We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
    • 48 Metascore
    • 60 Critic Score
    A blood-soaked tale of morality and vengeance backed by a hard rocking soundtrack, what 'The Retaliators' lacks in depth, it makes up as a grimy horror thriller sure to appease grindhouse fans.
    • 48 Metascore
    • 50 Critic Score
    Ant-Man and the Wasp: Quantumania is the weirdest, most fun movie of the three. Yet, it's bogged down by serving as another stepping stone on the road to Marvel's Multiverse Saga.
    • 48 Metascore
    • 70 Critic Score
    There's a lot to like about Olivia Wilde's sundrenched sophomore directorial effort, particularly Florence Pugh's performance, but the story feels uneven.
  1. Pet
    Pet is scariest when exploiting our social fears of being rejected, and at its worst when playing some psychological switcheroo in a Saw-like basement.
  2. The Strangers: Prey At Night is a feature-length homage to Carpenter's best, and albeit familiar in structure, Johannes Roberts' execution strikes with brute ferocity.
  3. King Cobra has the intensity, excitement and poison every thriller needs, and wild, engaging performances to boot.
  4. Godzilla: King Of The Monsters lays many a colossal Kaiju smackdown, but human arcs crumble under the heavy weights of those 'Zilla-sized behemoths they're forced to shoulder.
    • 47 Metascore
    • 50 Critic Score
    A marked improvement over the similarly-titled 2003 film, 'Haunted Mansion' nevertheless falls at too many self-imposed hurdles to make the most of what should have been a self-sufficient recipe.
  5. About Ray is not, in the end, a triumph, but is still good and necessary viewing for its subject matter.
    • 47 Metascore
    • 50 Critic Score
    The Marsh King's Daughter is yet another addition to the forgotten library of inconsequential and underdeveloped action thrillers.
  6. It’s an enjoyable movie-night combination of lightning quips, genuine friendship and observational humor paced with Sonic’s “gotta go fast” attitude. Score one for video game fans!
  7. Fantastic Beasts: The Secrets of Dumbledore gently levitates rather than soars, hums quietly under its breath when it should sing, and mildly entertains and amuses when it should have fans gripping the edge of their seats as thing hurtle to a breakneck climax.
  8. Secret Headquarters is aimed squarely at young adults, takes a leaf from the 'Spy Kids' franchise, and is never less than engaging when affectionately leaning into genre cliches without trying too hard.
  9. Railroad Tigers is an action epic that wants to be a comedic goofball, as it fumbles both aspects when trying to meld them together.
  10. In its braggadocios final form, genre fans have a unicorn watch that surely won’t be replicated anytime soon. Points for creativity, points for ambition, and points for a studio showing the balls to back provocative genre cinema.
  11. Tom Cruise is as muscly and bland as heroes come, restrained by the burden of two dead-weight companion pawns. Jack Reacher is a man who thrives on working alone, and this dull tale of backstabbing militant leeches proves that fact tenfold.
  12. Despite Winslet's stunning cowgirl fashionista, The Dressmaker is a whole lot of weirdness packed into a story that stumbles around like an emotionally-inept drunk.
    • 47 Metascore
    • 30 Critic Score
    A discordant Frankenstein's monster of a film in its own right, 'Lisa Frankenstein' certainly acts like it's interested in doing something, but it doesn't seem to have the first clue on what that something is.
    • 47 Metascore
    • 70 Critic Score
    The latest and (allegedly) last chapter in the Michael Meyers saga, manages to find an ending while having some shaggy and unhinged fun along the way. It might not entirely work, but 'Halloween Ends' takes you on one last wild ride and goes into some pretty unexpected places.
    • 47 Metascore
    • 40 Critic Score
    The breathtaking visuals and bloody scares are not enough to bring this adaptation back from the dead.
  13. As the word “m#th&rf$ck*r” loses meaning, you can’t help but appreciate a wholly predictable – yet unapologetically confident – action goof that’s far funnier than it should be.
  14. Pandemic certainly won't spark a nationwide outbreak, but it's a sleek enough take on infection thrillers that's worth one good late-night watch.
  15. Bird Box Barcelona expands the mythology in several new and fascinating directions, but it also makes the mistake of posing several bigger questions that it doesn't seem to want to answer.
  16. If you’re laughing at all throughout Masterminds, it’s probably because of Jason Sudeikis.
  17. The Ardennes may be saturated in dark blues and snow-covered blankness, but it burns with bright fury as Robin Pront inches closer to his film’s inevitable breaking point.
    • 47 Metascore
    • 70 Critic Score
    It may be over-the-top blockbuster fare first and foremost, but Adam Wingard's love letter to monster movies is far more intelligently crafted than anyone could have predicted.
  18. In many ways, Alice feels like a film looking to inform as well as entertain, by exploring the evolution of Black identity with unflinching honesty.
  19. Winstead is nothing short of fantastic in terms of both her physical and performative presence, but she could have really used a meatier journey to sink her teeth into.
  20. Shazam! Fury of the Gods is a substantial step down from its predecessor, hardly ideal when the future of the entire franchise likely depends on it.
  21. Medieval works best when it throws dirt, mud, blood, and body parts at the screen, with the crunching battle scenes just about overcoming the narrative shortcomings.

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