man: Across the Spider-Verse travels worlds to upend its own status quo, spinning a truly unique and sometimes devastating narrative that finally matches its visual ambitions.
    • 59 Metascore
    • 80 Critic Score
    The Little Mermaid
    The Little Mermaid is not just another useless, soulless remake from the Mouse House. Not only does it give the gift of Halle Bailey as Ariel, but it also fortifies its predecessor's story by adding much needed narrative context and emotional pull.
  19. Kandahar
    Kandahar finds Gerard Butler doing what he does best, and while there are some admirable attempts to deviate from formula, the end result isn't going to be regarded among the action hero's top tier.
    • 40 Metascore
    • 60 Critic Score
    White Men Can't Jump
    If you like the 1992 classic you might enjoy this update, but if you don't have the time to kill, it's probably worth sticking to the original.
  21. Fast X
    Fast X doubles down on everything longtime fans have come to know and love about the franchise, but anyone who isn't sold on the saga at this stage isn't going to be won over.
    • 53 Metascore
    • 40 Critic Score
    Hypnotic
    You can only chip away at reality so far until everything in 'Hypnotic' starts to feel sketched and feckless. Any type of resolution reads as either disingenuous or completely unearned, as viewers were never invested in the characters' emotional journeys in the first place.
    • 61 Metascore
    • 70 Critic Score
    Peter Pan & Wendy
    Peter Pan & Wendy is a decent live-action remake stays faithful to the source material as well as its animated predecessor, but that's about it.
    • tbd Metascore
    • 90 Critic Score
    SUGA: Road to D-DAY
    Watching SUGA: Road to D-Day and j-hope IN THE BOX back to back is like peeling back the layers of BTS one by one. It will also make it abundantly clear why the South Korean band has gotten as far as they have.
    • 69 Metascore
    • 80 Critic Score
    Evil Dead Rise
    Evil Dead Rise is rightfully gruesome and peculiarly ghoulish. And it makes it worthy of a theatrical experience.
  26. Cherry
    In one of the most optimistic indie films so far this year, Alex Trewhitt delivers a staggering central performance, turning this teen drama into something special.
    • 53 Metascore
    • 60 Critic Score
    Renfield
    A mixed bag of elements, Renfield resonates with eclectic vibes. There was a potential for a huge hit here, but there’s just occasional intrigue and leisure that relaxes the audience to a considerable extent without coming close to greatness.
    • 73 Metascore
    • 40 Critic Score
    Air
    Vapid and meaningless, the consumer-friendly 'Air' tells a revolutionary story in the blandest, slickest way possible.
    • 46 Metascore
    • 90 Critic Score
    The Super Mario Bros. Movie
    Nintendo knows what's great about the 'Super Mario Bros.' games, and perfectly brings them to life on the big screen.
  30. A Good Person
    Florence Pugh gives another magnetic performance in this hard hitting redemption drama, written and directed by Zach Braff. Aided and abetted by Morgan Freeman, an otherwise average melodrama is elevated by two movie stars on top form.
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