Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. Something fresh, clever and confident.
  2. Strangely moving film.
  3. This brilliantly naive, low-budget shoot-'em-up presents every action as if it were brand spanking new.
  4. The commercial transition has been remarkably successful. This is primarily thanks to Rodriguez, who not only retains the original movie's kinetic flair, but takes it further.
  5. It may stir you, it may make you laugh. I am of the stirred variety. I do not want to meet this guy in the dark, though I've been meeting him in my dreams for years. We all have.
  6. In noir, everybody's guilty, and that's one of the pleasures of Joy Ride. The three youngsters aren't exactly innocent.
    • 38 Metascore
    • 80 Critic Score
    A beautiful, sad, spiritual story with joy and delicacy, visual chops and emotional depth.
  7. An enormously entertaining visit to planet paranoia, but its escapist pleasures titillate only in direct proportion to the degree of persecution complex that you bring into the theater with you.
  8. A percolating comedy. The laughs may not tear your belly up, but they're constant and they dovetail with the story.
  9. Kwietniowski has managed to create a surprisingly engrossing and suspenseful narrative without resorting to cosmetics, melodrama or hype.
  10. Not only visually brilliant, it's funny, too.
  11. It's a film about culture clash, the generation gap and the loss of tradition that inevitably accompanies the arrival of anything new.
  12. We are hooked into a low-tech but compelling dynamic -- between relatively static images and McElwee's sensitive, connective narrative.
  13. Roberts and Richard Gere costar in this bubbly scamper, which goes to the head like champagne -- the cheap, sweet kind that leaves you with a throbbing head. And yet this monstrously derivative romance is great giddy fun.
  14. All the performances are exceptional.
  15. Efficient, precise, carefully calibrated and terrifically entertaining.
  16. August, who also made "Pelle the Conqueror" and "House of the Spirits," steers this story to its stirring conclusion with firm lack of sentimentality.
  17. Michelle Williams turns in a performance that is seamless, canny and artistically mature.
  18. Even though this will not go down as a great Zucker comedy, he has made Rat Race funnier than it could reasonably hope to be.
  19. What a superb job director Marcus Nispel has done re-creating, yet also revising, 1974's grisly, gristly, protein-centric masterpiece.
  20. Crudup gives a performance that is by turns scary, heartbreaking, grotesque and funny as hell.
  21. Personal and private almost to the point of self-absorption, the film is ultimately saved from neurotic narcissism by the director's self-deprecating humor and unapologetic honesty about his own dysfunction.
  22. A movie suffused with a warm glow of nostalgia for times and music and movies gone by.
    • 75 Metascore
    • 80 Critic Score
    Visceral to the point of overkill (and beyond), a berserk blizzard of kinetic images, it doesn't even give you time to be scared.
  23. Tomorrow Never Dies isn't one of the great Bonds, by any means. But it's familiar, flashy and enjoyable in all the right places.
  24. Few American directors would dare to show as much over-the-top glee in their chosen craft as Sam Raimi does in Army of Darkness. [19 Feb 1993, Style, p.c7]
    • Washington Post
  25. Preserves and resuscitates the hard-boiled genre.
  26. The movie is powerful, if numbing. What movie about a massacre isn't?
  27. Relentlessly funny satire.
  28. You don't have to love WWF scrapping to appreciate this movie.

Top Trailers