Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Is Spartan a perfect, or even a great, movie? Probably not. But in its prickly irascibility and deeply unsettling intelligence, it makes for a very, very good one.
  2. Has important things to tell viewers about global politics, and in an eerily resonant way.
  3. A compelling French Canadian drama.
  4. Along with witty, appropriately rough-hewn repartee and genuine poignancy, writer Simon Beaufoy manages to sustain suspense to the last gyration.
  5. Reproducing every bruise, blowup and body-check and getting right up on the ice and into the fray, the movie brings the audience back to 1980 with bone-crunching verisimilitude.
  6. Although nowhere near the class of its equine hero, is quite a satisfying ride.
  7. Director DeVito, who never did know when to quit, manages to be as clever as he is vicious. His first movie, "Throw Momma From the Train," seems almost lyrical in comparison to the ruthlessness of this vehicle.
  8. Given the current heightened tenor of religious rhetoric and paranoia, it may well wind up pushing brand-new buttons today. To quote Michael Palin quoting Jesus, "There's just no pleasing some people."
  9. Delightful, delicious and destructive.
  10. An elegy for an aging rock pixie.
  11. It is, as with any cinematic joy ride, not the destination that matters, but the rush of getting there.
  12. The dynamic between Channing and Stiles is as compelling as a freeway wreck.
    • 75 Metascore
    • 80 Critic Score
    Based on the ingenious novel "Red Dragon" by Thomas Harris, it keeps the nerves racing on fear-fuel until its oddly anticlimactic climax. [15 Aug 1986, p.N29]
    • Washington Post
  13. Grim, yes, and great viewing.
  14. Although the movie -- falls occasional prey to pretension, it's a classic guilty pleasure.
  15. A joyous genre-blender guaranteed to crank up your karma.
    • 83 Metascore
    • 80 Critic Score
    As fresh -- and as restorative -- as a lemon ice on a hot day.
  16. It makes a great point: Love, honor and respect your father, but then get the hell out of town.
  17. Hilarious ... It's dishy, but not swishy.
  18. I was hooked from beginning to end.
  19. There are scenes that simply ask the audience to drink in the details, to enjoy the repast, just as much as follow the plot.
  20. Could hardly be more suspenseful if it were scripted.
    • 63 Metascore
    • 80 Critic Score
    Initially cold and perverse to its core, the film transmutes into something warm and uplifting. Normal, even.
  21. May well wind up being the smartest bonehead comedy of the summer.
  22. Moormann deserves credit, not only for choosing a wonderful and deserving subject for a film, but for doing him proud.
  23. Miller time for the funny bone.
  24. It's a warm, often funny reunion of the sassiest, chattiest characters ever to buzz a brother's head. You'll like this one more than you'd expect.
  25. A greatly ambitious undertaking, but from the commercial point of view quite insane. The movie is ridiculously fragile: It's like a Faberge egg, and even a twitch of foreknowledge will destroy the magic of the movie utterly.
  26. Let it swindle you; it's part of the fun. In fact, it's all of the fun.
  27. When Terminator is not taking itself seriously -- and sometimes even when it is -- it's lots of fun. And filmmakers James Cameron and Gale Anne Hurd don't drown us in blood, though it's not for the squeamish.

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