We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. IF
    While 'IF's colorful creatures and set pieces might offer a temporary distraction, the weak script and superficial world building crumbles into dust at any sign of scrutiny.
  2. The Strangers: Chapter 1
    The Strangers: Chapter 1 just feels like an overstretched introduction.
    • 36 Metascore
    • 20 Critic Score
    Tarot
    Tarot is at once a disciple of The Tower; apathetic, disgraceful, ruinous, and an utter, mirthless catastrophe.
    • 66 Metascore
    • 80 Critic Score
    Kingdom of the Planet of the Apes
    While the final result is a film that’s a bit rougher around the edges than it needed to be, Kingdom quite confidently seals the deal through the animus of Noa; a fantastic protagonist brought to life by the young Owen Teague, whose strikingly intelligent motion-capture performance suggests a wisdom for the craft far beyond his years.
    • 73 Metascore
    • 80 Critic Score
    The Fall Guy
    As a blockbuster, The Fall Guy flies. As an ode to stuntmen, it soars. But as a movie that simply loves being a movie, it towers quite magnificently above most.
    • 42 Metascore
    • 40 Critic Score
    Unfrosted
    Jerry Seinfeld's directorial debut is a family-friendly, overstuffed, unoriginal comedy film where the weakness of its central plot is masked by myriad celebrity cameos, including 15 different stand-up comics, characters all but doing backflips on screen and a lot of product placement.
    • 67 Metascore
    • 70 Critic Score
    The Idea of You
    It is the fairytale you desperately desire and the real-life truth that you detest rolled into a fantasy-charged ride that crashes at the last moment, but doesn't burst your pipe dream of being in the driver seat.
    • 82 Metascore
    • 90 Critic Score
    Challengers
    It's truly never been more fun to watch three people be absolutely despicable to one another than in Luca Guadagnino's tennis court love story.
    • 35 Metascore
    • 20 Critic Score
    Rebel Moon Part 2: The Scargiver
    Put the shovel down while you can, Zack Snyder; 'The Scargiver' is a humiliating addition to the sci-fi genre, Netflix, and its viewers' memories.
  10. Abigail
    Abigail offers enough blood and guts to deliver an entertaining horror flick, but fails to tie all of its plot threads together in a satisfying way. In addition, the marketing for the movie reveals too much, spoiling its most shocking surprises.
    • 78 Metascore
    • 40 Critic Score
    The People's Joker
    Its abstract foundation is incredibly fertile creative ground, but 'The People's Joker's nuclear, self-indulgent execution is the downfall to its buzzworthy rise.
    • 75 Metascore
    • 100 Critic Score
    Civil War
    Forget such questions of whether 'Civil War' is good or bad, fresh or rotten, and any other gradation scale that comes to mind. This film is mandatory.
    • 43 Metascore
    • 60 Critic Score
    Back to Black
    There's a lot of compassion in 'Back to Black' for its troubled subject, but its best intentions become its worse mistakes when it fails to direct any semblance of a critical look at the multiple tragic events in Amy Winehouse's too-short life.
  14. Arcadian
    Mixing Nicolas Cage's unique talent for weird horror movies and a post-apocalyptic family drama story, Arcadian stretches thin in too many directions. Fortunately, the movie’s unique creature design makes up for every plot mistake.
  15. The First Omen
    With skin-crawling scenes and a surprising discussion about the control of women's bodies, 'The First Omen' finds a new angle to explore the well-established franchise. The prequel doesn't always manage the tricky balance between reverence to the original and new ideas. Still, there's a lot to love, both for newcomers and returning fans.
    • 70 Metascore
    • 70 Critic Score
    Monkey Man
    The heart Dev Patel put into Monkey Man is clear at every turn, but the actor-turned-director might have bitten off more than he could chew in his behind-the-camera debut.
    • 47 Metascore
    • 70 Critic Score
    Godzilla x Kong: The New Empire
    It may be over-the-top blockbuster fare first and foremost, but Adam Wingard's love letter to monster movies is far more intelligently crafted than anyone could have predicted.
    • 57 Metascore
    • 60 Critic Score
    Road House
    Doug Liman's 'Road House' weighs in with sizzling performances, a hearty helping of great action, a script that needed a much longer timeout, and the most self-assured identity crisis we may ever see on the small screen.
    • 46 Metascore
    • 20 Critic Score
    Ghostbusters: Frozen Empire
    We might as well let AI make the soulless nostalgia fare at this point; you'd get roughly the same result as 'Ghostbusters: Frozen Empire,' and that $100 million budget could have been spent on movies worth spending it on.
    • 46 Metascore
    • 60 Critic Score
    Irish Wish
    As it smiles and waves to the rest of the genre like a good little rom-com, you may catch a hint of a gleam in its eye and wonder, very briefly; is that who Irish Wish really is? Or did director Janeen Damian and screenwriter Kirsten Hansen just pull off one of the most maliciously untheatrical, galaxy-brain plays of the year?
    • 34 Metascore
    • 30 Critic Score
    Imaginary
    Imaginary is decidedly unscary, lamentably messy proof that horrendous scripts dwarf even the brightest premises on the creative food chain.
    • 46 Metascore
    • 50 Critic Score
    Damsel
    There are sporadic sparks of magic in 'Damsel', especially when it's navigating its better-fitting element of action fantasy rather than fairytale.
    • 44 Metascore
    • 40 Critic Score
    Ricky Stanicky
    You can almost hear the desperate screams of a far funnier, far more profound script in the shallowness of the 'Ricky Stanicky' we got, even if John Cena's efforts to drown them out aren't entirely fruitless.
    • 55 Metascore
    • 60 Critic Score
    Spaceman
    Beautifully crafted but tragically underbaked, 'Spaceman' had the blueprints for Adam Sandler's best-ever dramatic vehicle, but wound up becoming the most unrealized one.
    • 79 Metascore
    • 70 Critic Score
    Dune: Part Two
    Dune: Part Two sets foot back on Arrakis with an ambitious fire in its eye, overcoming its unsteady but understandable hubris with cinematography and production value that comes utterly alive.
    • 26 Metascore
    • 20 Critic Score
    Madame Web
    Madame Web's disastrously-woven pile of flaws exceeds the descriptive limits of not only the English language, but of the very collective of contrived sound itself.
    • 47 Metascore
    • 30 Critic Score
    Lisa Frankenstein
    A discordant Frankenstein's monster of a film in its own right, 'Lisa Frankenstein' certainly acts like it's interested in doing something, but it doesn't seem to have the first clue on what that something is.
    • 72 Metascore
    • 90 Critic Score
    Orion and the Dark
    With surprises, humor, and accessible profundity in spades, 'Orion and the Dark' has set the bar remarkably high for the rest of 2024's animated features.
    • 35 Metascore
    • 50 Critic Score
    Argylle
    Argylle isn't a triumph and it's oceans away from Vaughn's best, but it manages to hold on by a thread to the essence of what makes the filmmaker's work shine.
    • 53 Metascore
    • 70 Critic Score
    I.S.S.
    Gabriela Cowperthwaite orchestrates Nick Shafir's fantastic script and deftly on-the-ball players to uniquely jolting effect, even if the finish line was ultimately more glimpsed than crossed.
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