We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. King Arthur: Legend of the Sword
    Excitement is fleeting, dialogue rambles and Jude Law’s tyrant-approved throne slouch pretty much sums the film’s overall attitude – a hearty “meh,” worthy of no diamond-studded crown.
  2. Jackpot!
    Jackpot! delivers a delicious deranged mix of dark comedy and thrill ride. While its silliness may not appeal to all, the film's clever premise, strong performances by Awkwafina and John Cena, and well-timed humor make for a great experience.
  3. Black Adam
    Black Adam is nowhere near the game-changing revolution for the DCEU that was promised, but it's a solid introduction for Dwayne Johnson's antihero nonetheless.
    • 41 Metascore
    • 30 Critic Score
    Venom: The Last Dance
    Boarding the long-steamless train of the infamous SSU, Venom: The Last Dance spreads the franchise's desperate joylessness to a nauseating degree.
  5. Moonfall
    Moonfall is every bit as big, loud and stupid as you'd expect, but Roland Emmerich's latest disaster epic is also an unforgivably dull slog.
  6. Cardboard Boxer
    Cardboard Boxer isn’t meant to be subtle or subversive. That’s fine. It doesn’t need to be. But it does need to feel sincere or at least genuine, and that’s only occasionally the case with Lee’s underwhelming debut.
    • 41 Metascore
    • 50 Critic Score
    The Curse of La Llorona
    It’s all so very by-the-books, undefined, carbon-copy Conjurverse refurbishment without a guiding voice, which makes for a disappointingly one-note watch that barely raises a hair. At least The Nun has personality – something The Curse of La Llorona’s waterlogged redundancy cannot boast.
  8. Passengers
    There are two movies here, neither of which are given a chance to develop into something worthwhile.
  9. Monster Trucks
    Monster Trucks is a weird, wacky ride that's made better by its sense of good-natured, juvenile fun (for the most part).
  10. Super Troopers 2
    Meow, there are laughs to be had here and there throughout Super Troopers 2, but unless you’re really riding the Highway Patrol's wave of manic police work, miss this stale revival and stick to the original.
  11. The Hollow Point
    The Hollow Point is a blazing contemporary western that finds pleasure in punishment.
  12. The Grudge
    The Grudge feels like "just another remake," which is a shame with such a previously style-forward director at the helm.
  13. Fatman
    The end product is a hugely satisfying and wholly original Christmas pic that will no doubt become required viewing on an annual basis for those who prefer their holiday favorites to be a little less traditional.
  14. Table 19
    Positioned as a quirky antidote to Hollywood wedding comedies, the awkward, tonally inconsistent Table 19 ultimately turns out to be more of the same.
  15. Shaft
    With a greener blend of heart and humor, Shaft safely ushers in the vigilante detective for modern audiences, though safety never seemed to be a factor before.
  16. Meg 2: The Trench
    Ben Wheatley's blockbuster debut reduces him to an anonymous bystander in a sequel that's inexplicably weaker than its predecessor. If we get 'Meg 3,' then somebody needs to remember these things are supposed to be fun.
    • 40 Metascore
    • 50 Critic Score
    The Comedian
    It’s way too long and ends up feeling like a chore to get through. Furthermore, the raunchy shock-value humor leaves your memory as soon as it enters, actors go grossly under-utilized and the title character fails to live up to his name. Quite frankly, he’s just a bummer to be around.
  18. Abattoir
    Abattoir feels like it should still have an "Under Construction" sign warning viewers of the unfinished business to come.
  19. The Twin
    You might think you've seen it all before, but 'The Twin' thrives in upending expectations to deliver an atmospheric folk horror that's as emotional as it is terrifying.
  20. Smurfs: The Lost Village
    Despite its stunning backdrops and inspired new designs, Smurfs: The Lost Village is a smurfing waste of time.
  21. Mine
    The situation at the heart of Mine - what to do if you're stuck standing on a live landmine - is fascinating to imagine. But sadly, the film eventually devolves into cliched flashbacks and quickly loses momentum.
  22. Sandy Wexler
    Perhaps the most egregious aspect of Sandy Wexler isn’t its bland or annoying characters, its cookie-cutter story or even the same cheap physical comedy Sandler had become known for. No, the biggest problem very well may be its 1990s setting.
    • 40 Metascore
    • 60 Critic Score
    White Men Can't Jump
    If you like the 1992 classic you might enjoy this update, but if you don't have the time to kill, it's probably worth sticking to the original.
  24. Delia's Gone
    The effort put forth by James, Tomei, Hauser, and Fimmel just about carries Delia’s Gone over the finish line, which offsets the overall lack of a laser-focused singular method of storytelling that would have improved things exponentially.
  25. Submerged
    Submerged is a whole mess of tension primed to leave viewers in an anxiety-induced pile of helplessness, which means it does its job pretty damn well.
  26. Level Up
    There’s some fun to be had as this reality-show-gone-mad dashes about London’s streets, but never with enough character to be something unfamiliar.
  27. Leatherface
    Leatherface is an origin story that attempts to carve new mythos for one of horror's mightiest legends, but ends up leaning on franchise references and bleakness to an unnecessary fault.
  28. Jigsaw
    Jigsaw feels like a forced hodgepodge of previous franchise entries that never carves its own identity, making you question what prompted such an expected reboot these few years later.
  29. Why Him?
    Why Him? plays a fairly one-note game that gets tiresome halfway through, which is sadly still better than most comedies put out this year.
    • 39 Metascore
    • 80 Critic Score
    Here
    Here plays not only by its own rules, but a whole other cinematic ballgame, and those who take the time to learn its language will be immaculately rewarded.
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