Pound for pound, Undisputed doesn’t yet have the chops to compete against the likes of Fight Night Round 3, but it’s pretty much the only game in town. This effort is far above other attempts at a realistic boxing game, and it mostly delivers on intense combat and solid animations. As it was with the game’s roadmap in Steam Early Access, Steel City Interactive is well-prepared and already committed to provide continual updates and improvements moving forward. Despite several weaknesses, Undisputed has a solid foundation for the developer to build upon. While it’s not a champion now, it is a contender worth watching out for.

Hats off to Bloober Team. I was nervous about what this Silent Hill 2 remake would finally be when it launched. I came prepared to be disappointed. I was floored instead. This wasn’t left like the old Silent Hill 2 with just a visual brush-up, and that feels like it was the right thing to do. At the same time, Bloober keeps the spirit of everything that made Silent Hill 2 a classic, but also accentuates it in smart and reasonable ways. It feels sickeningly intense to fight creatures, it feels menacing and foreboding to explore the town’s foggy streets, and the characters actually feel concerned and responsive to the things happening around them. I never thought we’d see the day when Silent Hill 2 would get such a shine, but here we are, and it is gloriously terrifying.

This review has certainly gone off the rails but, in my defense, it’s my eighth one and I’m shocked every year that I find a new way to say the same thing. Yes, everything that EA Vancouver added is cool or nice or awesome but, no, it’s not enough. I know it’s not the developer’s fault, and I genuinely feel bad for them. They seem like hockey nuts, like the rest of us, but it’s not my job to pat anyone on the back for delivering patch-sized video games at full price just because their boss sucks. It’s actually my job to call that out, but hopefully one of these years I get to gush over a fully updated, feature rich game that doesn’t pick one mode to care about each season.

I Am Your Beast is a straightforward action game that wastes absolutely no time in giving players what they want. The engaging combat mechanics and revenge-driven narrative craft a superb power fantasy that left a strong impression on me.

There's a lot about The Jackbox Naughty Pack that feels less like a full-blown annual release and more like an experiment. There are positives to be found here, especially when it comes to the presentation and committing to the adult theme. The art for all three games is inspired and moments like the Faker dropping trou got some good laughs. The number of games and the way the games are structured feel like Jackbox Games didn't have a lot of confidence in what it was putting forward. That's not to say this isn't fun because Fakin' It All Night Long was a good time, and Dirty Drawful had its moments. With that said, the rest of the package feels, to put a bow on the M-rated theme... flaccid.

At a glance, it’s clear that Silent Hill and Resident Evil were major influences on indie horror game Hollowbody. While its retro PS2-style visuals are what initially drew me toward the game, inside of that is a competent survival horror experience that, while not doing too many things different from its predecessors, establishes a world and setting that’s worth exploring. If you’re looking for a game to scratch the itch of those classic survival horror experiences, Hollowbody is definitely worth your time.

Street Rumble isn’t terrible, but it’s not good either. Sure, it looks good, but the music is boring, the gameplay is bog standard, it has serious design flaws, and in a lot of cases, it just isn’t interesting. Yeah, there’s an arcade mode, boss rush, and so on, but you need to beat the story mode to unlock them, and if I hadn’t been playing this for review, I would have stopped around thirty minutes in. Beat ‘em up fans deserve better. Licensed games deserve better. And The Karate Kid deserves better than to be resurrected as a coat of paint used to gussy up a mediocre beat ‘em up.

Long-time Zelda players will be smiling from ear to ear when they roll credits. The Legend of Zelda: Echoes of Wisdom is full of wonderful surprises, engaging gameplay, and tons of stuff to do in the biggest top-down iteration of Hyrule yet.

Like many sports franchises that release yearly iterations, EA Sports FC 25 is going to be much like the game you remember from last year. While FC IQ and roles do a good job of making tactics feel varied and exciting, there are many adjustments and improvements that need to be made to AI before things feel balanced. When slide comes to tackle, not too much has changed this year.

Despite a few issues, I still think Ara: History Untold is some of the most fun I’ve had with a 4X historical nations game that wasn’t Civilization. Oxide Studios clearly knew the assignment and they aced on a number of fronts. It’s a little disappointing that for their experience, they weren’t able to avoid common issues like mid-to-late grind, but if you want a game that will offer plenty of variety in playstyles and an interesting and engaging crafting mechanic, Ara: History Untold is quite an extensive option for any fan of 4X strategy.

If you like Mickey Mouse and want to play a fun video game about him, you can do a lot worse than Epic Mickey: Rebrushed! You can also do a lot better, but that would require booting up some old emulators or expensive retro hardware, which is a different kind of thing from having something new(ish) on today’s platforms. Those decaying SNES carts in Mickeyjunk Mountain offer a good hint at what you should try next, though. I enjoyed it quite a bit, even if the way the story doesn't hold up in 2024 due to historical context made things kind of awkward.

When it comes to preserving history, this is about as good as it can get from an official source. Between backwards compatibility and being on a platform like Steam, there are fewer ways that even a licensing deal expiration can get in the way of playing this collection in the coming years. And in the meantime, having these games on current platforms makes them more playable than ever, although not having cross-platform play is a big bummer. And for even deeper diving and appreciation, the museum content is as top-notch as we’ve come to expect from Capcom’s recent slate of classic collections. “When’s Marvel?” finally has a suitable answer.

