Above all else, Zau's realistic journey through the loss of a loved one is something that's going to stick with me for some time, and I'm grateful for the loving lessons I've learned from it.

Triangle Strategy is an excellent game that expertly combines satisfying combat and a layered narrative to create something I didn’t know I needed. Serenoa Wollfort’s journey is punctuated with intrigue, betrayal, and triumph that are all driven by player decisions that actually feel like they matter. It isn’t smoke and mirrors on a moral railroad presenting the illusion of choice, it's a ride or die political rollercoaster where failing to convince a single ally will result in the untimely deaths of thousands.

Dungeons 4 is a complete package that delivers a way to embrace your dark side, build your very own evil empire, and see the forces of good reduced to dust. It heavily focuses on resource management more than strategic combat, which may be off-putting to some, but there’s a lot of challenge here, and combat is equally as satisfying. Just watch out for the unicorns. They’re more fierce than you’d think.

When all is said and done, and the eight storytellers have finally found a way to make their narratives line up and come together to deliver the exciting finale, Octopath Traveler 2 makes for a satisfying night at the bar. It’s full of pathos and excitement that pushes you forward, and the gameplay is tight and enjoyable. You can’t help but wish it was a little more well-structured, but seeing how the storytellers learned so much from their previous attempt, it’s hard not to look forward to the tales they’ll tell next time.

Age Of Empires 3: Definitive Edition is still a solid game. Its single-player content will last you over a dozen hours, and its multiplayer matches will last you several dozen more. While there is no longer that drive to farm XP for updates your Home City, the game itself is good enough that you'll be coming back for rematches time after time.

Lies of P: Overture is just an extension of an already terrific game, and that’s great. It’s almost nostalgic, reminding me of a decade ago when DLC was the norm, and not every game was bombarded with monthly updates or roadmaps. It’s a great expansion that attempts to give Lies of P its own identity, and while it doesn’t really improve or build upon the features that you’ve grown used to over the course of dozens of hours trawling the streets of Krat, it didn’t need to. I’m more than happy with a second helping of Lies of P.

“Play this game” if you’ve ever wanted a puzzle platformer, Limbo-esque horror game that drags you through a swamp of grim-dark Nordic fairy tales by your ears. It’s an excellent, labor-of-love game filled with little details that make the world feel very much alive - although no one wants that. I’d never leave my house again.

The combat is so engaging that I'd often go out of my way to join battles I had no business joining in on – much to the chagrin of my teammates. Landing a deadly lightning strike on your foe, or sending a fiery shockwave through the enemy squad is just too empowering to pass up. Spellbreak has quickly become my go-to battle royale, and I'm excited to see what the future holds for this magical title.

Is it perfect? No most certainly not, but neither are these characters and that’s ok too. You can love this game despite its problems and think it’s extremely important even if there are aspects of it you don’t like. People are flawed, and so is this game, but we can overcome that and still allow them to affect us deeply as we move on from them.

A terrific offering overall from Codemasters for hardened and casual players, but we wouldn't say no to an overhaul of the established systems and features in place for F1 2021 which we're assuming will be the series' first foray onto next-gen consoles.

The best thing I can say about House of Ashes is that its story didn’t make me feel betrayed in the end. There is no “it was all a dream” twist that creates a dozen plot holes, and it doesn’t pull away from the supernatural elements at the last second to reveal that the characters were hallucinating. Rather, it uses its monsters to connect together its themes and create a closed loop that only the best horror stories can effectively execute. For once it feels like The Dark Pictures bit off exactly as much as it can chew, and House of Ashes is so much better off for it. This is where I would recommend newcomers start with the series, and it's a great indicator that the anthology is just going to keep getting better.

It was always hard to imagine how Prince of Persia could fit into the new world carved out by Assassin’s Creed all those years ago, a sentiment Ubisoft clearly shared when it shelved the series for over a decade. But The Lost Crown finally found its place, standing tall as one of, if not the best Prince of Persia game — a GOTY contender and a Metroidvania all-timer. The expansion takes those elements and brings them up to the next level, making one of Ubisoft’s strongest outings even stronger.

I didn’t expect more than a short, fun diversion, but Aliens: Fireteam Elite has the ambitions of a genuine hobby game, and honestly, I think it’s good enough to pull it off.

Sniper Elite 5 is a great little shooter, and I had a lot of fun sinking into its sprawling levels and inventive mechanics. It doesn’t change the formula or even introduce anything particularly new to the wider genre, but perfectly understands what it wants to be and delivers on that expectation with significant flair. I viewed it as a palette cleanser of sorts, an experience that harkens back to a different generation of single-player shooters we don’t tend to see anymore. It’s almost nostalgic, and aside from Wolfenstein there is no better Nazi-murdering simulator out there.

