For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael O'Sullivan
A confection that is ultimately better because of its bitterness.- Washington Post
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Reviewed by
Philip Kennicott
Viewers will leave Amandla! moved by the music, impressed by the musicians and dubious about the possibility of political and social healing.- Washington Post
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Reviewed by
Stephen Hunter
Like the best of poems, it doesn't lend itself to easy understanding. But, like the best of poems, it's extremely provocative, to both imagination and intellect.- Washington Post
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Reviewed by
Stephen Hunter
Great picture? No. Cool picture? Oui. Not as good, I must say, as the sort of thing we moron yanks were doing on our own over here – "D.O.A." is much better.- Washington Post
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Reviewed by
Stephen Hunter
Demonstrates that sometimes the simplest stories are the most profound, and certainly possess the most moral authority. It's a film that emphasizes loyalty and sacrifice, values that have become jokes in most other films these days.- Washington Post
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- Critic Score
Still, it is a decidedly fresh take. Rohmer has said he came upon a condensed version of Elliott's diary by chance, in a history magazine. His rendering of her story focuses not so much on the politics of the time -- though they are the basis of much of the dialogue -- but on the emotional thicket.- Washington Post
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Reviewed by
Michael O'Sullivan
The movie is not for the squeamish, but for those who are unafraid to look at what is, perhaps, their own metaphorical "backyard," for those willing to stare into the long, dark night of the contemporary American soul, its bone-crunching message is worth hearing.- Washington Post
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Reviewed by
Ann Hornaday
An absorbing and inspiring portrait of two musicians whose unerring sense of what's right -- both artistically and ethically -- has not just held them in good stead but driven their particular brand of success.- Washington Post
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Ann Hornaday
Late Marriage is a closely observed, somewhat funny, ultimately very sad movie.- Washington Post
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Desson Thomson
It's a pleasant experience. But that's what it is: a sequel that replays every aspect of the original movie.- Washington Post
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Reviewed by
Desson Thomson
The movie's entertaining for some wickedly funny situations and witticisms.- Washington Post
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Reviewed by
Desson Thomson
May be morally tangled, pessimistic, lurid and foreboding, but it's also humanistic.- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Extraordinary documentary.- Washington Post
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Reviewed by
Desson Thomson
You don't have any idea what's going to happen next. You're not caught in a movie, so much as a narrative stratagem.- Washington Post
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Reviewed by
Stephen Hunter
Like the bitter cold in which it's set, Affliction bites hard and true.- Washington Post
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Reviewed by
Rita Kempley
It isn't wildly imaginative, but its subjects are novel enough in their own right. They're a little bit country and a little bit Rachmaninoff.- Washington Post
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Stephen Hunter
Writer-director Kirk Jones III keeps the movie resolutely brisk and light, twisting mildly this way and that but never detouring for long.- Washington Post
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Reviewed by
Desson Thomson
To the patient viewer, the rewards are many, especially Bardem's performance.- Washington Post
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Reviewed by
Stephen Hunter
In its brisk way, it's a devastating piece of work, and very brave too.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
Possibly the most suspense-charged mountain-climbing movie ever made.- Washington Post
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Reviewed by
Michael O'Sullivan
I can't get over the nagging feeling that Pleasantville's beguiling spell was cast by a real magician, only to be carelessly broken by the same clumsy charlatan.- Washington Post
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Reviewed by
Stephen Hunter
This is postmodern folk art, a tricky transaction in which the work isn't just a story, it's a genre survey, a homage, a meditation, a parody and, oh yeah, while it's at it, still a pretty good story.- Washington Post
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Reviewed by
Michael O'Sullivan
Manages to take the cerebral act of literary creation and make it exciting, sexy even.- Washington Post
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- Critic Score
Shot almost entirely on location with a hand-held camera, director Karim Ainouz's film draws you in close. The charisma and intensity of Lazaro Ramos as Joao holds you there.- Washington Post
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Reviewed by
Michael O'Sullivan
It's daring, deliberately offensive and, for a comedy, it has far more ideas in it than actual laughs.- Washington Post
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Reviewed by
Desson Thomson
When I say this movie's a charm, I'm really talking about Irwin.- Washington Post
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Reviewed by