Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. It stays in character, small, human, bitter and sad.
  2. May be most valuable for its depiction of the strength of democratic ideals, even in the most precarious and contradictory of circumstances.
  3. The strongest magnet in this psychedelic morass is Johnny Depp who, as the story's antic, disgusting and seductive spirit guide, is impossible to look away from.
  4. Making a movie about the life of Ed Wood certainly qualifies as an impossible dream, but Burton has pulled it off with wit, imagination and something amazingly close to grace.
  5. Retains (and in many cases, boosts) as much of the spirit [of the book] as you could reasonably expect. And it makes a worthy attempt to duplicate Rowling's engaging sense of humor.
  6. In terms of sheer belly-laugh count, this one's in the same plentiful company as "There's Something About Mary" and "Road Trip."
  7. Drew Barrymore has figured out what works, and what works for Drew Barrymore is this: Cinderella stories.
  8. As a movie, this is exciting stuff.
  9. A sturdily entertaining vehicle, easily the little guy's best American-made film.
  10. For filmgoers whose idea of a good time is getting the stuffing scared out of them (who are you guys, anyway?), Signs should prove to be time well spent.
  11. This is not a movie that wraps up its story in a tidy bow, but it's a lot more fun than most of the ones that do.
  12. The movie has many of the elements that made the first "Dawn" so darkly entertaining.
  13. Doesn't go down smooth, but it doesn't promise to.
  14. One big, fat, honking comic book of a sci-fi-martial-arts adventure flick.
  15. It's good fun for bad boys.
  16. A film whose effects are as hard to wash away as blood.
  17. Old myths and wonder tales spun afresh.
  18. Though its attitudes are decidedly French, this intelligent film goes a long way toward explaining America's obsession with Martha Stewart Living, fake designer labels and TV talk show makeovers.
  19. Ghastly yet wonderful at the same time.
  20. Though far from a seamless work, the film is gorgeously crafted, and Silberling obviously has a passion for angels. But then these days, who doesn't?
  21. Soderbergh won't hit the Oscar jackpot with Ocean's Eleven, but he has come up with a stylish winner.
  22. Eastwood's instinct for creating efficient, adult, mainstream entertainment is virtually unerring. He's still a class act, not to mention craggy, suave, laconic and very, very cool.
  23. Kitano the filmmaker makes sure that everything is beautiful, from the wonderful colors and passing tableaux to the intricate fighting choreography. This blind swordsman, you realize, has vision to spare.
  24. Like nothing else that's played in months.
  25. Though lovely to behold, this film isn't meant to send you home with a song in your heart.
  26. The movie is as visually inventive and wildly eccentric as the Coens' earlier movies, but it lacks the emotional maturity and moral clarity of 1996's "Fargo."
  27. Ultimately, [Heckerling's] portrait is affectionate and, in places, even sweet, enabling us to laugh at them and embrace them at the same time.
  28. A film about war and reconciliation, is deeply Christian, a study in humility and the moral uncertainty at the core of the Christian message.
  29. The movie may leave its audience feeling a little battered (some might say betrayed) as well. Still, the film's honesty, along with its refusal to pander to Hollywood happy endings, is well worth the beating.
  30. May, at times, be deadpan to the point of stiffness, but it's far from dead.

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