We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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    • 85 Metascore
    • 100 Critic Score
    A Real Pain
    Pivoting gut-punching drama and whip-smart comedy around a career-best turn from Kieran Culkin, 'A Real Pain' is a real treat of the highest caliber.
  2. Gladiator II
    While Ridley Scott delivers spectacular gladiatorial action and Denzel Washington steals every scene, 'Gladiator 2's derivative plot and inability to escape its predecessor's shadow prevent it from achieving the same legendary status as the original.
    • 71 Metascore
    • 80 Critic Score
    Heretic
    Heretic is a genuinely unsettling psychological horror, but it suffers from having one too many red herrings.
  4. Juror #2
    In "Juror #2," Clint Eastwood delivers his best directorial effort in years, crafting a morally complex courtroom drama that's elevated by Nicholas Hoult's compelling performance and a thought-provoking premise.
    • 39 Metascore
    • 80 Critic Score
    Here
    Here plays not only by its own rules, but a whole other cinematic ballgame, and those who take the time to learn its language will be immaculately rewarded.
    • 79 Metascore
    • 90 Critic Score
    Conclave
    A pointed puzzle-box that never takes its finger off its stormy emotions, 'Conclave' is as softly sensational as it is sweepingly satisfying.
    • 41 Metascore
    • 30 Critic Score
    Venom: The Last Dance
    Boarding the long-steamless train of the infamous SSU, Venom: The Last Dance spreads the franchise's desperate joylessness to a nauseating degree.
  8. Allswell in New York
    Flashes of narrative inspiration and solid performances are not enough to rescue Allswell from mediocrity, as momentum remains in short supply.
  9. Smile 2
    While it may not break new ground, Smile 2 delivers a thrilling sequel that surpasses its predecessor, thanks to Naomi Scott's tour de force performance and Parker Finn's improved direction.
    • 74 Metascore
    • 70 Critic Score
    Woman of the Hour
    Anna Kendrick's directorial debut offers a refreshing twist on a tried and true formula by contextualizing a serial killer's wrath within the crueler misogynistic traditions that enable it.
    • 64 Metascore
    • 80 Critic Score
    The Apprentice
    The Apprentice forgoes subtlety in favor of skewering its subject and eventually reveals that deep down this biopic was a horror movie all along.
    • 63 Metascore
    • 100 Critic Score
    Piece By Piece
    Piece by Piece, much like its decorated subject, blows right past refusing to play by the rules and straight up doesn't acknowledge them, and it's all the best for it.
    • 59 Metascore
    • 80 Critic Score
    We Live in Time
    We Live in Time packs an emotional, surprisingly meditative punch in the form of one of the most beautiful romance films of the last decade.
    • 60 Metascore
    • 50 Critic Score
    Saturday Night
    Saturday Night plays with the sharp erraticism of an improv comedian's neurons, but it quite simply doesn't believe in itself the way Lorne did about the film's subject.
  15. Terrifier 3
    Terrifier 3 marks a significant evolution in the franchise. Director Damien Leone delivers the most vicious iteration of Art the Clown yet, while also maturing as a filmmaker and providing a solid foundation for future installments.
  16. The Outrun
    While still a fascinating filmmaking exercise, this is, unfortunately, one of those movies you can recommend to everyone. Still, The Outrun is a vehicle for Ronan’s talent, with her driving fast towards awards season.
  17. The Platform 2
    The Platform 2 does more than follow the first movie recipe, spicing things up with new ethical conundrums and serving a new batch of intriguing puzzle pieces.
  18. Joker: Folie à Deux
    In Joker: Folie à Deux, director Todd Phillips's attempt to blend courtroom drama with musical elements results in a disjointed and sluggish narrative that fails to capitalize on its potential.
    • 47 Metascore
    • 40 Critic Score
    Salem's Lot
    The breathtaking visuals and bloody scares are not enough to bring this adaptation back from the dead.
    • 85 Metascore
    • 90 Critic Score
    The Wild Robot
    Equal parts eye-and-ear candy and carbs for the soul, 'The Wild Robot' is animation's finest hour of the year.
    • 60 Metascore
    • 60 Critic Score
    Wolfs
    George Clooney and Brad Pitt fail to bring the big guns out on 'Wolfs,' but are just the right amount of endearing for streaming success.
    • 55 Metascore
    • 100 Critic Score
    Megalopolis
    Megalopolis is at once one of the least-accessible films of the year, but the sheer depth and insanity of its accomplishment is one we may never see again.
    • 65 Metascore
    • 90 Critic Score
    Transformers One
    Even its mistakes hardly qualify as mistakes, and the intelligence with which 'Transformers One' carries itself as an IP film easily cements it as an instant classic.
    • 83 Metascore
    • 80 Critic Score
    His Three Daughters
    In His Three Daughters, Azazel Jacobs provides the very unique joy of a simple, yet perfectly executed story about universal human experiences.
    • 66 Metascore
    • 60 Critic Score
    Speak No Evil
    It pulls too many punches while being too keen on delivering others, but Speak No Evil's mighty cast and swath of subtleties seal a fine deal indeed.
  26. Uglies
    With a weak script and choppy editing, "Uglies" struggles to bring its dystopian world to life, wasting the potential of its cast and source material.
    • 62 Metascore
    • 70 Critic Score
    Beetlejuice Beetlejuice
    Beetlejuice Beetlejuice is an exercise — or exorcise — in studio IP extension that is so strange and unusual as to be almost review-proof. It's messy and overstuffed, but its quirky charms may well win you over.
    • 28 Metascore
    • 30 Critic Score
    AfrAId
    Alexa, send this underbaked, untethered failure back to the cutting room.
    • 55 Metascore
    • 70 Critic Score
    The Thicket
    Impeccably casted and narratively confident, one really only wishes that 'The Thicket' spread its wings just a bit more. Dinklage has great taste in passion projects, and is great in them, too.
    • 30 Metascore
    • 20 Critic Score
    The Crow
    Sometimes, something so bad happens that a terrible sadness is carried with it and the soul can't rest. 'The Crow' is one such bad something.
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