For 11,478 reviews, this publication has graded:
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46% higher than the average critic
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2% same as the average critic
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52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 60
| Highest review score: | Oppenheimer | |
|---|---|---|
| Lowest review score: | Dolittle |
Score distribution:
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Positive: 6,014 out of 11478
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Mixed: 3,069 out of 11478
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Negative: 2,395 out of 11478
11478
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Desson Thomson
A movie of biting social observation. And it masterfully avoids Manichaean simplicity.- Washington Post
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Reviewed by
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Reviewed by
Desson Thomson
It won't be long before you feel the compulsion to watch again. There is too much to appreciate in one sitting.- Washington Post
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Reviewed by
Michael O'Sullivan
Sternfeld has created a garden on film that opens up its blooms for us, not in the dark of the movie house, but long after we've left the theater.- Washington Post
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Reviewed by
Stephen Hunter
What's important is that Major Dundee, not a great movie but a great star-driven, big budget 1965 studio western, is back in all its fractured glory and confidence.- Washington Post
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Reviewed by
Michael O'Sullivan
It's a story of jaw-dropping chutzpah, grim, mostly hindsight-based humor and more stomach-churning drama than you could find in 10 screenplays.- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
It's a document that suggests that the road to hell is paved with bad communication skills.- Washington Post
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Reviewed by
Michael O'Sullivan
The film is a small study in the dignity of letting go.- Washington Post
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Reviewed by
Michael O'Sullivan
Good old-fashioned movie storytelling that steadily builds, over the course of nearly three hours, to a white-knuckle conclusion that satisfies on nearly every level.- Washington Post
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Reviewed by
Stephen Hunter
This movie gives it to you, as no movie has in some years. Okay, if that's not your part of the swamp, don't go into it.- Washington Post
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Reviewed by
Stephen Hunter
Full of astonishments, not the least of which are its ideas.- Washington Post
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Reviewed by
Ann Hornaday
A startling portrayal of how the cycle of abuse plays itself out in the lives of its victims.- Washington Post
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Reviewed by
Desson Thomson
There's such a sense of overall intensity, you know you have been though something powerful.- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
The director Vaughn has a flair not merely for action and ambiance but also for character.- Washington Post
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- Washington Post
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Reviewed by
Stephen Hunter
Possibly without meaning to, the younger Wexler has made a superb examination not of professional cinematography -- really, who cares? -- but of the eternal bad business between fathers and sons.- Washington Post
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Reviewed by
Ann Hornaday
Despite Madagascar's formulaic tendencies, it's a formula that works, so parents are urged to sit back, relax and enjoy -- the kids surely will.- Washington Post
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Reviewed by
Desson Thomson
A compelling, compact story about a country that was left to destroy itself while one man presided futilely over the carnage.- Washington Post
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- Washington Post
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- Critic Score
The emotional story and fine acting are enough to make this a must-see movie for teen girls. The real surprise is that they can make a grown man cry.- Washington Post
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- Washington Post
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- Washington Post
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Reviewed by
Michael O'Sullivan
A kicky, twisted thrill ride, with enough laughs to leaven what can be read, at heart, as a metaphor for the modern marriage.- Washington Post
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Reviewed by
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Reviewed by
Michael O'Sullivan
Plays a little like a mystery, the central question of which is not whodunit but why.- Washington Post
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Reviewed by
Ann Hornaday
A wise, funny film about the little leaps of faith it takes to just get through the day.- Washington Post
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Reviewed by
Desson Thomson
Remains highly watchable throughout, for its atmosphere and the actors.- Washington Post
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Reviewed by
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- Washington Post
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Reviewed by
Desson Thomson
As exciting for its narrative twists and turns as for its Korean textures and rhythms.- Washington Post
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Reviewed by
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Reviewed by
Stephen Hunter
The audience is treated to one extraordinary vision after another; the sense of a world literally being destroyed around the principal actors, the sense of their flight through panic and destruction, the sense of concussion, collapse, rubble and ruin.- Washington Post
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