Over the past five years or so, Konami has become a standard-bearer in preserving and presenting video game history. There have been bumps along the road of course, but Castlevania Dominus Collection is not just a set of ROMs grouped together that benefits from comprising all-time greats. While those games are still obviously the main attraction, the amount of effort put into making these games look and play great, then supplementing them with absurdly high quality materials (including deep cuts even a degenerate like myself was shocked to see) is revitalizing. On top of that, giving M2 the resources to bring back its own long-lost remake series in such a surprising way pushes this collection straight to the top of my must-play list not just in 2024, but in gaming as a whole.

Every single decision you make in Frostpunk 2 is like taking a step out onto a frozen lake. You might shift your weight onto a foot, only to see a tiny crack race out ahead of you. Is this the decision that will lead to your downfall? Even something as benign as placing down buildings comes with the weight of resource management, societal impact, and just a little bit more strain on the delicate system you’ve tried to establish. It’s a brilliant sequel that will leave you frozen with indecision as the icy disposition of the factions rivals the chill from a whiteout.

One of the central focuses of The Plucky Squire's story is that it's a tale that inspires hope in all of the children who read it. I'm hopeful that this game will inspire any would-be developer who plays it, because it's a true expression of what's possible through gaming.

This game is as unforgiving at the start as it was in 2006, but if you want a solid zombie survival experience akin to Dawn of the Dead, you can’t do much better than the mall mayhem of Willamette in Dead Rising Deluxe Remaster.

Tiny Glade might be Quaint with a capital Q, but many hours of enjoyment can be had here if you just let it tickle your imagination. There’s just something so delightfully charming about creating an idyllic castle or village, surrounded by a field of flowers and butterflies. Pounce Light has taken this sprout of an idea and created the ultimate cozy diorama builder that makes you feel like you’re creating a work of art.

Harry Potter: Quidditch Champions is niche in the fact that Harry Potter fans, specifically those with fond memories of 2003’s Quidditch World Cup, will adore it. It knows exactly who its audience is, and makes sure to serve up Harry Potter references and nostalgia berries on a silver platter. The gameplay foundation is solid, but there just isn’t much done on top of it. The available modes grow generic and the lack of variety or unique challenge caused me to put the broom down and walk away much faster than I was expecting.

I know volleyball and dodgeball are totally different activities, but the inspiration is pretty obvious here. And if you want to play a sports game like this that’s wacky, over the top, and still has a competitive element, Mario Tennis or the Kunip-kun Dodgeball games are much more fulfilling in every way. And if you’re just a Fairy Tail fan looking for something fun to play with these characters, Fairy Tail: Dungeons or the GUST-developed RPG from a few years ago (with a sequel coming soon) are much more successful in nailing their own concepts. It’s a shame, but aside from some fun visuals and occasional on-screen wackiness, Fairy Tail: Beach Volleyball Havoc doesn’t deliver in either the volleyball or the havoc.

NBA 2K25 is in the same place as most modern sports franchises. There are iterative changes and refinements that improve existing modes, but so many of the game’s issues—several of which have existed for multiple games now—remain unchanged. The hardcore base knows what they’re getting and will appreciate the incremental changes, but if you’re still having fun on 2K24, there’s no pressing reason to upgrade.

Wild Bastards has a lot of charm and style, and that’s enough of a hook to want to dive in and see what the game has to offer. Using a sizable roster of characters who are the major differentiators for gameplay as the main motivator to keep going is effective as well. But once you’ve got the Bastards roster filled out and you have combat figured out well enough, that’s about where the buck stops in this sci-fi western. It’s a chaotic and challenging experience, but promises a lot of complexity and nuance that seems bountiful at first, but fizzles a bit given time. Some balancing issues hold it back the most from being truly fulfilling, but there’s a little bit of genre fatigue talking on my part as well. On its own merits, Wild Bastards is ambitious and kinetic, and will definitely put FPS fans’ skills to the test.

Those looking for a different kind of Ace Attorney experience that still delivers that same sense of justice can find a pair of gems with Miles Edgeworth's games. Even if the setting is slightly different, few should have any objections to more of these captivating tales of justice.

Spectre Divide’s main selling point, the Spectre mechanic, is admittedly rather cool. It’s great to get a second chance at a tactical shooter mid-round. Unfortunately, it doesn’t feel like a strong enough hook to draw players across from the other games that have solidified themselves as the leaders in the genre. Add to this the problems with match pacing, bland weapons, and laughable microtransaction prices and you’ve got a game that is unlikely to convince hardcore fans to dive in, let alone keep players around for the long run.

It’s surreal to see a game I played in my first year of work at Shacknews finally find its way to that Version 1.0. I couldn’t be happier for Coffee Stain after its lengthy journey, but it helps that this is a really dang good sim, and a true creative sandbox. I think the freeform nature of Satisfactory is both its greatest power and its most intimidating offering, simply because the sheer lack of guidance can leave players directionless and overwhelmed, especially as you wait and stew on it while resources bake in the early game. However, the sheer beauty of Satisfactory as you slowly expand a little base into a highly programmed and automated industrial machine is a neat and rewarding process, and if you have a friend or two to bring along, all the more fun.

I’ve gone on too long at this point, but I kind of want to just keep gushing! Yars Rising looks like a bunch of wacky stuff that shouldn’t work. Yet when it comes together it’s a blast for nearly its entire runtime. It’s WayForward at its most self-indulgent, but that turns out to be a great gaming experience that extends into a sweet, clever, little love letter to Atari’s classic library in a way that feels fresh and unique. The way Yars' Revenge, as the core of this concept, is woven throughout what from the outside seems like a totally unrelated kind of game is a constant source of dopamine. And while the stealth is kind of a dud, the action and exploration on the Metroidvania side is top notch, especially with all the neat and unusual powers you get to play with. Yars Rising is a big surprise, and one of the most memorable games I’ve played in 2024.

