Washington Post's Scores

For 11,478 reviews, this publication has graded:
  • 46% higher than the average critic
  • 2% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 5.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Oppenheimer
Lowest review score: 0 Dolittle
Score distribution:
11478 movie reviews
  1. After viewing documentarian Stephanie Black's dour exegesis of the wrecked Jamaican economy -- only the most insensitive vacationer will want to set foot anywhere near the resorts and beaches of Montego Bay.
  2. It's the moviegoing equivalent of great eating.
  3. Wickedly funny.
  4. This is a superb theatrical situation, and you have two great performers doing the emoting.
  5. Has a gritty authenticity to it … captures the spectacularly crazed quality of urban violence.
  6. Wonderfully empowering to watch Petula and Dorothy turn the tables on their testosterone-crazed tormentors.
  7. Where it succeeds best is not in describing how Luzhin got broken but how love fixed him, albeit temporarily.
  8. Stunningly acted by Liam Cunningham and Orla Brady as the Cloneys.
  9. Little Voice may be more of a confection than a square meal, but it's proof of how good a dish can be when the ingredients are of the highest order.
  10. The chatty, romantic roundelay takes a lighthearted look at the misadventures of six in the city.
  11. Unabashedly, un-graphically romantic.
  12. Engrossing and infectiously enthusiastic documentary.
  13. Engaging, witty and touching film, one that defies categories to become a romantic comedy, historical biopic and philosophical rumination, all in one.
    • Washington Post
  14. Warmhearted and slightly edgy seriocomedy, these sisters experience some pretty entertaining ups and downs. Entertaining, that is, for people who appreciate irony.
  15. A touching documentary.
  16. Great sword fights, great acting, fabulous sword fights and, of course, really cool sword fights.
  17. The Cortez family flies into action with the same testy family dynamics, silly humor and cool gadgetry that animated the first Spy Kids.
  18. What begins as an indulgent vanity piece (Seinfeld was a producer of the film) ends up as a fascinating portrait of creativity at its most compulsive.
  19. It's full of good heart, and you can't help but like its unequivocal sentimentality.
  20. Although the movie is slow-going at first, it gradually awakens, like Lilia. And then it dances.
  21. Turns potentially forgettable formula into something strangely diverting.
  22. Something to get excited about.
  23. An absorbing primer in one of the most fascinating chapters in American social history.
  24. It's fun. Hey, it's almost spring, Rickman is fabulous and so is Richardson. Warren Clarke is continually funny. And Heidi Klum alone will melt the snows of yesteryear.
  25. An Irish lark that blows in, trailing daffodils and the sniff of spring, from that adventurous releasing company Shooting Gallery Films.
  26. If Southpaw leaves you hungry, this much is also true: The "food" was good in the first place.
  27. Big muscular guys pruning roses IS funny and charming.
  28. A film that's tender and disarming for its intimate honesty. It's also deeply refreshing to see a movie that dares to explore sexuality among mature characters.
  29. Think of this movie as a glorified home video rather than a bitingly insightful documentary. But for Garcia and Grisman, this soft-shoe approach couldn't be more appropriate.
  30. A portrait of a hero.

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