Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. If there's anyone who can make this ordeal -- and when you're plumb out of characters, it can be an ordeal -- tolerable, and even entertaining, it's Hanks.
  2. Whatever its ultimate position on the greatest hits list, Monsters, Inc. is supple and technologically sophisticated entertainment.
    • Washington Post
  3. The wisecracks fly fast and furious
  4. This thriller is like a game of life-and-death chess, with quick double-crosses and wild gambits.
  5. The movie finds charming humor in a world full of sectarian strife between Protestant and Catholic.
  6. As for Billy Bob, they all steal the money, but he steals the show.
  7. If you view it passively, as a well-crafted melodrama set in danger among passionate antagonists, The Boxer is rewarding enough. If you attack it intellectually, you see the degree to which it is informed by ideas and realize the power of its argument.
  8. Grant is casually fabulous and very amusing, but all power to Firth the actor. He's the compleat Darcy, and he never wavers.
  9. That cameraderie is bound to appeal to women looking for a howlingly trashy time.
  10. This is cinema as oral tradition. And one heck of a cheap-seat deal.
  11. Star Wars had all the right stuff, and unlike its confounding progenitor, "2001: A Space Odyssey," it was fairy-tale simple: "A long time ago in a galaxy far, far away," good met evil. [Special Edition]
  12. Eminently watchable thanks to strong performances from its three leads (McKellen, Redgrave, Fraser).
  13. The spare and unsparing tone of I'll Sleep When I'm Dead makes it as existential -- and as original -- a whodunit as they come.
    • 75 Metascore
    • 80 Critic Score
    This quietly odd and hilarious tale is a bit like a Japanese version of the popular BBC comedy series "The Office" or perhaps the "Dilbert" comic strip at its peak.
  14. Strayed has the strange clarity of a fable. It strips everything away until only instincts and emotions are left.
  15. The cast, all classically trained on the stage, is simply commanding.
  16. Generally quite amusing, with a brilliant cast.
  17. Davis, who won an Oscar for Best Documentary, may not have agreed with presidents Kennedy, Johnson and Nixon on the war, but he heeded Johnson's call to fight for hearts and minds. His aim was dead on target.
  18. It's a terrific film because each of the characters is so fiercely felt.
  19. Poignant, heartbreaking proof that, sometimes, love is just not enough.
  20. It's enough to make your head spin, but Almodovar, whose mastery of the medium has never been more assured, gives you plenty to think about, ultimately grounding the dizzy whirl of his idiosyncratic fictional world in a story that feels not just true but universal.
  21. The cliches are obscured by the sheer fun of it all.
    • Washington Post
  22. The movie, which Carion wrote with Eric Assous, has a calming quality. The story moves slowly but, given the milieu and pace of life, this seems perfectly appropriate.
  23. Very, very funny, thanks to a lively first script by Mark O'Rowe, who has a good ear for earthy dialogue and a sense of life's absurd little synchronicities.
  24. A movie that, in the story of one man dying, shows us all how to live.
  25. Sharp, lively, funny and ultimately sobering film.
  26. Belongs, wholly and completely, to Clarkson, who delivers Joy's mordant asides and withering observations with a flawless balance of tartness and vulnerability.
  27. Feels like a song you may have heard before, but one whose aching beauty makes it endlessly listenable.
  28. The Batblast of the summer.
  29. It's the best kind of movie: so alive in its storytelling that only in retrospect do you realize that the ideas represent a metaphysical inquiry.

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