Warhammer 40,000: Space Marine 2 is a love letter to 40k fans. The minor gripes I have with PvP cross play and cutscenes pale in comparison to the overall package that’s bursting with content and hours of fun times with friends. The insane dedicated attention to detail is everywhere, even in the smallest corner of the game. Saber really took their time, cared about the IP, and it shows. I highly suggest grabbing a copy, getting your friends together and killing some Xenos scum.

What the Car? was a nice, little moment of silliness in a packed summer, full of games that have demanded a lot of time and energy. It made my hardened critic's face crack a smile multiple times, even if it had just annoyed me moments before. I’m not ready to turn all the way around and start banging the “wiggly game” drums just yet, but it was nice to know there’s still hope out there for this particular brand of video game foolishness.

Astro Bot is a charming and cheeky nod to a lot of PlayStation history and a powerful demonstration of PS5 hardware, but more than anything, it's just a ridiculously good game.

Star Trucker shows a lot of promise. Its ease of entry, limited learning curve, and beautiful environments promise many hours of enjoyment. However, this welcome simplicity is also one of its main drawbacks. There's so much more that could have been done to improve the user experience. The biggest problem, however, is the skewed economy. Resources essential for enjoying Star Trucker are too expensive and hard to come by, making it more of a power management simulator than a space truck simulator. Choosing an easier difficulty level may alleviate some of these issues, but it points to an overall imbalance in the game. Nevertheless, given its low price and easy approachability, Star Trucker can be a lot of fun for fans of space and truck simulations, but you may not want to visit this truck stop very often.

As a modern blast from the past, Akimbot is an acceptable adventure that takes its cues from PS2 platforming classics but falls short of its own expectations. Its gunplay, platforming, and variety of mini-games are mostly adequate, and some levels show moments of creativity. However, the lack of character progression, uneven difficulty spikes, and unrewarding exploration hinder the effort. Ultimately, the original Jak & Daxter and Ratchet & Clank have stronger level design and more interesting ideas, and those games came out over two decades ago.

That creative freedom and the tools Artificer gives you to work with make it easy to deal with Sumerian Six’s rockier moments and, frankly blatant imitation of games that came before. The team clearly has a strong understanding of how to make the most of the genre's basic tools, and here is where I'd normally say I hope to see even better things from them in the future. With Devolver having laid off half of Artificer's staff earlier in 2024, though, the studio's future seems unclear.

It takes advantage of its lore, iconography, and even some of its mechanics to tell a tale that fans will undoubtedly dissect for the foreseeable future.

The bottom line is that Fate/Stay Night is a keystone work in a genre that’s never been more popular on our side of the globe. For decades, it seemed like this historically important (and good as heck by itself anyway) visual novel would never be readily available and professionally localized like this. Anyone with an interest in anime, gaming, and alternative forms of digital storytelling owes it to themselves to check this story out. It’s one of the all-time greats, and if you do take the time (and it does take a lot of time), you’ll easily understand why Fate is such a big deal nowadays. And if this is your first time, welcome to one of the most absurd, yet rewarding rabbit holes you can dive into.

I had a good time playing Concord. The gunplay feels good, and the match pacing made it easy to jump in and quickly play a couple of games before peacing out. That said, I’m not confident that “just fine” will be enough to survive in the brutal landscape of live-service games in 2024. Concord suffers from a lack of innovation and identity, and I’m curious to see how Firewalk Studios and PlayStation will navigate the path forward.

Ultimately, Black Myth: Wukong is what I like to call “Peak Fine.” It’s great when it finally opens up and lets you play it, and has a number of memorable bosses to fight. There’s a lot to explore and see and do, and I imagine most players will miss a good chunk of the game’s optional content on their first playthrough. But even at its best, Wukong never reaches the highs of the genre’s greats, and never completely comes together in the way the best action games do. It’s not bad, but it’s not special. It’ll take you to the dance and it has a few killer moves, but how much you enjoy it will depend on how much you’re willing to put up with when you get there, and how much you don’t mind if it steps on your toes now and again. Me? I prefer an Action Jackson that lets me lead now and again, and that can hit the high notes.

If you’re a fan of Umamusume Pretty Derby, Party Dash is worth getting. Its cute retro art direction manages to capture the energy and charisma of the franchise even if it's a little lackluster on the surface level. The PC port I played ahead of release ran perfectly fine but being able to use resolutions above 1080p would've been nice. What is here is a great and will delight fans but might not be enough to turn newcomers into Umamusume-believers.

I can see why longtime Famicom Detective Club producer Yoshio Sakamoto was so excited to share the story of this game. Emio - The Smiling Man is an intriguing story that takes us on a deeply emotional journey. The characters, both old and new, are very fun and easy to follow as well, not to mention coming out great in their animations and dialogue. I wish Emio stretched its legs a bit in terms of gameplay, but I also can’t argue too much with a working system that’s mostly meant to be a vehicle for an engaging mystery. If this is the final Famicom Detective Club game, it’s a strong one to go out on, but I can't help but hope we get more Famicom Mystery Club with this game acting as a stepping stone to the series’ future.

