For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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- Washington Post
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Reviewed by
Stephen Hunter
Yes, it's a hyped, hip "Sting" for our times, with goatees, mousse and attitude as part of the update package. It's also Burns's best film since "Saving Private Ryan."- Washington Post
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Desson Thomson
A smoothly executed jab in your solar plexus, a lean, smart film noir that pokes at you with quintessentially English disdain and sarcasm.- Washington Post
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- Washington Post
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Reviewed by
Rita Kempley
A captivating comic allegory about daring to be different in the face of conformity.- Washington Post
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Reviewed by
Stephen Hunter
The movie is exquisitely directed by Anand Tucker in an anti-documentary style that sometimes fractures the time sequence, sometimes re-creates moments impressionistically instead of objectively and is vivid in style.- Washington Post
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Michael O'Sullivan
Like its Southern California setting, the sunny semi-autobiography is tempered with just the right touch of Jenkins's smoggy cynicism.- Washington Post
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Rita Kempley
If emotional catharsis is what you seek, Stepmom delivers the goods.- Washington Post
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Stephen Hunter
Parker stays with and even streamlines Wilde's clever manipulations of betrayals and lies and plots and counterplots. Yet the film never feels stagy.- Washington Post
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Desson Thomson
The funniest scenes involve Jim and his father, thanks to the brilliant, improvisational skills of Eugene Levy.- Washington Post
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Rita Kempley
Hounsou, a West African model with beauty and presence but no acting experience, carries much of the movie on his broad shoulders with surprising skill and strength.- Washington Post
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Hal Hinson
[Huston] brings a vital conviction to her scenes; they're scorchingly immediate, and her ability to get in sync with what Lily's feeling is what gives the movie weight. She may be the best we have.- Washington Post
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Rita Kempley
An entertaining tangle of pop aesthetic and comic book myth that occasionally bogs down, but manages to be ingratiating for all its defects.- Washington Post
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- Washington Post
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- Washington Post
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Michael O'Sullivan
Like the TV show, The X-Files movie is stylish, scary, sardonically funny and at times just plain gross.- Washington Post
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Stephen Hunter
Nicely done, sweet, delicately comic and a complete delight.- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
A poke in the adrenal gland -- obeys the first law of action movie-making by quickening the heart and dazzling the eye.- Washington Post
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Desson Thomson
It's not every day that movies present a Teutonic character in SS uniform as an unambiguously moral hero, so enjoy this rarity. And the film.- Washington Post
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Michael O'Sullivan
In its small, achingly beautiful way, this is the lesson that Osama teaches us: When one human being suffers, it is all of us who share her pain.- Washington Post
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- Washington Post
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Reviewed by
Desson Thomson
The performers bring freshness to what could have been cliched roles.- Washington Post
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Ann Hornaday
Riveting, gracefully constructed film.- Washington Post
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Rita Kempley
Yes, it's corny and reemerging cynics need not apply. But it is blissfully heartwarming.- Washington Post
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Michael O'Sullivan
Sweet without being saccharine, sad without being maudlin and funny without being forced.- Washington Post
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Stephen Hunter
This one is dumbest. And funniest, as if that matters even a little bit!- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
Although almost nothing about The Eye is surprising, the movie is nevertheless engrossing, as it mutates from horror movie to ghost story to psychological drama to disaster flick (a late, stunning twist). It casts a spell strong enough that viewers won't want to look away.- Washington Post
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