We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. The Snare
    The Snare is so without substance that you might not even remember watching it.
  2. The Axe Murders of Villisca
    The Axe Murders Of Villisca is too familiar a haunted house story to be anything more than generic.
  3. Don't Kill It
    Don't Kill It is some DIY insanity that leaves more scattered limbs than an overturned Halloween decoration truck.
  4. Jeepers Creepers 3
    Lacking in imagination or genuine scares, Jeepers Creepers 3 falls tragically short on just about every front.
  5. Day of the Dead: Bloodline
    No ifs, ands or Bubs about it, the memory of Day Of The Dead: Bloodline will decay at lightning speed. There’s nothing new here that Romero didn’t do better, only a downgraded horror watch with lesser value.
  6. Best F(r)iends
    While it doesn't top the eccentricity of Wiseau’s cult favorite, Best F(r)iends is written by a man who understands, probably more than anybody, the appeal behind The Room’s creator, and directed by another man who understands not to mess with that connection and whatever ideas come spewing from it.
  7. The Banana Splits Movie
    The Banana Splits Movie is a peculiarly fresh nostalgia trip and has just the right amount of gore to make this otherwise by-the-numbers slasher a surprisingly amusing experience.
  8. Slapface
    Slapface can often be a relentlessly bleak experience, but the thematic resonance and surprisingly effective character dynamics comfortably offset any minor flaws.
  9. The Runner
    This disappointing rite-of-passage teen angst hybrid is hard work. If not for the presence of Cameron Douglas and Edouard Philipponnat, 'The Runner' would be of little interest to anyone. Thankfully, they do their best to make this at least worth a look.
  10. Section Eight
    Anyone going into this film should be aware it is no intellectual exercise. Any capacity for rational thought, beyond guns and ammo, should be left outside until those credits roll. Even though the dialogue is passable in comparison to other films of this genre, those expecting an actioner on par with Aaron Sorkin would do best to avoid it.
    • tbd Metascore
    • 80 Critic Score
    Surrogate
    As Surrogate delves into murder mystery territory, the films palpable dread wanes. Yet, so strong is Willing’s handle of his material and Morassi’s compelling lead performance, that the after-effects are sure to haunt you long after the credits roll.
  12. Inland
    Mark Rylance is wasted in this ponderous piece of arthouse introspection.
    • tbd Metascore
    • 90 Critic Score
    SUGA: Road to D-DAY
    Watching SUGA: Road to D-Day and j-hope IN THE BOX back to back is like peeling back the layers of BTS one by one. It will also make it abundantly clear why the South Korean band has gotten as far as they have.
  14. Dangerous Waters
    Dangerous Waters' starts off as one thing, but barrels directly into an absurdly entertaining third act when it decides to throw the shackles off and become something else entirely.
  15. Desperation Road
    The tonal balance isn’t an easy one to pull off, and filmmakers vastly more experienced than Crocker have tried and failed, so praise is due to the key creatives for taking something that sounds familiar and perhaps even formulaic on paper, but repainting it as an engaging, emotionally-driven genre film that both is and isn’t what you think it’ll turn out to be.
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