Ultimately, Bloodless is an interesting, straightforward kind of game that is exactly what it says it is on the box. There’s a central premise, and the gameplay revolves (almost) entirely around it, even if it wavers a little out of an apparent necessity. And even then, takes the care to justify the shift in a way that lines up in the fiction. The non-lethal combat is fun to engage with, and doesn’t simply feel like another samurai game about parrying. There also isn’t a ton more to Bloodless than that, which is totally fine. There’s a target, the game lines up its shot, and hits it dead center. Good stuff.

Age of Mythology Retold is fun, don’t get me wrong. The visual overhaul alone is enough to make playing this 22-year-old game easier, and the quality-of-life improvements sand down some of the older versions’ more annoying edges. However, with more substantial structural improvements in later Age of Empires games, plus with the likes of Ara: History Untold just around the corner, I’m just not sure Retold needed to exist.

I had no idea what I was in for with Gori: Cuddly Carnage, and I certainly didn’t expect to enjoy it as much as I did. Its crassness is kind of a take-it-or-leave-it for me, but it fits a ridiculous world taken over by crazed toys that are in desperate need of murder by a sentient cat friend and his blade hoverboard. And that feels like a good way to look at most of Gori. It sets out do all sorts of things gameplay-wise and it does all of them pretty well to make a ridiculously graphic world and narrative pretty dang fun. Mind the tykes in the room when you’re playing this one.

Visions of Mana is simply refined RPG goodness in every way. It’s got compelling characters, an engaging story, and a challenging combat system. Its only shortcomings are minute, and don’t do too much to bog down what is an overwhelmingly enjoyable adventure.

When it comes down to it, Gundam Breaker 4 is all about the bits and pieces. Literally. If you’ve ever put a Gunpla kit together you understand how long it takes, how it feels to put the parts together, and how awesome it is to pose and admire the finished kit. A video game version of that is obviously different, and this game takes full advantage of those differences. When the laws of reality and resource scarcity don’t apply, Gunpla can be something completely different, exciting, and fun in its own ways. Drop some fun combat and multiplayer capacity on top and you have a formidable time sink. You get out what you put in, and there’s an admirable amount of space to let that mean different things to different players, and it all feels rewarding.

I think the biggest praise I can give to the game is that I cannot wait to dig into it with a few friends over the coming weeks. It's the kind of game you can slowly chip away at over several evenings and the hardcore mode even offers some replayability down the line. While it doesn’t reinvent the wheels of its genre, Pugstorm’s Core Keeper emerges confidently out of early access and I’m looking forward to revisiting it over and over again in the coming years.

Outlaws is at its best when it’s telling you a story. I was immediately invested in Kay and Nix and loved going on this journey with them. I didn’t skip a single cinematic or hurry through dialogue and, as a casual Star Wars fan, I would say that’s a big win for the folks at Massive Entertainment. There were certainly some places where the gameplay felt repetitive, but climbing, grappling, and taking out my foes in chaotic battles with my Blaster always felt satisfying. Working with Nix to solve puzzles or stealth through areas was a treat. Now that I’ve beaten the story, I’m not sure I’ll spend much time in the open world, but Outlaws did such a good job that I’m thinking of digging into some of the movies and television shows I’ve been passing on. That’s about as big a compliment as I can give the story.

I don’t love Bakeru like I love Mystical Ninja Starring Goemon, and that’s okay. This is very much a vibes game, and Good-Feel in 2024 isn’t Konami in 1998. There’s a lot of nostalgic evocation happening for sure, but it’s more like a collection of smiles and nods in service to a project that very much has its own identity. I appreciate it, even as I understand Bakeru isn’t entirely for me. A kid at the age I was back then, with a budding interest in anime and other Japanese cultural affectations would probably have a blast. And since the barriers for that space are so much smaller these days, Bakeru can be its whole self in a way that would’ve barred it from international travel (or a decent localization) back then. That’s what it feels like Bakeru is aiming for, and I think it hits that target cleanly.

Meta progression isn’t a necessary facet of the genre, but when those systems do show up in more obtuse and fumbly ways it can be kind of tiresome to engage with them. I’d rather have something more straightforward, or just focus on the core mechanics entirely. And a game like this, with its smaller scope but explosive energy thanks to the Fairy Tail stuff, really thrives on a foundational level. The art is sharp and colorful, the series’ personality shines from every angle, and the combat itself is fun to grapple with. The game even has some interesting ideas with its checkpoint-like boss stages meant to challenge your saved builds. Making use of such a burly anime/manga IP as Fairy Tail to hoist up indie games is an awesome idea, and it’s great to see Fairy Tail: Dungeons come out swinging the moment the door opens.

Madden NFL 25 isn’t a bad game, it’s just the latest mild variation of the same game I’ve been playing for the past half-decade. I’ve resigned myself to the fact that modern Madden games won’t be better than “just alright” until there’s some sort of major change in the philosophy behind how they’re developed and released, but at least I’ve got College Football to go back to.

Tactical Breach Wizards is one of the cleverest and most enjoyable tactics games I've played in a long old time. A handful of useful features remove some of the genre's most frustrating pain points, and the forgiving structure lets you experiment with all manner of off-the-wall solutions, even if there really is just one ideal path forward. It's a blueprint for how tactics games should be designed, and I can't wait to dive back into it again.

