We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
  1. Coupled with an uninvited human story at its forefront, Burton’s chilling style makes Dumbo nearly unrecognizable.
  2. Rough Night is a seriously funny movie led by some seriously funny ladies, but even more impressive is a mainstream comedy that relies not on cheap shocks like many who have come before.
  3. Operation Fortune: Ruse de Guerre delivers exactly what you'd expect from an R-rated Guy Ritchie spy caper with Jason Statham in the lead role, with the offbeat and energetic espionage adventure worthy of at least a sequel or two.
  4. The Accountant is so many baffling things, most (but not all) of which can not be described in a positive manner.
  5. In a completely calculated way, this feature length stab at the MTV show remains intentionally average and overtly unchallenging – as it never seeks to overshadow the imminent new entry from showrunner Davis.
  6. As movie star Sophie Wilder, Monica Barbaro is effortlessly charming, while Diego Boneta imbues assistant hotel manager Alejandro with equal amounts of charisma. 10 times better than audiences will expect, At Midnight is worth a watch.
  7. Malignant is messy, chaotic, ridiculous and quite possibly the most insane movie you'll see this year, but James Wan doesn't just know that; he uses it to his advantage.
  8. Day Shift just about gets by on its impressive action sequences, but everything else about the vampire horror comedy feels more than a little lacking.
  9. Lou
    Lou is a polished piece of action drama from Netflix and Bad Robot, which gets by on solid performances from Allison Janney and Jurnee Smollett. Combining with a unique score from Nima Fakhrara, this by-the-numbers Netflix release is worth a watch for Janney alone.
    • 50 Metascore
    • 30 Critic Score
    Keeping in mind that the mantra of Clerks III is to live your life with the knowledge that it is precious, don’t waste it watching Clerks III.
    • 50 Metascore
    • 60 Critic Score
    Disenchanted shows what life was like after happily ever after, but it doesn't build on themes that made 'Enchanted' great.
  10. Despite some innovative ideas about language and body horror, Whannell's 'Wolf Man' is a disappointing follow-up to 'The Invisible Man,' struggling with uneven effects, choppy editing, and underdeveloped themes.
    • 50 Metascore
    • 70 Critic Score
    The Marvels feels like it should have been developed as a Disney+ project, but Larson, Parris, and Villani's full commitment promise a nonstop, frenetic team-up movie—and who could forget Goose!
  11. Florence Pugh gives another magnetic performance in this hard hitting redemption drama, written and directed by Zach Braff. Aided and abetted by Morgan Freeman, an otherwise average melodrama is elevated by two movie stars on top form.
  12. The Hunt puts the "F-U" in midnight "fun" as no sides are safe in this middle-finger cultural roast that's as loudly defiant as it is proudly blood-soaked.
  13. War On Everyone is a pitch-black, nihilistic riot, like a pissed-off teenager spinning atop a mountain with two outstretched middle fingers pointing in every direction.
  14. This time around, Denzel’s “Equalizer” is less of a Robin Hood-like hero for the helpless, and more of a Travis Bickle-like vigilante, shooting his way through a murder caper that has neither the incentive nor the heart of its already forgettable precursor.
  15. Eurovision Song Contest: The Story Of Fire Saga is bursting with wit, warmth and laughs, and is well worth a watch on Netflix.
  16. Going in Style doesn't bring much imagination or innovation to the world of crime comedies, but its legendary stars enhance the experience enough to make it passable entertainment.
    • 50 Metascore
    • 70 Critic Score
    Despite its shortcomings, 'Meet Cute' takes viewers on a journey through the harsh reality of relationships that they won't soon forget.
  17. Dwayne Johnson and Emily Blunt elevate Jungle Cruise, but you've seen this movie before, and you've seen it done a lot better.
  18. The Boss Baby is a movie made for few audiences, inconceivably inept in its ability to blend adult references with children's immaturity.
  19. There’s too much that’s intriguing in this film to ignore it, and although the third act shows signs of strain, the first two acts more than justify the film’s existence.
  20. 3 From Hell is an ugly example of too much wicked style over zero intended substance.
  21. iBoy is a fully charged superhero tale that soon overcomes its admittedly ludicrous premise.
    • 50 Metascore
    • 40 Critic Score
    Ultimately, Blonde falls short of the noble goals it sets out for itself. What we get instead is a stunning, surreal nightmare that fails to let Marilyn Monroe be a complicated, full person. Even if it’s packaged well, what you’ll find at the heart of Blonde is something acrid and hollow.
  22. Black Christmas deserves to be a better slasher satire propelled by empowerment than the messy, tonally obstructed holiday dud we're gifted.
    • 49 Metascore
    • 80 Critic Score
    Funny, touching and insightful. Woody Harrelson is in top comedic form in this tonally unique comedy with a lot on its mind.
  23. In essence, Bloody Birthday is the old horror film, The Bad Seed, multiplied by three on the crazy scale, but far less chilling.
  24. This culture clash comedy is a car crash only John Cena survives.

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