Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. This curious documentary is something rare, evincing opposites: It's both delightful and powerful.
  2. May be the most ruggedly decent film to come along in a couple of decades.
  3. An edgy, irreverent, thoroughly winning comedy.
  4. A raunchy and frequently hilarious follow-up to the gifted Korean American stand-up's "I'm the One That I Want."
  5. Simple without being slight, and profoundly moving without dipping into mawkishness.
  6. It testifies to art's vitality and endurance, despite its marketers' -- and sometimes even its makers' -- efforts to the contrary.
  7. It isn't Austen, but it's delicious fun.
  8. The movie's devil-may-care freneticism is edgily amusing, almost liberating.
  9. It's a thrill to listen to the seasoned survivors offering witty, evocative anecdotes about themselves and others.
  10. Barry's deliberately unspectacular performance makes this even more powerful. He gives "Assassin" a disquieting authority.
  11. Embraces reality, humanity and compassion, as leavened by wisdom and wit.
  12. Well acted, moodily shot and tautly written, this Tattoo may feel like you've seen some of it (or its ilk) before. Still, its haunting images get under the skin, leaving an indelible impression.
  13. An intriguing, visually startling murder mystery that showcases the virtuosity of Samuel L. Jackson.
  14. He (Tobias) had a life, however, that was way off the charts in its unpredictability, and sharing it with him is fascinating.
  15. An episodic drama rich in sly humor and symbolic imagery.
  16. A well-acted first effort written and directed by Jamie Thraves.
  17. First-time feature director Harald Zwart has a real flair for farce, and he keeps the outrageous high jinks of the script lively yet grounded in reality.
  18. It's more a collection of episodes that build to a complex, richly layered picture of these girls' lives. And the more time we spend with them, the more endearing they become.
  19. Its easygoing, disarming air will endear it to its target audience, who will appreciate this movie as much for the lifestyle it depicts as its actual story.
  20. Utterly delightful fable of romantic destiny.
  21. Sensual, funny and, in the end, very touching.
  22. A deceivingly simple film, one that grows in power in retrospect, as the cumulative impact of so many quiet moments makes itself felt.
  23. Apart from the deja vu all over again, Lucky Break is no worse a film than "Breaking Out," and "Breaking Out" was utterly charming.
  24. What an amazing little film. God love the French. They make movies with ideas in them, other than: How many cars can we blow up?
  25. It's a love story, yes, but one whose sweetness is cut by honest performances, a sharply drawn supporting cast and a fairly serious, yet never self-pitying, tone.
  26. A heartbreaker, plain and simple.
  27. Bighearted audience pleaser.
  28. Extraordinarily poetic, suspenseful film.
  29. A psychic journey deep into the very fabric of Iranian (and by extension, all) life.
  30. It's so gritty it'll get under your fingernails. And it harks back to one of Hill's greatest films from the '70s, "Hard Times."

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