It is rare for a game to be about something, to work its themes into every fiber of its being, to ask us to think about the world around us and reflect on who we are, the world we live in, and the things we’ve done to make it what it is. Dustborn does that, and it's special because of it. It doesn’t always work, but what it gets wrong pales in comparison to what it does right. It is a reminder that what we say and do matters. That, to quote Hemingway, “The world is a fine place, and worth fighting for.” That a better world is possible, if only we have the courage to build it, if we can find the right words to speak it into existence. Let there be light.

They simply don’t make games like this anymore, for the most part. To be fair Monkey Island totally came back, and there was an… attempt at a new Sam & Max game (in VR form, which went as well as it sounds). But adventure games in the pre-Walking Dead Telltale style, the sort of zombified fusion of LucasArts’s classic SCUMM system with modern (at the time) PC game conventions are long gone. Skunkape Games’ remasters of all three Sam & Max seasons are the best ways to go back and experience a point in history that still doesn’t feel real sometimes. This is technically a review for The Devil’s Playhouse, but I can’t insist strongly enough how crucial it is to play all three games and take them in as not just a whole work, but a moment in time that won’t easily be replaced. Snag Hit the Road too while you’re at it; it’s only like six bucks on Steam. Long live the Freelance Police!

There's a lot of satisfaction that comes out of overcoming Volgarr the Viking 2's intense challenge. It comes with a lot of frustration, so be aware of that going in, but as a throwback to the Blockbuster Video rental era of gaming, this is a fairly mighty effort.

The Crush House feels like a victim of its own confidence. It’s so self-sure of its premise and big-brained twist that it fails to dig a little deeper under the surface to actually justify any of it. The gameplay itself is incredibly shallow and dull when it isn’t being a frustrating exercise in dice-rolling. The characters are basically all the same person and interact with each other the same ways, repeating the same small set of possible events over and over. Your involvement in the whole equation is to sit there and watch, and hope the emojis and numbers on the screen are doing the good thing instead of irritating you. The payoff is just as shallow as the gameplay, making the whole subversive twist as commentary gimmick a bust.

Deathbound, like many other Soulslike games before it, brings a few neat ideas to the table. While they are certainly nice to sample and play around with, a lot of the surrounding elements are sluggish and bland. It’s still great to see developers have a go at joining the pantheon of games in the genre, but Deathbound didn’t leave me wanting to come back for more.

SteamWorld Heist 2 is an interesting return to a style Thunderful hasn’t re-explored in years, and it’s a decently polished one at that. The multi-job character progress and new upgrades to sea travel make for an improved approach to new and varied challenges throughout the game. The upgrades aren’t watertight against the issues that poked holes in the first game such as inconvenient travel and grinding. That said, if you’re looking for a solid tactical strategy game, SteamWorld Heist 2 is a charming voyage that should provide plenty of good times to fans of the SteamWorld universe.

Aside from those moments when you have to grind, Cat Quest 3 is a cute, breezy experience that shows why making more of these has been a good idea. And there are hints of plenty more to come, which is exciting considering how much playing with the setting has been established. The writing remains simple but fun and silly, and the number of secrets and side activities has grown a lot. There’s a winning formula here, and so long as the series doesn’t get too ahead of itself, there’s plenty of potential for Cat Quest 3 as a springboard to even greater adventures.

Creatures of Ava is a deeply human game about monsters on an alien planet. Its themes of empathy and acceptance shine brightly, setting itself apart from similar titles. It manages to deliver a thoughtful message about acceptance and living in harmony while also being something I can play to kick back and relax after a long day.

As a revolutionary step forward for the arcade SHMUP, CYGNI: All Guns Blazing misses its mark. However, as a perfectly entertaining arcade romp, it does hit its target. Whether players boot it up and play a level at a time for the story or try to do it all in a single life in Arcade Mode, it hits all the right notes with engaging mechanics, fluid gameplay, challenging enemies that frequently fill the screen, and intense boss battles. CYGNI throws everything and the kitchen sink at players, sometimes to its detriment, because dozens upon dozens of enemies filling the screen did lead to occasional performance issues, even on the PlayStation 5. For a debut effort, KeelWorks should feel proud of CYGNI. It's also a foundation to build on, because there's certainly one in place to make something even better.

World of Goo 2 is exactly as it presents itself. It’s a lot more World of Goo, with more levels, gameplay mechanics, fancier visuals, and a new/continued storyline. As cute (in a sinister way) as its style looks, this is as hardcore as physics-based puzzlers can get. The game does not hold your hand, often has really tight margins of error, and only offers the bare minimum of guidance when it feels like it. That said, there’s a surprising amount of variety, and you’re allowed to skip levels without being penalized. Even if you struggle, there’s a lot of cool, smart design and an interesting world to experience. For fans of the first game, of course, World of Goo 2 is a no-brainer.

To be perfectly honest, Tomba! isn’t a game for everyone. It’s silly, often feels directionless and random, poorly-explained, and looks a little wonky in that old PS1 game way you love or hate. And the controls can feel fumbly, not just with Tomba’s comically huge jump but with the game and emulator itself. I still find myself forgetting which button to press to do which action, and there isn’t an in-game controller menu aside from the scanned manual (which has the controller glyphs blanked out for maximum legal efficiency). You also can't pause the videos! for some reason! But where Tomba! lacks polish and clarity it more than makes up for in charm, humor, and the fun of discovery. And this Special Edition release treats it with a level of admiration that’s long-past due.