Marvel’s Spider-Man is a big, beautiful rehash of very familiar Spider-Man stories, which makes it feel like a bit of an imitation in the end. An exceptional imitation to be sure, but it could have been so much more.

Navigating the uncharted waters of history to give the British Empire a black eye and establish a free India is a monumental task, and longtime Victoria fans will be eager to answer the challenge.

There are moments when Tape 1 stumbles. Performance issues crop up from time to time. I noticed pop-ins pretty consistently when the story switched from third-person to first-person. And the frame rate chugged for me in a climactic moment towards the end of the chapter. But the game's bigger problem is that Lost Records continues Don't Nod's penchant for corny dialogue. Some of that stems from the game incorporating dated '90s slang like "parental units" and "geez-o," which works well enough as period language. But one big late-game moment, where a character attempts to make a serious point by reciting lyrics to a punk song, falls especially flat. But the game's utter sincerity is a major point in its favor, and these kinds of missteps are a side effect. If I have to put up with some deeply goofy choices in order to get a character as heartbreakingly earnest as Swann Holloway, I'll accept the trade-off.

Wall Town Wonders is one of the most creative uses of mixed reality I’ve ever seen and it has quickly become one of my favourite VR games. It’s easy to slip into for a few minutes to check on your town, or you can play for hours as you delve through your favourite minigames to grow your little civilisation more quickly. The detailed world you’ll find living in your walls is utterly charming and you certainly won’t forget it in a hurry.

Despite its shortcomings with performance and AI pathing, Total War: Pharaoh has been one of the most enjoyable Total War games I’ve played for quite some time. Its refined focus on a smaller period of history has allowed for experimentation elsewhere, with dynamic weather and terrain, resource generation on the campaign map, and a wave-based invasion system with the Sea Peoples that constantly keeps you guessing. I hope that some of these mechanics can be taken and expanded on for future, main series releases for Total War.

MIO: Memories in Orbit is a demanding, luminous journey through decay and empathy, one that asks a lot of its players and gives back just enough to make the struggle worthwhile.

The defining strength of Replaced—besides the stunning visuals—lies in its cultural commentary. Though the main narrative focuses primarily on one aspect of the apocalypse, organ donation and the subsequent dehumanisation that comes from losing a part of oneself, there's plenty of flavour there for the world's other tragedies: extreme poverty, the frivolity of the elite, fascism, police state and especially the dangers of technology.

Jurassic World Evolution 3 doesn’t reinvent the park-building formula, nor does it step leaps and bounds beyond the prior games, but it refines it in meaningful ways. It’s smarter, more visually polished, and management systems are both deep and flexible. Small rough edges, repetitive moments, and occasional AI frustrations keep it from perfection, but there’s a lot here to love, especially for management fans who enjoy tinkering with every system at their disposal.

Despite how much joy I mined conquering its temples and delving into its many rifts, at times it doesn’t push its ambition far enough. That never stops Echoes from being a warm hug of a video game that enraptured me from start to finish, but it does leave me infinitely more curious about what the future holds. Now Zelda has helmed her first epic outing, it’s only a matter of time until she goes onto bigger and better things.

If you can't wait for Metroid Prime 4, Savage Planet is a modernized version of that series that will scratch the itch. I wish it was longer, deeper, had more tools, more weapons, and more upgrades, but it's hardly a criticism of the game to say I wanted more of it.

Its attachment to the past can hold it back from greatness, especially in regards to its dedication to bombastic set-pieces and a hesitation to explore its own ideas. Village is drenched in excellence throughout, but the occasional fumble stops it from reaching the heights of both its predecessor and the seminal masterpiece it is so desperate to imitate. There’s also not nearly enough big lady - she needs her own game.

Whether you’re looking for fierce competition or you simply want to get as close to driving around F1’s real tracks as life allows without becoming a professional driver, F1 2021 has you covered. It’s the closest you’re ever going to feel to the real thing while sitting on your couch, and isn’t that really what playing any sports sim is all about?

Super Mario Party Jamboree is a return to form for a series that stumbled as it arrived on the Switch and barely steadied itself with Mario Party Superstars' greatest hits runout. Jamboree brings creative boards and a range of enjoyable minigames to the table, but overcooks the single-player stuff.

If you enjoy a brutal challenge and managing complicated skill trees, then you need to jump on this right away. When it comes to difficult games, Nioh 2 is an incredibly deep and engaging experience that makes Dark Souls look like Kirby's Dreamland.