Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. A mostly unsentimental little gem.
  2. Yes, it's a hyped, hip "Sting" for our times, with goatees, mousse and attitude as part of the update package. It's also Burns's best film since "Saving Private Ryan."
  3. A smoothly executed jab in your solar plexus, a lean, smart film noir that pokes at you with quintessentially English disdain and sarcasm.
  4. A movie that grows better by the minute.
  5. A captivating comic allegory about daring to be different in the face of conformity.
  6. The movie is exquisitely directed by Anand Tucker in an anti-documentary style that sometimes fractures the time sequence, sometimes re-creates moments impressionistically instead of objectively and is vivid in style.
  7. Like its Southern California setting, the sunny semi-autobiography is tempered with just the right touch of Jenkins's smoggy cynicism.
  8. If emotional catharsis is what you seek, Stepmom delivers the goods.
  9. Parker stays with and even streamlines Wilde's clever manipulations of betrayals and lies and plots and counterplots. Yet the film never feels stagy.
  10. The funniest scenes involve Jim and his father, thanks to the brilliant, improvisational skills of Eugene Levy.
  11. Hounsou, a West African model with beauty and presence but no acting experience, carries much of the movie on his broad shoulders with surprising skill and strength.
  12. [Huston] brings a vital conviction to her scenes; they're scorchingly immediate, and her ability to get in sync with what Lily's feeling is what gives the movie weight. She may be the best we have.
  13. An entertaining tangle of pop aesthetic and comic book myth that occasionally bogs down, but manages to be ingratiating for all its defects.
  14. Short but powerful drama.
  15. An uplifting, superbly acted and intelligent family drama.
  16. Like the TV show, The X-Files movie is stylish, scary, sardonically funny and at times just plain gross.
  17. Nicely done, sweet, delicately comic and a complete delight.
  18. Amusing and inventive.
  19. You have to see this to believe it.
  20. A poke in the adrenal gland -- obeys the first law of action movie-making by quickening the heart and dazzling the eye.
  21. It's not every day that movies present a Teutonic character in SS uniform as an unambiguously moral hero, so enjoy this rarity. And the film.
  22. In its small, achingly beautiful way, this is the lesson that Osama teaches us: When one human being suffers, it is all of us who share her pain.
  23. A bleakly comic, palm-sweaty hoot.
  24. The performers bring freshness to what could have been cliched roles.
  25. Riveting, gracefully constructed film.
  26. Yes, it's corny and reemerging cynics need not apply. But it is blissfully heartwarming.
  27. Sweet without being saccharine, sad without being maudlin and funny without being forced.
  28. This one is dumbest. And funniest, as if that matters even a little bit!
  29. There's no denying its surreal, hypnotic effect.
  30. Although almost nothing about The Eye is surprising, the movie is nevertheless engrossing, as it mutates from horror movie to ghost story to psychological drama to disaster flick (a late, stunning twist). It casts a spell strong enough that viewers won't want to look away.

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