Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Freeman fills Cross's gumshoes with distinction.
  2. Moodysson's cornball sentimentality about the many shapes of the human family is tempered by his honesty about personal frailty and the silliness of utopian living experiments.
  3. It's just more wry than funny, more a gently subversive comedy of modern manners than the simpering date movie it seems to be masquerading as.
  4. A firepowered, blood-drenched action picture that doesn't let up.
  5. You probably never dreamed a charming romantic movie could be staged against a backdrop of Scud attacks from Saddam Hussein.
  6. A true original, thanks to some memorable characters, an engaging story and a thrilling classical soundtrack.
  7. It's an intriguing experience.
  8. A smart, absorbing, often exhilarating documentary.
  9. Engrossing, educational, amusing and disturbing. And who could ask for more than that from a film?
  10. Cinema at its most intellectually honest and morally necessary.
  11. We have been treated to something we normally would never get in a prison comedy like this: a little delicacy with the humor.
  12. Cruise is at the top of his form, and Gooding makes a brilliant opponent.
  13. You have the right to remain silent. But if you do, call 911 -- your funny bone is busted. [2 Dec 1988]
    • Washington Post
  14. It's all story, character and dazzling martial arts violence, as orchestrated by fight choreographer Donnie Yen at breakneck speed.
  15. This is the lightest, brightest and tightest film confection to come down the date pike in quite some time.
  16. An entertainment to be seen and appreciated in momentum. As such, it is constantly gripping
  17. Astute and entertaining documentary.
  18. Endlessly interesting. It's about people who thought ideas and art mattered, which makes it a rarity today.
  19. The grimness of the movie becomes not only too unbearable, its point is clear about halfway through. After that, everything comes across as redundant retreading of the same perspective. But for atmosphere, great cinematography and eye-opening directness, this movie can't be beat.
  20. Hanson delivers something ever rarer in film culture, not a new film noir but an old-fashioned total movie, somehow of a single piece.
  21. That's the movie: It's taking us inside the burqa to the woman.
  22. Before this voyage plummets into Stevie Spielberg's locker, the human stuff is more than worth the descent.
  23. Forget the heavy stuff. This monkey shines.
  24. This is pretty much a feel-good film for committed fans and moviegoers looking for some spectacular combination of travelogue, athleticism and slo-mo grace.
  25. Martin's poetic elegance turns to sappy mysticism. And if the material had been presented more insistently, it might have been insufferable, too goopy and new-age. Its modesty, though, is its prime virtue.
  26. Like rubbernecking motorists, we can't help but watch with lurid fascination.
  27. Only the title is clunky in this felicitous marriage of cinematic trickery, theatrical whimsy and the Bard's fabulous tale.
  28. An exhilarating ride.
  29. Elle fans will likely ignore the narrative shortcomings in favor of a well-loved character.
  30. The psychological darkness that underpins this film doesn't seem inappropriate to its wit and charm, but rather amplifies it, makes it more real.

Top Trailers