What stuck with me most about F1 Manager 2024 is how much I want to keep playing it. If Civilization is known for "just one more turn," then F1 Manager 2024 tempts me with "just one more practice session," "just one more set of laps to tweak the car setup," or "just one more race to see if we can score some points." It keeps me coming back for more, and I'm excited to see how my custom Shacknews Racing team will evolve over the seasons. If you've ever wanted to experience what it's like to manage a Formula 1 team, you'll find countless hours of enjoyment here.

Star Wars: Bounty Hunter is an excellent revival of the GameCube/PS2 classic. It retains all the charm that made fans fall in love with it back in 2002, with several quality-of-life improvements to make it enjoyable for modern audiences. There are cracks where outdated designs/mechanics shine through, but Star Wars: Bounty Hunter remains a fantastic story from a galaxy far, far away.

EDF6 is by far the largest EDF game, with nearly 150 missions, excluding the DLC, so you’re looking at a good three dozen hours on your first playthrough, and there’s plenty of replayability because of the other classes and higher difficulties. And man, is it a good time. So grab your crew, pour yourself a drink or three, and get ready to listen to some of the most “they-hired-this guy-off-the-street-to-voice-this-character-for-five-dollars” line reads you’ve ever heard. No, EDF soldiers, the giant alien frogs don’t look like us, but I love that you think they do. And yes, you can still sing the silly fight songs. If you’ve played EDF before, you know the drill. If not, man, I’m jealous; you’re going to have a great time. EDF6 is a welcome throwback to the era of the AA game at a time when everyone and everything takes itself far too seriously, and I’m glad EDF6 is finally making its Western debut.

The new localization alone, despite the very infrequent handful of errors, is worth revisiting Tokyo Xanadu if you have played it already. There are a few performance hitches and the visual fidelity isn’t as clear as on PS4 or PC. But Tokyo Xanadu eX+ on Switch is still easily the definitive version of one of contemporary Falcom’s strangest games. It has problems a simple re-release can’t fix, but is full of cool and interesting ideas nevertheless. If you’re looking for something new there are bigger, blockbuster JPRGs that would be easier to recommend, but if you want something a little more out there, there isn’t much quite like Tokyo Xanadu.

At its core, Once Human is a survival game that encourages and rewards exploration. It nails the gameplay loop of gathering resources and gear, upgrading your character, and then venturing out to do it all over again. I had a great time running around and fighting alongside friends, and I’ll probably continue to jump in and play when I get that survival itch. However, it’s hard not to be put off by forced live-service elements that undercut mechanics and lock unique items behind a paywall.

Thank Goodness You’re Here is something altogether different from most of what I’ve played in 2024, and refreshingly so. It’s most certainly a game with some puzzle-minded antics, but it feels more like a lengthy comedy special, and the slapstick absurdity of it stays refreshing with plenty of surprises and ridiculousness throughout the adventure. Even the parts I didn’t initially enjoy ultimately felt like they needed to be there because it felt like part of the joke. Even so, be prepared for some very esoteric solutions and a complete lack of guidance as you learn to adapt to the wacky way this game wants you to think.

Looking at The Star Named EOS as a whole, it’s a good time. The lovely visuals and animations are almost worth the price of admission alone, and the story being such a strong element in contrast with its short length seals the deal. It’s an easy recommendation for fans of puzzle games and quiet, but serious storytelling. That said, the story isn’t remarkable, and often suffers from its own insistence on being a mystery for the first half and some change. EOS is a good time but has things holding it back from being an amazing time. “Solid” is the word of the day here, with a capital S.

With all that, what you’re left with is a sort of checklist-style experience. You go to each ooting, fill stuff out, unlock new clothing items and collectibles, and do that over and over again. If you’re the kind of player who finds satisfaction in a low-pressure grind to simply gather a bunch of things until you’re done, that’s the kind of system you’re engaging with here. If you’re a SPYxFAMILY fan and think Anya is insufferably adorable, there’s a lot of fun in simply hanging out with her and snapping photos of her legendarily goofy facial expressions. But if you need a little more substance and goal-oriented action in your games, you won’t really find that here. I found my interest deflating quickly, especially after giving all the minigames their first tries. The game may as well have been over after that point, and any further cravings for this IP were better met firing up Crunchyroll or opening up a book.

EA Sports College Football 25 succeeds at setting itself apart from Madden with new mechanics and systems that change the way you play the game. Wear & Tear forces a new kind of strategy, and the changes to passing and player movement open the door for unforgettable plays. There are some cracks in the presentation, the game needs more songs, and Dynasty could use a tad more polish, but College Football 25 has delivered a level of fun that I haven’t gotten from a football sim in years. [Deluxe Edition tested]

I found a lot to like during my time with Dungeons of Hinterberg, and the drawbacks feel mostly about limitations or how I met the vibe. The whole cozy thing can be hit or miss with me, and I like my combat to have some teeth instead of feeling like it’s simply showing up for work. The charm, creative magic abilities and puzzles, variety of colorful and weird characters, and fun premise all come together quite gracefully. Fans of classic Zelda games looking for something that’s not leaning on the retro aspect or trying to be indie Breath of the Wild might have a nice sweet spot here.

While Nintendo World Championships: NES Edition offers a rich representation of the original 8-bit console's history, this feels like the first leg of what could be a longer marathon. While we appreciate a good sprint, we're hopeful for a longer marathon down the road.

Flintlock: The Siege of Dawn is a breath of fresh air when it comes to the Souls-lite genre. The challenging combat, unusual lore, and well-crafted environments blend the new with the old in an original way. While the gameplay could be more refined, the game succeeds in making the genre more accessible. The story is rather quick on the draw at the start and the ending trails off suddenly, but the relationship between Nor and Enki is enough to carry the bulk of the narrative. As a first entry, Flintlock is off to a solid start, and I look forward to having more adventures with this unlikely pair.

