Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. A confection that is ultimately better because of its bitterness.
  2. Viewers will leave Amandla! moved by the music, impressed by the musicians and dubious about the possibility of political and social healing.
  3. Like the best of poems, it doesn't lend itself to easy understanding. But, like the best of poems, it's extremely provocative, to both imagination and intellect.
  4. Great picture? No. Cool picture? Oui. Not as good, I must say, as the sort of thing we moron yanks were doing on our own over here – "D.O.A." is much better.
  5. Demonstrates that sometimes the simplest stories are the most profound, and certainly possess the most moral authority. It's a film that emphasizes loyalty and sacrifice, values that have become jokes in most other films these days.
    • 74 Metascore
    • 80 Critic Score
    Still, it is a decidedly fresh take. Rohmer has said he came upon a condensed version of Elliott's diary by chance, in a history magazine. His rendering of her story focuses not so much on the politics of the time -- though they are the basis of much of the dialogue -- but on the emotional thicket.
  6. The movie is not for the squeamish, but for those who are unafraid to look at what is, perhaps, their own metaphorical "backyard," for those willing to stare into the long, dark night of the contemporary American soul, its bone-crunching message is worth hearing.
  7. An absorbing and inspiring portrait of two musicians whose unerring sense of what's right -- both artistically and ethically -- has not just held them in good stead but driven their particular brand of success.
  8. Late Marriage is a closely observed, somewhat funny, ultimately very sad movie.
  9. It's a pleasant experience. But that's what it is: a sequel that replays every aspect of the original movie.
  10. The movie's entertaining for some wickedly funny situations and witticisms.
  11. May be morally tangled, pessimistic, lurid and foreboding, but it's also humanistic.
  12. One heck of a tale of deliciously unladylike payback.
  13. A heart-stirrer at times. More often, it's a heartbreaker.
  14. Extraordinary documentary.
  15. You don't have any idea what's going to happen next. You're not caught in a movie, so much as a narrative stratagem.
  16. Like the bitter cold in which it's set, Affliction bites hard and true.
  17. It isn't wildly imaginative, but its subjects are novel enough in their own right. They're a little bit country and a little bit Rachmaninoff.
  18. Writer-director Kirk Jones III keeps the movie resolutely brisk and light, twisting mildly this way and that but never detouring for long.
  19. To the patient viewer, the rewards are many, especially Bardem's performance.
  20. In its brisk way, it's a devastating piece of work, and very brave too.
  21. An engrossing chronicle.
  22. The film becomes a modest delight.
  23. Possibly the most suspense-charged mountain-climbing movie ever made.
  24. I can't get over the nagging feeling that Pleasantville's beguiling spell was cast by a real magician, only to be carelessly broken by the same clumsy charlatan.
  25. This is postmodern folk art, a tricky transaction in which the work isn't just a story, it's a genre survey, a homage, a meditation, a parody and, oh yeah, while it's at it, still a pretty good story.
  26. Manages to take the cerebral act of literary creation and make it exciting, sexy even.
    • 59 Metascore
    • 80 Critic Score
    Shot almost entirely on location with a hand-held camera, director Karim Ainouz's film draws you in close. The charisma and intensity of Lazaro Ramos as Joao holds you there.
  27. It's daring, deliberately offensive and, for a comedy, it has far more ideas in it than actual laughs.
  28. When I say this movie's a charm, I'm really talking about Irwin.

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