Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
    • 72 Metascore
    • 80 Critic Score
    12
    Mikhalkov's 12 breathes and floats.
  1. At its best, Tokyo Sonata is a deft interweaving of seemingly dissonant ideas -- war and music, family and politics, authority and freedom.
  2. Neither the title nor the subject matter prepares you for the pure fun of Frost/Nixon.
  3. It's in this final chapter that the director states his message, which is handled so lightly, almost incidentally, you might miss it. But it's a profound one. For what the girls learn is that the way to get what they want -- no, need -- isn't by hoarding something, but by letting go.
  4. It's a film filled with excellent acting, beautifully composed shots, and one or two legitimate storytelling surprises.
  5. Thanks to the new guerrilla narrative, the world has a constant flow of images to file in its collective consciousness. And that camera-testable accountability slowly becomes a global civic right that fulfills the noblest purpose of journalism -- to bring truth to power.
  6. Afghan Star goes much deeper, eloquently conveying the tensions, small victories and shattering setbacks of a fragile democracy struggling to regain a once-flourishing culture.
  7. While the Dardennes may be moralists, they are also makers of thrillers: The story within Lorna' Silence is built on tiny increments of tantalizing details, meted out in penurious droplets and with chest-tightening tension that suggests that what the brothers wanted to be when they grew up were boa constrictors -- Belgian boas, with degrees in Marxist theory.
  8. All in all, this is a celebration of Australian exuberance, a national ethic of adventurousness and enormous charisma.
    • 66 Metascore
    • 80 Critic Score
    the script's earnest intelligence and the actors' charm (Connell, Hudgens and Kudrow are especially fun to watch) make this film an entertaining ode to teenage joie de vivre.
  9. Seems propelled by a doomed sense of inevitability and is all the more gripping for it.
    • 73 Metascore
    • 80 Critic Score
    Abetted by an observant cast, she (Dabis) navigates across politically and emotionally fraught terrain with a warming inflection of humor and a mother-hen's attention to the needs of all of her characters.
  10. A lovely, amazing, wonderfully provocative film.
  11. Thanks to Rock's running monologue, combining scathing humor with trenchant observations, the film manages to be side-splitting even while making its most poignant points.
  12. Absolutely refuse to make predictable patterns in the sand. Instead, they set their characters loose.
  13. A politically incorrect but often hilarious jam session, in which men and women trade insults like musical licks.
  14. Simple fare, a feel-good movie that re-creates a time and place with gentle humor and a reminder that the Aussies have the right stuff, too.
  15. Lawrence is miraculous, as always.
  16. The interviews with band members, managers, friends and peer fans confirm not only how influential, but how beloved the Ramones were.
  17. Held together by the intensity of its focus.
  18. Just about everything you ever loved (or hated) about Italian films can be found.
  19. More tasteful, sensitive and original than you might imagine.
  20. It's like a chick flick for men--and the women who love them, sniff-sniff.
  21. This French film has a breezy, documentary air that belies the important issues is raises.
  22. Subtle it's not. Still, the film, directed by Andrew Fleming ("Dick"), gets large and plentiful laughs where it's supposed to.
  23. So closely observed, so funny and so true to the junk that is everybody's real--as opposed to movie--life that it comes to feel like some kind of a miracle.
  24. More honest than any conventional morality tale. Here there are no heroes and no real villains; the good guys are all flawed and even bad guys are sometimes capable of the noblest of acts.
  25. Antic, puzzling and disturbing film.
  26. Like the director, the cast seems to have burrowed into the material, made all the more wrenchingly realistic by Dogme precepts.
    • 64 Metascore
    • 80 Critic Score
    A soft-focused, wistful big-screen art film.

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