We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
    • 46 Metascore
    • 100 Critic Score
    The Broken Tower is a wonderful labour of passion and love for this incredible artist and his broken life and it could not have been a more perfect way to encapsulate the incredibly obscure and fantastic artist that is Hart Crane.
  1. A feel good movie should make you feel...well, good. And My Spy's arsenal of laughs, smiles and carefree action connects with a sniper's precision.
    • 46 Metascore
    • 90 Critic Score
    Nintendo knows what's great about the 'Super Mario Bros.' games, and perfectly brings them to life on the big screen.
  2. You Should Have Left is a perfect example of how "forgettable" horror cinema is somehow more tedious than something that goes out in a blaze of failed ambition.
    • 46 Metascore
    • 20 Critic Score
    We might as well let AI make the soulless nostalgia fare at this point; you'd get roughly the same result as 'Ghostbusters: Frozen Empire,' and that $100 million budget could have been spent on movies worth spending it on.
  3. Scares are often on the generic side (pitch-black doorway, hand reaches out), and while some wild effects work enjoys the zanier side of Hell’s mouth opening up to spit venom across Earth’s surface, it’s missing the masterfully torturous tone that Wan’s universe otherwise aims for.
    • 46 Metascore
    • 50 Critic Score
    There are sporadic sparks of magic in 'Damsel', especially when it's navigating its better-fitting element of action fantasy rather than fairytale.
    • 46 Metascore
    • 50 Critic Score
    If you’re looking for a glossy, breezy time, 'Shotgun Wedding' will be right up your alley. If you’re looking for chemistry, substantive humor, and meaningful filmmaking - look somewhere else.
  4. Keanu Reeves effectively anchors The Whole Truth, but a capable cast can only do so much to keep the lingering mystery afloat before logic weighs it down.
  5. Tom Hardy does it all as Capone: growling, drooling, snot, yelling, snotty yelling. If his performance was in service of a better picture, we might even be talking about him during Oscar season.
  6. Much like its central characters, Nerdland is a dismal, unfunny failure, wasting all its potential and entirely unaware that it is every bit as stupid as the stupid people it so despises.
  7. Attack Of The Lederhosen Zombies doesn't quite live up to its eye-catching name, but still offers enough undead snowboarding mayhem worth a horror laugh.
  8. The Meg delivers the Statham-versus-giant-shark battle moviegoers are promised, but does so in a way that still manages to be underwhelming.
  9. In Joker: Folie à Deux, director Todd Phillips's attempt to blend courtroom drama with musical elements results in a disjointed and sluggish narrative that fails to capitalize on its potential.
    • 46 Metascore
    • 70 Critic Score
    Although Project X has its faults (we’ll get there in a second), the atmosphere of the party couldn’t be more perfect.
    • 46 Metascore
    • 60 Critic Score
    As it smiles and waves to the rest of the genre like a good little rom-com, you may catch a hint of a gleam in its eye and wonder, very briefly; is that who Irish Wish really is? Or did director Janeen Damian and screenwriter Kirsten Hansen just pull off one of the most maliciously untheatrical, galaxy-brain plays of the year?
  10. IF
    While 'IF's colorful creatures and set pieces might offer a temporary distraction, the weak script and superficial world building crumbles into dust at any sign of scrutiny.
  11. Buoyed by a strong cast, Wolves is a predictable yet powerful film that uses its multitude of sports movie and coming-of-age cliches to the best possible effect.
    • 46 Metascore
    • 40 Critic Score
    The excitement with which one can anticipate Ishana's next directorial effort, is matched only by the dread of anticipating her next screenwriting effort.
    • 46 Metascore
    • 50 Critic Score
    They/Them offers an interesting vision of what greater, specific LGBTQIA+ representation and storytelling can bring to a slasher, even if it doesn’t land perfectly.
  12. Come And Find Me is a fine-and-dandy missing persons thriller with a romantic twist, suitable for those whose Aaron Paul senses tingle upon reading the film’s synopsis. First-time features are anything but safe bets, so a cheers is in order for Whedon’s accomplishment – no matter how small.
  13. Samaritan had the potential to stand out among a crowded pack with Sylvester Stallone as a veteran superhero drawn out of retirement, but it doesn't bring anything new or noteworthy to the table.
  14. The Tomorrow War isn't as good as it could have been, but it's an entertaining enough sci-fi action blockbuster.
  15. This supremely talented ensemble cast are unable to save 'The Son' from being an overly emotive disappointment.
  16. Uncharted aims for old school adventure with a modern sheen, but the end result is the latest in a long line of immediately forgettable video game adaptations.
  17. Justice League is a sloppy team-up film that doesn't even take time to properly introduce pivotal members of its titular team, but when you're playing a dangerous (also ill-advised) game of catch up, these are the risks.
  18. The Platform 2 does more than follow the first movie recipe, spicing things up with new ethical conundrums and serving a new batch of intriguing puzzle pieces.
  19. Unforgettable is a "How Not To" guide for romantic thrillers, passionless and without tension when it comes to the conflict at hand.
  20. Brimstone is undeniably idiosyncratic, but it’s also an unpleasant, dull and indigestible film.
  21. The Invitation aims high, and while it's regularly impressive on a visual and aesthetic level, the storytelling lets the Gothic horror down in the end.

Top Trailers