We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
    • 56 Metascore
    • 80 Critic Score
    Anyone who's ever wondered how Michael Shannon would fare as a smoldering romantic lead or how Imogen Poots might handle the role of a femme fatale has their answer in Matthew Ross' engaging psycho-thriller.
  1. Fast X doubles down on everything longtime fans have come to know and love about the franchise, but anyone who isn't sold on the saga at this stage isn't going to be won over.
  2. For a film that has such an intriguing premise at its core, The Yellow Birds seems to drag due to Moor’s abrupt tempo changes and flat visual style.
    • 55 Metascore
    • 60 Critic Score
    Beautifully crafted but tragically underbaked, 'Spaceman' had the blueprints for Adam Sandler's best-ever dramatic vehicle, but wound up becoming the most unrealized one.
  3. Almost Christmas doesn't set a new standard for family holiday comedies, but its cast and a handful of outrageously funny moments make it worthwhile for fans of the genre.
    • 55 Metascore
    • 90 Critic Score
    The Devil All the Time is an emotionally powerful look at familial trauma, religious corruption, and one man's will to challenge his fate.
  4. Although Ordinary World hits a number of familiar story beats, a real heart appears to be beating behind the material, allowing Armstrong and his castmates to maximize the emotional impact it has.
  5. Old
    Put simply, Old distils the human life cycle down into one unique cinematic experience. One that will cause arguments, promote debates and lead to further discussions. Something which confirms M. Night Shyamalan remains a force to be reckoned with.
  6. Yesterday’s lackluster, underwritten script both births its golden egg concept, and also restrains it from ever reaching the next level of sophistication or interest.
  7. It might be way too long and suffer from many familiar problems, but 'Ambulance' still has enough action-packed thrills in the tank to rank as Michael Bay's best movie in years.
    • 55 Metascore
    • 70 Critic Score
    Impeccably casted and narratively confident, one really only wishes that 'The Thicket' spread its wings just a bit more. Dinklage has great taste in passion projects, and is great in them, too.
  8. Despite some third act wobbles, A Lot of Nothing marks a strong, stylish, and suspenseful debut from co-writer and first-time feature director Mo McRae.
    • 55 Metascore
    • 100 Critic Score
    Megalopolis is at once one of the least-accessible films of the year, but the sheer depth and insanity of its accomplishment is one we may never see again.
  9. Aquaman is imaginatively ambitious superhero cinema with no rules, which is more positive than negative as Wan's vision is realized like an underwater laser light spectacle that the DCEU so desperately needs right now.
  10. Violent Night delivers everything that was promised, and it's destined to find long-lasting life as a cult classic, but there's barely anything of note beyond the superficial.
  11. The Flash is good, and occasionally flirts with excellence, but anyone who goes in heading the game-changer that was promised may be left feeling a touch short-changed.
  12. Rainbow Time is all over the place dramatically, but somehow Linas Phillips ties together a sometimes wacky, otherwise off-beat family dramedy from perspectives unknown.
  13. Big on spectacle and bigger on life lessons, Spirited manages to surprise, inspire and entertain in equal measure.
  14. Zombieland: Double Tap winks and nudges its way through a long-time-coming sequel, but earns its survival badges when cracking wits around new casts of characters.
  15. Based on the popular toy line, Trolls bears all the earmarks of a blatant cash-in on a recognizable property, with little imagination to speak of and predictable creative choices from beginning to end.
  16. Nearly every aesthetic decision that went into this version of the The Lion King detracts from the artistry and the heart that helped its predecessor surpass immortality.
  17. Something Else promises monsters but delivers more demons of the human experience variety, as this sweet and sincere creature feature is far more romantically heartfelt than expected.
    • 55 Metascore
    • 40 Critic Score
    The Duelist isn’t deep enough for the viewer to attempt to draw meaning from beneath its glam surface, but it’s still interesting to watch the film as a look at where Russia is at as a nation.
  18. Song To Song is one of the more accessible Malick films as of late, succeeding largely in part thanks to a cast who plays their dramatic beats like poetry in motion.
    • 55 Metascore
    • 60 Critic Score
    National Lampoon's Vacation is a comedic cross-country adventure like no other, thanks to Chevy Chase and the rest of the Griswold family. It's not the best Vacation movie by any stretch, but it's a wild ride from start to finish.
  19. It isn’t always entirely successful, but when The Adam Project is firing on all cylinders and zeroing in on the family drama that’s never too far away from the surface, you may just find yourself fighting back tears.
    • 55 Metascore
    • 70 Critic Score
    Hellraiser is a fresh entry to the decades-old franchise and it's also a fresh breath of air to the many fans that have long suffered from below-par sequels.
  20. Despite an excellent secondary cast and an interesting story, Dabka fails in its aspirations due almost entirely to its own smugness.
  21. Life toes a line between underwhelming and just-good-enough, but performances help elevate an otherwise generic sci-fi clone with nothing new to add.
  22. There’s definitely something vastly superior that was agonizingly close to being unleashed, but as it stands, Kosinski and his collaborators have delivered a solid summertime Netflix original that’s destined to play extremely well for the next couple of weeks, albeit one you almost certainly won’t hear anybody talking about six months from now.

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