Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. The gals are fab. And so's the movie.
  2. It's still pretty darn good, despite its smarty-pants aura.
  3. The chronological looseness is part of the pleasure of the piece, which magically reassembles in the last reel into something strong, lucid and compellingly powerful.
  4. Affecting, gloriously acted.
  5. Cerebral, frenetic and funny, this chamber piece from filmmaker James Toback provides a timely if inconclusive comment on monogamy.
  6. It'll keep you amused enough to sit still and even remember it fondly.
  7. An enchanting Italian serio-comedy about the most unlikely of cinematic subjects-the origins, structure and reach of poetry.
  8. Blessedly free of the self-righteous histrionics and sentimentality that so often cheapen powerful personal stories.
  9. Hoffman's touchingly fractured performance gives the picture a warm dimension.
  10. Certainly no feel-good flick of the summer. But it's always tough and honest.
  11. Like a haiku, it is not what is said, but what is unsaid, that leaves the most lasting echoes.
  12. An okay movie made nearly great by one great thing: the bravura, mercilessly watchable performance of Charlize Theron.
  13. It is a fascinating dance between style and substance.
  14. It gets frenetic, in the French way, but it never stops getting amusing. This is what happens when you let grown-ups make movies.
  15. The story that emerges has elements of romance, tragedy and even silent-movie comedy.
  16. The most enjoyable John Sayles movie in recent memory.
  17. Part of the joy of watching a John Sayles film is to see how he knits together so many people and stories into a densely layered, always absorbing whole.
    • 58 Metascore
    • 80 Critic Score
    Along with the cast's charm, they provide enough fuel for a fun one (movie).
  18. Based on a true story, the movie takes us through some harrowing times.
  19. A touching and unusual road movie-cum-buddy film.
  20. It's also sweet, sentimental, rather funny and, as John Waters films go, surprisingly gentle.
  21. Fresh and rainbowy as a midday Hawaiian sun shower.
  22. Shakes, rattles and rolls the house, building to a climax that makes you almost forget you're in a movie theater and not a football stadium at halftime.
  23. A museum piece, something to be enjoyed for its historical value. [2000 re-release]
  24. It's clean and transparent, with no movie director tricks. The characters, not the montages, speak the loudest.
  25. Preposterous, predictable, but excessively entertaining, this frenzied thriller draws both story and characters from such action classics as "The Fugitive," "Die Hard," "The Dirty Dozen" and "The Silence of the Lambs."
  26. That rare movie that manages to be not only an adroit, carefully observed study in character and suspense, but important.
  27. You're drawn in, like it or not. You can't get away from the immediacy. Or the feeling that you're getting sucked in, too.
  28. This film is much more atmospheric; it builds, not so much logically as viscerally, until you feel you can't escape. Lurid and overdone as it is, it's still a real disturber of the peace.
  29. Coppola, who both wrote and directed this entertaining adaptation, follows the well-thumbed scenario, but with the help of his winning cast he disguises the absence of invention.

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