Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. She is so funny she should come with a seven-day waiting period.
  2. Probably the most engaging Potter film of the series thus far.
  3. This often macabre comedy allows us to doff such civilized traits as taste and decency. We're free to laugh at anything, and we do. Oh, the shame -- and the good time.
  4. Rich, sweet, densely layered and deeply satisfying. A film that might have been a dry exercise in earnest nonfiction filmmaking becomes a soaring, artistically complex testament to survival, character and hope.
  5. A sort of romance noir -- spruced up in pressed white linens -- this British-made film is elegant, uncompromising and oh-so- veddy nasty.
  6. From its sepia-toned palette to the Motown hits that drive its terrific soundtrack, Glory Road is utterly authentic. But most astonishing is an unrecognizable Jon Voight as Adolph Rupp.
  7. Memo to left-wing anti-Bushies: Stories like this work. Don't lecture. Tell stories! Much better!
  8. It's pretty funny. You don't actually watch it so much as indulge it and admire its cleverness.
  9. Director Demme is smart and sensitive enough to sit back and listen to the music without attention-getting intrusions. The tunes are subtly compelling.
  10. Although the dogs have surely been Disney-fied to some extent, the sequences of them trying to survive are magnificent and deeply moving. Bring the Kleenex, and hug your pups when you get home.
  11. As Tsotsi, Chweneyagae turns his face into a living battle mask -- curved, molded and sandpapered into smooth ruthlessness. But as the story unfolds, Tsotsi's mask begins to crack, and his humanity begins to flow through.
  12. There is a clear festive buzz, as attendees laugh, bob and listen to Chappelle's impish, inventive comedy, and some of the best music hip-hop has to offer.
  13. The movie is one of the best American films in months and months and the best comedy since I don't know when. It even makes you sorta kinda like Matthew McConaughey.
  14. Even as he reinvents, Aja invents. He's clearly working on a big budget for his first American film and has been told he can do anything he can think of. Visually, the movie is wildly alive, full of sure touches.
  15. Director Fernando Eimbcke, in an extraordinary debut, never expresses contempt for his characters. By examining their inner lives with compassion and respect, he inspires us to do the same.
  16. A deft, tense, pure thriller, the movie has great star turns and is brilliantly directed, but it began as an extremely well-crated screenplay by Russell Gewirtz. It's professionally entertaining.
  17. Like all the Dardennes' films, L'Enfant is a vivid, Dickensian report from the most dispossessed precincts of society. But the film concludes on an optimistic note, at least for the Dardennes. It's still the worst of times, the filmmakers seem to suggest, but we're still capable of humanity, if not hope.
  18. A killer concert film, an ecstatic testament to the joys of fandom and a tribute to the democratizing potential of moviemaking technology.
  19. Though Watt's emphasis on coincidence and fate seems strained at times, Look Both Ways is rich in dreamy summer atmosphere and deadpan wit.
  20. Somersault faces the difficulty of representing a girl's unspoken desires and anxieties, a challenge Shortland rises to with terrific skill and aplomb.
  21. It's long, but it's also very real and worth every minute.
  22. What you get for your entertainment dollar in Lady Vengeance is Korean director Chan-wook Park's brilliantly orchestrated story of how Lee Geum-ja (Lee Young-ae ) got her groove back.
  23. The Pixar people have an extreme talent for conjuring imagery that is both soaring in its majesty but also resonant -- it's a stylization but acute enough to carry emotional meaning.
  24. A charming, if limited, romantic comedy that examines post-collegiate angst with easy, unself-conscious humor.
  25. Combines nonstop action with an absorbing story to become a classic on par with "Hoosiers" and "Hoop Dreams."
  26. Huppert and Greggory provide the emotional impact. They respond accordingly, imbuing their mutual suffering with an exacting and moving finesse.
  27. Clerks II finds Smith up to the profane, raunchy, profoundly humanist mischief of which he alone is the master. This is a lewd, lascivious, exhilaratingly life-affirming celebration of misfits and the misfits who love them.
  28. The movie is an epic adventure with a rigorously moral point of view.
  29. Chabrol arranges his story with a subtle, almost clinical accumulation. And it takes close attention to the movie's seemingly innocuous details to understand his deeper purposes.
  30. Nearly every scene rings with its own ragged truth, which becomes increasingly painful as Dan's addiction becomes more unmanageable and as he refuses to confront the untenable politics of his own behavior.

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