We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
    • 43 Metascore
    • 70 Critic Score
    A Family Affair is far from revolutionary filmmaking but it is a near-perfect sample of its genre. It’s ballsy and funny without being over the top, and it’s got an unexpected fire burning behind each of its characters.
  1. The Strangers: Chapter 1 just feels like an overstretched introduction.
  2. Jeauffre's blending of terrestrial and extraterrestrial imagery is hypnotizing and spectacular, but this story of survival feels too bloodless to appeal to the average viewer.
  3. Blood Red Sky both is and isn't the movie you think it'll be, but it's perfectly suited for Friday night entertainment.
  4. Sadly, In Dubious Battle is unlikely to inspire anything other than blank-faced boredom.
  5. Mother/Android isn't the sci-fi movie you think it's going to be, or even the movie it probably wants to be, but it's nonetheless a solid first-time feature from from writer/director Mattson Tomlin.
    • 43 Metascore
    • 60 Critic Score
    There's a lot of compassion in 'Back to Black' for its troubled subject, but its best intentions become its worse mistakes when it fails to direct any semblance of a critical look at the multiple tragic events in Amy Winehouse's too-short life.
  6. Dark Phoenix takes arguably the most heavily thematic X-Men comic arc and delivers the most dully procedural, chopped-to-bits cinematic franchise entry in Fox’s mutant canon.
  7. A Dog's Purpose goes the Collateral Beauty route by preying on sadness and not earning its emotional reactions.
  8. Tank 432 does right in building battlefield tension without any gunfire or attacks, but misses its mark in neatly wrapping up yet another paranoid psychological thriller.
  9. A half-baked thriller with a strong cast and a few good ideas, The Circle lacks originality, immediacy, or basic coherence.
  10. 47 Meters Down is still the alpha of this franchise pack, but Uncaged's stealth "slasher but with sharks" structure is an approved and entertaining surprise.
  11. Scoob! is an enjoyable-enough start to the Hanna-Barbera cinematic universe, but may leave Mystery Inc. superfans feeling robbed of the Scooby-centric reboot that such a title suggests.
  12. Office Christmas Party is a naughty Xmas comedy stuffed with enough ho-ho-hos and ha-ha-has to corrupt this holiday season.
  13. Look into the eyes of My Father Die, and you’ll see honesty. Never once does writer/director Sean Brosnan go out of his way to present “revenge” as a worthwhile venture, as he evokes the beastly nature of such drastic measures.
    • 42 Metascore
    • 40 Critic Score
    Jerry Seinfeld's directorial debut is a family-friendly, overstuffed, unoriginal comedy film where the weakness of its central plot is masked by myriad celebrity cameos, including 15 different stand-up comics, characters all but doing backflips on screen and a lot of product placement.
    • 42 Metascore
    • 50 Critic Score
    What an annoyance to have a Transformers movie with well-drawn humans, only to have them choke on the exhaust fumes of franchise expectations.
  14. Gomez-Rejon’s The Current War is unfortunately neutralized by Mitnick’s artless script.
  15. The Ice Road further cements Liam Neeson’s reputation as the only action star in the 60-70 age bracket worth his salt.
  16. Inferno feels every bit like the second sequel in an exhausted franchise, stunted by unfocused storytelling and a blandness that's almost sleep-inducing.
    • 42 Metascore
    • 40 Critic Score
    A committed Anthony Mackie and a game Harrison Ford deserve better than this sadly superficial excuse for a 'Captain America' film whose troubled production is written all over its face.
  17. For now, audiences will have to make do with this considered slice of comedy-drama, which throws up some familiar questions without actually digging deep enough to offer up anything conclusive.
  18. Franck Khalfoun’s often-rethought Amityville: The Awakening is sleepover background noise at its best, traceable genre road-mapping at its worst.
  19. It may be messy, but the parts that matter go for broke with breakneck ambition.
  20. The Great Wall is like the disaster of 47 Ronin all over again, except the action is a bit more fantastically barbaric and Damon isn't all that bad himself.
    • 42 Metascore
    • 50 Critic Score
    Armed with a glistening beating heart but too stubborn to open itself up, Opus falls into the very trap that it warns against.
    • 42 Metascore
    • 30 Critic Score
    Persuasion is a disastrously misguided Jane Austen adaptation that condescends, talks down to, and tries to hand-hold its audience at every turn.
  21. Night Teeth is a disappointing vampire thriller that's all style and no substance, leaving plenty of interesting world-building and unique mythology behind in favor of a formulaic story audiences will see coming from a mile away.
  22. Trash Fire blazes with pitch-black wit and a dark, volatile story of redemption so good you'll be laughing your way straight to Hell.
  23. Halloween Kills is a huge comedown compared to its predecessor, offering plenty of blood, guts and gore to satisfy fans but little for everybody else in a by-the-numbers slasher sequel.

Top Trailers