Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Thanks to the uncommonly shrewd judgment of screenwriter Ligiah Villalobos and director Patricia Riggen, both newcomers, the film never feels like rank exploitation, even as it steadily aims for the emotional jugular.
  2. Tautou is a delight, as always, using her bubbly personality to comic advantage. And Elmaleh makes for a sort of poor man's Buster Keaton, perpetually stressed but refusing to surrender, no matter how much damage he sustains to himself or his wallet.
  3. Vibrant and engaging documentary.
  4. It's a world where every emotion feels like the earth moving, and where the shifting tectonics of young lust and friendship, along with the lifelong lessons of a broken heart, have never felt more real.
  5. Gives viewers a perceptive, deeply personal take on the timeless immigrant narrative, in which the most epic journey is finally one of self-discovery.
  6. The Fall is often an affectionate caricature itself, but one of astonishing beauty, featuring two heartfelt performances from Untaru and the tender, often mordantly funny Pace. They're perfect foils for Tarsem's gorgeous tone poem to cinema as a medium of magic and miracles, stories and lies.
  7. As portrayed by William Moseley, Skandar Keynes, Georgie Henley and especially Anna Popplewell as Susan, the Pevensies still make for terrific tween protagonists, and Aslan, the majestic mythical lion voiced by Liam Neeson, is still a breathtaking manifestation of the Cat Upstairs.
  8. Reprise says many cogent things about success, what it does to people and how they define it. But it also indicts the mechanics of the culture in a way that is neither Danish nor American but globalized and all the more poignant for it.
  9. Terrific family entertainment, an action comedy on a par with "Night at the Museum" and "National Treasure."
  10. It's as much fun to anticipate what he's (Herzog) going to say as it is to appreciate the snowy landscapes, belching volcanoes and mustachioed seals before his lens. And what could have been a conventional travelogue becomes a sort of ruminative odyssey of the mind.
  11. Maddin has called his new film a "docu-fantasia," and it's an apt label for an entirely idiosyncratic mix of local myth and history, dubious science, salacious gossip, personal rumination and endless camp humor.
  12. The movie is jampacked with jokes, sight gags and set pieces guaranteed to appeal to the audience's sense of the preposterous.
  13. So childish it seems to arrive in diapers, and that's not bad; it's good.
  14. The history of filmmakers skewering Hollywood's darker excesses is a long and rich one, from Billy Wilder through Robert Altman. With Tropic Thunder, a rude, crude, over-the-top satire about rude, crude, over-the-top action movies, Ben Stiller makes an ambitious and surprisingly effective bid to join those vaunted ranks.
  15. A wildly ambitious, luridly indulgent spectacle of romance, action, melodrama and historic revisionism, Australia is windy, overblown, utterly preposterous and insanely entertaining.
    • 72 Metascore
    • 80 Critic Score
    All in all, the film is an excellent, if modest, alternative for moviegoers who have been blockbustered into submission this summer.
    • 70 Metascore
    • 80 Critic Score
    Vicky Cristina Barcelona is beautiful because Allen is now decidedly in control of this phase of his career, which blends the sharpness of his older dramas with a newly acquired expatriate hipness.
  16. A sweet and hilarious romantic comedy featuring a breakout performance by British comic genius Ricky Gervais, inspires viewers to pause, reflect and praise one of the most rare and wondrous occurrences in contemporary cinema: the Good Movie.
  17. Even though it's pretentious and overlong, A Christmas Tale is still maddeningly engaging, thanks in large part to its attractive and gifted cast.

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