We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. Other People's Children
    As complex as it is compassionate, 'Other People's Children' features standout performances, and no end of nuance. For the incurable romantic and cynic in equal measure, this film deserves to be seen by a big audience.
  2. Fair Play
    Fair Play is a taut two-hander featuring Phoebe Dynevor and Alden Ehrenreich on scenery-chewing form, and benefits from an understated Eddie Marsan as trading supremo Campbell.
  3. Eileen
    Director William Oldroyd offers up a 50s potboiler in 'Eileen,' which is held together by an elegant Anne Hathaway and downtrodden Shea Whigham. Steeped in period perfection but hampered by an off-kilter final third, this might not be for everyone.
  4. Magazine Dreams
    Carving off a slice and stepping things up a notch, Jonathan Majors delivers another formidable performance in 'Magazine Dreams.' Packing on the pounds and dialing that drama up to 10, audiences will finally get what makes this actor so special.
  5. Still: A Michael J. Fox Movie
    If anyone ever thinks of Michael J. Fox as anything other than a legend after this film, they need to re-evaluate their priorities. 'Still: A Michael J. Fox Movie' documents the life of a survivor, who is far from done fighting.
  6. Squaring the Circle (The Story of Hipgnosis)
    With Squaring The Circle, Anton Corbijn continues mining the musical past to celebrate his unsung heroes. In this case, he uses the documentary to explore artwork pioneers Hipgnosis, who made history with their innovative approach to album cover design.
    • 81 Metascore
    • 80 Critic Score
    After Love
    From BAFTA-nominated director Aleem Khan, and BAFTA-winning actress Joanna Scanlan, this visceral exploration of grief offers one of the most honest and generous representations of middle-aged womanhood in recent memory.
    • 51 Metascore
    • 60 Critic Score
    Kids vs. Aliens
    Combining Amblin-style adventure with grind house exploitation theatrics, 'Kids vs. Aliens' is the ultimate 80s man-child movie.
  9. Maybe I Do
    For now, audiences will have to make do with this considered slice of comedy-drama, which throws up some familiar questions without actually digging deep enough to offer up anything conclusive.
  10. Teen Wolf: The Movie
    In a completely calculated way, this feature length stab at the MTV show remains intentionally average and overtly unchallenging – as it never seeks to overshadow the imminent new entry from showrunner Davis.
  11. Sometimes I Think About Dying
    If anything, Sometimes I Think About Dying is an ultimately optimistic film, which feels life affirming and poignant in parts. That it also affords Ridley one of the best roles she has had in recent memory, only makes this more of an intriguing proposition.
    • 62 Metascore
    • 70 Critic Score
    Plane
    As a whole, PLANE is a fun, dumb throwback to a simpler time at the movies, and sometimes, that’s all you need.
    • 72 Metascore
    • 80 Critic Score
    M3GAN
    M3GAN is a creepy, delightful new addition to the evil doll horror subgenre, complete with some killer dance moves.
  14. Babylon
    Babylon might be messy, but original film making doesn't come much better than this.
  15. White Noise
    There is no denying that this adaptation tries to tackle the central themes, but for some reason, it never really comes together in a way that genuinely satisfies.
    • 51 Metascore
    • 60 Critic Score
    Whitney Houston: I Wanna Dance With Somebody
    I Wanna Dance With Somebody doesn't do any part of Whitney Houston justice, except for maybe her voice.
  17. Avatar: The Way of Water
    As an experience, Avatar: The Way of Water is second to none. In terms of the storytelling, though, James Cameron has fallen into the exact same pitfalls as he did on the first visit to Pandora.
  18. The Almond and the Seahorse
    With some solid turns from Rebel Wilson and Charlotte Gainsbourg, The Almond and the Seahorse explores the idea of living with long term brain trauma.
  19. Emancipation
    Unfortunately, Smith’s would-be comeback vehicle is hamstrung by a weak script, paper-thin characters, and gets caught too often being overly earnest rather than emotionally honest, something that ultimately taints the integrity of the endeavor and will leave audiences disappointed.
  20. Sr.
    A film which shows how cinema can bring people together, bond generations over a common interest and capture something timeless along the way.
  21. Violent Night
    Violent Night delivers everything that was promised, and it's destined to find long-lasting life as a cult classic, but there's barely anything of note beyond the superficial.
  22. Christmas with the Campbells
    With the best will in the world, audiences looking to enjoy some festive movie moments this year, should avoid Christmas at the Campbells and opt for anything else. Not even the presence of Long should factor into the decision because honestly, he looks like he would rather be anywhere else but on screen.
  23. Four Samosas
    Brimming with wide-eyed invention and featuring an ensemble cast on solid form, Four Samosas is a concise piece of cultural comedy, with some B-movie heist elements thrown in for good measure.
    • 85 Metascore
    • 80 Critic Score
    The Fabelmans
    The Fabelmans is a compelling family portrait, a love letter to filmmaking, and a revealing look inside the heart of one of America’s great directors. It’s well worth watching, just to see Spielberg at his most tender and personal.
    • 72 Metascore
    • 80 Critic Score
    Nanny
    A stunning debut from Jusu, 'Nanny' is brimming with incredible visuals, powerful performances, true suspense, and the power of Black feminine resilience.
    • 50 Metascore
    • 60 Critic Score
    Disenchanted
    Disenchanted shows what life was like after happily ever after, but it doesn't build on themes that made 'Enchanted' great.
    • 74 Metascore
    • 80 Critic Score
    She Said
    She Said is a movie that checks all the marks regarding the treatment a matter of this kind warrants, despite a number of shortcomings that affect its cinematic value.
  28. Taurus
    Anchored by a music industry veteran in the form of Machine Gun Kelly, Taurus is defined by rock star cliche, yet transcends those narrow perimeters to deliver a poignant piece of drama refreshingly free of pretension.
    • 79 Metascore
    • 90 Critic Score
    Guillermo Del Toro’s Pinocchio
    Pinocchio is more than a movie about a wooden boy’s adventures. It’s a movie, to quote Sebastian, about “imperfect sons and imperfect fathers,” the futility and impotence of fascism, and the transcendent power of love above everything else. While a lesser movie would have been crushed by the weight of these themes, Pinocchio manages to carry them all with relative ease.
    • 74 Metascore
    • 100 Critic Score
    Bones and All
    Bones feels like a culmination of what Luca does best, bringing in the body horror of Suspiria with the tenderness of Call Me By Your Name, creating a haunting tale of young love and the compromises of self-preservation. Based on the novel by Camille DeAngelis, it's a wholly original entry in the young adult fantasy genre and some of Guadagnino's strongest work to date.
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