Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. A nifty piece of work -- with, by the way, a fantastic musical score and soundtrack -- that, if there's any justice in the movie world, will eventually earn a mystique all its own.
  2. Lung-bloatingly funny.
  3. Matthau was merely worthless, while Thornton, God bless his soul, rises to the actual level of sociopathic. I love it when that happens.
  4. What makes the film so affecting, however, is its matter-of-fact evocation of character. Each person in the four-character cast is vivid and specific and believable.
  5. It's definitely NOT a conventional biopic about Kurt Cobain. (Nor, as its title oddly suggests, is it about the demise of writer-director Van Sant.) It's a tone poem, an elliptical, fictionalized meditation about the ill-fated rock 'n' roll superstar.
  6. With one foot planted in the world of comic book fantasy and the other firmly stuck in the grim realities of high school, this is one of those rare family films that truly work for the whole family, even if Mom and Pop might find themselves needing earplugs during some exceedingly long and loud passages.
  7. Under normal circumstances, nothing kills a joke faster than trying to explain it. Yet here, such examination is the film's strong suit and provides much-needed respite, quite frankly, from the exhaustion of constant laughter.
  8. A marvelously moody meditation, beautiful to look at and beautiful to ponder as the camera slowly pans from one scene to the next, framing life as still life.
  9. If the movie is straightforward and predictable in its attitude, it also exudes a sort of documentary lyricism.
  10. Director Jay Chandrasekhar ... has found the perfect balance of old-fashioned charm and postmodern touches -- but not too many to overshadow the show's precious texture.
  11. With its wise understanding of the magnetic pull (and invisible polarities) of family, Junebug is an auspicious debut for Morrison.
  12. Jarmusch manages to imbue banality with surprising beauty and humor.
  13. What gradually comes into focus is a terrifying, appalling, infuriating cycle of exploitation and corruption.
  14. Documentary makers struggle for this effect -- a feeling for the land that is both grand and unsentimental. The makers of Duma, a fable fit for children, have found it.
  15. Like the best horror movies, it doesn't beat you over the head, splatter you, or fold, spindle and mutilate you. Rather, slowly and subtly, it creeps you out. You may go home and throw out your computer and lock the doors.
  16. What keeps The 40-Year-Old Virgin out of Rob Schneider territory, however, is: 1) the fact that it's pretty darn funny, and in a way that feels consistently real, and 2) the fact that it's actually an excellent date movie.
  17. A smart, marvelously drawn account of the bravery of homing pigeons during World War II.
  18. Isn't quite a great espionage movie or a great Africa movie, but in a summer of heat and wind, it's the next best thing.
  19. Belgian actor [Jan] Decleir's tough-guy vulnerability ... gives an otherwise standard police procedural extraordinary grace and power.
  20. With a cast like this, The Exorcism of Emily Rose is a superior performance vehicle and on that count alone is never less than riveting.
  21. Tells Yuri's story with the same bravado and stylishness as Scorsese at his finest, with bigger-than-life characters and situations splashing across the screen in breathtaking scale.
    • Washington Post
  22. A gee-wonderful virtual visit to the arid orb, which uses ingenious technical sleight of hand to -- let's face it -- fake it beautifully.
  23. No matter what's coming their way, post-apocalyptic doom or gloom, this James Gang of the galaxy is just plain fun to watch.
  24. This story doesn't just belong to them anymore. This richly observed, sometimes heartbreaking movie has become ours, too.
  25. An engrossing, well-crafted story of a grave injustice avenged, hitting all the right notes of sympathy, outrage and, finally, relief.
  26. The beauty of Nine Lives is that its occasionally overlapping stories feel entirely unforced; Garcia's is a filmmaking style of rare lyricism, compassion and discretion.
  27. Macabre, yes, but the movie's also inventive and funny. You get a lot of smart bang-bang for your buck.
  28. The moral purity of After Innocence is so overwhelming that it simply leaves you with nothing to say or do. It's kind of beyond criticism.
  29. Like a bouquet of poisoned flowers -- beautiful, delicate and lethal. A trio of horror films from three "extreme" Asian directors, it shows how much evil fun talented bad boys can have on a very small scale.
  30. An engrossing piece of social history, a lively, astonishingly well-documented excavation of that period.

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