It may be easy, at a glance, to look at Teenage Mutant Ninja Turtles: Splintered Fate and dismiss it as “we have Hades at home.” There’s a nugget of truth there, as we are looking at an action roguelike clearly inspired by Hades, with a smaller scale in many ways. But does Hades have co-op, or the TMNT? Nah, dudes. Splintered Fate has a specific goal, and it definitely delivers on that goal. It’s a fun time, with a lot of structural solidity and the fun co-op gaming vibes you should expect from a TMNT game. It doesn’t feel cheap or sloppy at all, and even singleplayer can keep your attention for several runs over dozens of hours. I’m still working on it despite winning several loops already, and spinning around like a maniac with my boy Mikey still doesn’t feel old yet.

Flock knows how to make the most out of the mundane. It takes a simple idea like bird watching and takes it to its most imaginative conclusion. It takes those birds and gives them cartoonishly whimsical designs while also giving them complex enough behaviors that charming them into your flock isn't a walk in the park. It's a delightful low-stakes affair, one that feels rewarding once you get a rare creature into your ranks. Those looking for a low-pressure, artistic adventure about documenting birds should join this Flock. Bring a friend, because the skies await.

Bō: Path of the Teal Lotus is an extremely charming metroidvania thanks to its rich use of Japanese folklore in its world and character design. Not only is the world nice to look at, but a delight to explore. There are some rough edges when it comes to the platforming, but there is immense fun to be had if you can work past them.

Kunitsu-Gami isn’t particularly deep. However, it makes the most of all its many concepts, and outside the few dull moments of downtime, it’s always pushing you to think carefully and take in every part of its richly realized world. There’s genuinely nothing else like it, and I hope there’s more to come in the future.

Overall, I really enjoyed my time with Gestalt: Steam & Cinder! It has a story that left me a little frustrated by the end, but the way there was full of good mechanical writing, solid character development, and a healthy amount of proper noun-led mystery world-building. The top-shelf visual quality cannot be understated, with incredibly detailed and well-animated 2D art that can hang with the classics easily. And while combat was the messiest part, there was still fun to be had running around the world, fighting weird enemies and using skills and combos powered by cool animations. I would definitely keep paying attention to Metamorphosis Games, especially if there’s more stories to come from this world in particular.

Anger Foot has a laser-targeted feel to its approach, and I can certainly see a specific group of FPS sickos losing their minds over it. There are tons of challenge, built-in speedrunning, and lots of flashing colors. There’s enough toilet humor to decimate an underfunded transit station bathroom, too. But if you fall outside of those extremely specific (and smelly) parameters, potential interest in Anger Foot is going to plummet. I don’t see the humor being enough to encourage casual audiences to stick around, even with the ability to turn dying off. Personally, I’m happy to wash my hands, uh, literally.

I’m more than ready to put The First Descendant down and not come back for a while. Its character playstyles are fresh and interesting, but underbaked gimmicks, overly familiar ideas, and underwhelming encounters make it hard to recommend. I’m hopeful that The First Descendant can outgrow its need to imitate other games and eventually turn into something interesting in its own right. It’s a live service game and Nexon’s first shot at making something in this style, so there’s every chance it might turn around in future updates.

Luigi’s Mansion 2 HD is a treat for fans of the original game as well as those who were introduced to the franchise with Luigi’s Mansion 3. It’s been properly modernized with beautiful lighting and improved features, though there are some growing pains in the jump between platforms. Still, it provides the excellent blend of spooky and silly that makes the series so endearing.

Riven is another beautifully assembled upgrade of a classic for Cyan Worlds, and it seems to play more wonderfully than ever. The puzzles and exploration feel immersive, even if it gets a bit unwieldy with a lot of back and forth between the islands as you come back to solve certain puzzles later. Even then, the returning Notebook system does a great job of aiding in the easy access of clues and information if you use it effectively. With that said, this is also just a beautiful game to explore and whether you’re a returning player or discovering Riven for the first time, it's likely to be a peaceful and intriguing experience.

There hasn't been a new Super Monkey Ball game in over a decade and Sega certainly approached this new entry to the series like it had some catching up to do. There's a lot to enjoy in Super Monkey Ball Banana Rumble, from the lengthy story to the local and online multiplayer. It certainly isn't perfect, especially given that some of the series' most recognizable multiplayer modes aren't here. Seriously, no Monkey Target might cause an uproar among fans. However, even with those missing staples and some over-the-top difficulty spikes, this is no rotten banana. Super Monkey Ball Banana Rumble is a strong comeback for the series and will hopefully keep rolling for years to come.

Hauntii has some flaws, but it's short enough with enough unique ideas that I'd say it's worth experiencing. The opening alone is a brilliant example of the type of artistic expression that games are capable of producing. Even if the majority of the rest of the game doesn't quite hit its lofty heights, it's still an enjoyable way to pass a weekend.

Eldritch Realms adds an impressive number of new ways to think about Age of Wonders 4, and the hero units and realm challenges are among the strategy game’s best so far. Sure, it’s not another Empires and Ashes-level expansion, but it’s pretty darn close.

There’s magic in Rolling Hills for sure. But it’s a very fleeting magic, and a little more sauce would have made it a much more impactful source of wonder. It was definitely cute, though!

