For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Stephen Hunter
This curious documentary is something rare, evincing opposites: It's both delightful and powerful.- Washington Post
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Reviewed by
Stephen Hunter
May be the most ruggedly decent film to come along in a couple of decades.- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
A raunchy and frequently hilarious follow-up to the gifted Korean American stand-up's "I'm the One That I Want."- Washington Post
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Reviewed by
Michael O'Sullivan
Simple without being slight, and profoundly moving without dipping into mawkishness.- Washington Post
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Reviewed by
Ann Hornaday
It testifies to art's vitality and endurance, despite its marketers' -- and sometimes even its makers' -- efforts to the contrary.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Desson Thomson
The movie's devil-may-care freneticism is edgily amusing, almost liberating.- Washington Post
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Reviewed by
Desson Thomson
It's a thrill to listen to the seasoned survivors offering witty, evocative anecdotes about themselves and others.- Washington Post
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Reviewed by
Desson Thomson
Barry's deliberately unspectacular performance makes this even more powerful. He gives "Assassin" a disquieting authority.- Washington Post
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Reviewed by
Stephen Hunter
Embraces reality, humanity and compassion, as leavened by wisdom and wit.- Washington Post
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Reviewed by
Michael O'Sullivan
Well acted, moodily shot and tautly written, this Tattoo may feel like you've seen some of it (or its ilk) before. Still, its haunting images get under the skin, leaving an indelible impression.- Washington Post
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Reviewed by
Rita Kempley
An intriguing, visually startling murder mystery that showcases the virtuosity of Samuel L. Jackson.- Washington Post
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Stephen Hunter
He (Tobias) had a life, however, that was way off the charts in its unpredictability, and sharing it with him is fascinating.- Washington Post
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Reviewed by
Rita Kempley
An episodic drama rich in sly humor and symbolic imagery.- Washington Post
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Reviewed by
Stephen Hunter
A well-acted first effort written and directed by Jamie Thraves.- Washington Post
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Reviewed by
Michael O'Sullivan
First-time feature director Harald Zwart has a real flair for farce, and he keeps the outrageous high jinks of the script lively yet grounded in reality.- Washington Post
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Reviewed by
Desson Thomson
It's more a collection of episodes that build to a complex, richly layered picture of these girls' lives. And the more time we spend with them, the more endearing they become.- Washington Post
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Desson Thomson
Its easygoing, disarming air will endear it to its target audience, who will appreciate this movie as much for the lifestyle it depicts as its actual story.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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Reviewed by
Ann Hornaday
A deceivingly simple film, one that grows in power in retrospect, as the cumulative impact of so many quiet moments makes itself felt.- Washington Post
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Reviewed by
Michael O'Sullivan
Apart from the deja vu all over again, Lucky Break is no worse a film than "Breaking Out," and "Breaking Out" was utterly charming.- Washington Post
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Reviewed by
Stephen Hunter
What an amazing little film. God love the French. They make movies with ideas in them, other than: How many cars can we blow up?- Washington Post
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Reviewed by
Michael O'Sullivan
It's a love story, yes, but one whose sweetness is cut by honest performances, a sharply drawn supporting cast and a fairly serious, yet never self-pitying, tone.- Washington Post
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Reviewed by
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- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
A psychic journey deep into the very fabric of Iranian (and by extension, all) life.- Washington Post
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Reviewed by
Stephen Hunter
It's so gritty it'll get under your fingernails. And it harks back to one of Hill's greatest films from the '70s, "Hard Times."- Washington Post
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