As someone who was quite high on MultiVersus after playing its Closed Alpha in 2022, I was hoping that its 1.0 release would deliver a polished platform fighter that fully realized its sky-high potential. While it still leaves several features and fixes to be desired, I can’t deny that the game is still deeply fun at its core. Now, it becomes a matter of whether or not MultiVersus will be able to achieve its full potential in an increasingly harsh landscape for live-service games.

XDefiant feels like a niche, that knows it’s a niche, and tries to sprinkle some broad appeal on top. Just enough to draw in more than the hardcores, without risking alienating them too much. At the same time, it’s a line in the sand moment for all the FPS hardcores who are sick and tired of SBMM. On top of all that, crossing over Tom Clancy series has the appeal of mixing a bowl of potato chips from different brands that are all the same flavor. And Watch Dogs? Anyway, there’s a solid foundation here with rock-solid arena shooter mechanics. If the matchmaking experiment works out and some key adjustments are made, I can see this game sticking around for a good while.

While F1 24 marks significant progress, it's not without its shortcomings. Persistent issues such as the lack of finesse in AI behavior and complexities in currency management detract slightly from the overall enjoyment. Moreover, support for enthusiast hardware remains inconsistent, and certain features like the absence of custom team entry in co-op career mode may disappoint some players. Despite these drawbacks, F1 24 remains a compelling choice for fans of the franchise, offering a thrilling and immersive racing experience worthy of consideration. F1 24 proves to be a worthwhile addition to the series, albeit with room for further refinement in future iterations.

Astor: Blade of the Monolith reflects one of the coolest aspects of video games as a medium with a deep history of iteration. You can take a familiar set of concepts, add new context, and come up with something that stands on its own rather than feeling like a ripoff. Astor does this with an impressive sense of knowledge and understanding of not only Zelda-style exploration, but character action-style combat. The latter is much more niche and specialized, therefore harder to pull off. It’s not quite a bullseye, but gets respectfully close and has me curious about further updates, as well as what this studio does next.

Killer Klowns From Outer Space: The Game is a detailed asymmetrical horror game that gives a lot of love to its cult classic source material. The weird and wacky nature of the film is a perfect fit for the genre, and the gameplay design gives purpose to just about everything you do. I had frustrations with the locomotion and match length, but it didn’t ruin what was overall an enjoyable multiplayer experience.

Digital Eclipse’s new take on Wizardry: Proving Grounds of the Mad Overlord is an impressive and ambitious attempt to bring historical flavor and contemporary approachability and appeal into one neat, modern package. I may prefer the sprites and chiptunes of the Game Boy Wizardry remakes, but the effort and passion for video game history is just as powerful here as it is in other Digital Eclipse works. I would have loved some more museum-style content these folks are known for, but the laser focus on the game here is a fascinating new approach.

Paper Mario: The Thousand-Year Door might be ever so slightly dated in its first two chapters and its insistence on loading every area with too many enemies. Its bizarre cast, excellent writing, and inventive battles mean it earns its reputation as one of the best and most inventive RPGs, though, and it’s just as fresh and imaginative now as it ever was.

Hellblade 2 left me wanting to keep taking another step forward, wanting Senua to succeed, and yet fearing what horrors awaited her next. It’s not for the faint of heart, but it might be one of the most beautifully designed games of 2024.

Lorelei and the Lasers Eyes delivers challenging puzzles alongside a mystifying narrative. It successfully trains your brain to overanalyze, experiment, and ask questions. All hallmarks of an excellent puzzle game. I was frustrated by some technical design decisions that slowed the pace and led to unintentional errors, but still had a thoroughly good time working my way through this otherworldly puzzle box.

Frustrations aside, Men of War 2 is a fresh and ambitious take on a genre that's usually comfortable staying the same. I wish I had more time to sink into its massive multiplayer matches, but even when I don't, I'm still pleased with how strong the single-player experience is. Sure, it doesn't require the same level of strategy as taking on a human opponent, but Men of War 2's inventive mechanics keep you on your toes anyway.

Despite the snags I’ve mentioned, I’m still thinking about Read Only Memories: Neurodiver well after I finished the story. It’s such a pitch-perfect execution on its premise, mixing the worlds of modern cyberpunk with ancient PC technology and western anime fandom. I had a blast spending several hours with these characters and the world they inhabit, and would gladly have spent several hours more. A little more narrative depth and some puzzle guardrails and we’d have a true all-timer on our hands. But as it is, Neurodiver still stands out as a dope slice of niche gaming in a month stupidly crowded with that kind of thing.

When you think about it, that’s kind of the inherent pro and con to puzzles, though. Paper Trail benefits a lot from its distinct mechanics, because they help it stand out among a sea of similar games with similar gameplay hooks. But distinct doesn’t always mean approachable, and Paper Trail ends up being quite complex in a lot of ways that could be awesome for one player and super obstructive to another. And that’s fine! The style, which includes the colorful visuals, silly sound direction, genuine writing, and emotive music, all elevate the experience and aid in that sense of approachability. It’s a little too much for me, but I’m mostly a Tetris guy at the end of the day.

Homeworld 3 plays incredible from top to bottom, and I think whether you’re a fan of the series that’s been waiting for this or a newcomer that just likes good strategy, everyone who takes control of the Khar Kushan is in for an absolute feast of stellar strategy gameplay.

If you want a solid and quirky adventure that will put your reflexes and puzzle-solving to the test, Animal Well is an absolutely fascinating journey.