Peglin is easily one of my new favourite games. It’s cleverly designed, every playthrough feels different, and there is a comedic chaos to all the insanity that is happening throughout the game. It’s a game that has made me feel so many emotions — anger, frustration, excitement, and joy. While its deceptively simple design may not appeal to everyone, there is no denying that Peglin is a triumph of genre-melding proportions. It’s the perfect time sink for someone looking for a quick game to waste time on, only to find themselves wanting to go just one more round.

It’s worth appreciating the efforts Monolith Soft has gone to in making Xenoblade Chronicles X accessible to a much larger potential crowd. The studio could easily have left its elements as they were, but the quality-of-life features go a long way to alleviating the small but notable issues. Even for those who had already played the original, those touches ensure it’s a delight to play, and the new epilogue is very much in keeping of what fans of the series have come to expect. Xenoblade Chronicles X’s Definitive Edition is exactly that, and another excellent late addition to the Switch’s bulging library.

The Hundred Line -Last Defense Academy- is a wonderful experience where adventure and tactical RPG have been mixed in ideal proportions to deliver an engaging tale. The sheer number of endings ensures dedicated players will have their fill, while the quality of these endings is assured to satisfy those who have less time to spare and can’t afford to clear multiple routes. The Hundred Line -Last Defense Academy- is an exquisite blend of genres that lets the player loses theirself in its well-crafted immensity where each final destination is worth the travel.

Clair Obscur: Expedition 33 is a journey that blasts the senses from beginning to end. The melancholic and bleak moments are balanced by the characters’ perseverance, which makes their triumphs shine much brighter. There’s a profound sense of style and substance that only expands as more of the world is uncovered. What results is a true work of art that ties its brilliant components together into a complete package, which is awe inspiring to come from a freshman developer. The heart and soul injected here makes for a very bright future of a return of more turn-based epics that don’t need the power of a known franchise to propel their popularity. RPGamers will not want to miss out on this masterpiece.

While I wasn’t fully impressed by Konami’s additions in this remaster collection, I am happy for anyone who can finally access these two classics. The Suikoden series is for those who love political intrigue, gripping storytelling, and a fantastic soundtrack. Suikoden as a series does an amazing job of pulling RPGamers into their war-torn worlds and making them feel invested in what is happening. While I miss some of the quirks of the original localization, such as Jowy having multiple spellings to his name or the Celestial Sword being known as the Sward Dragon Sword (it will always be the SDS of my heart), I cannot deny how much happiness I felt replaying two of my all-time favourite RPGs. Even though this remastered collection is fairly barebones for veteran players, it is absolutely worth grabbing for anyone who has never had the opportunity to play these classic JRPGs.

From just about any standpoint, Kingdom Come: Deliverance II is an unequivocal triumph. Although the game adheres to a strict philosophy of medieval realism — and, as such, includes some trying sections, particularly for certain builds — there is just nothing else quite like it. Steeped in historical fact, and allowing for a deep level of role-playing immersion, the continuation of Henry of Skalitz’s tale is a masterclass of storytelling filled with an unforgettable cast of characters, many of whom are pulled straight from the pages of history. The game’s scope is also greatly expanded, with one narrative twist or turn after another, as well as some heavy-hitting set pieces to round out the experience. Simply put, the team at Warhorse has created a banger of an RPG, and a must-play for fans of the genre.

There are two schools of thought for Dark Deity 2. The game will feel very familiar to tactical RPG fans, and it plays things quite safe. However, there’s poise and polish to everything, and a single playthrough is easily enjoyed through its gameplay options alone. Despite the lack of bells of whistles to make it feel unique, the game deserves reward for how it utilizes its strengths. Dark Deity 2 is like picking up comfort food in that it’s perfectly enjoyable as something easy to digest for tactical fans.

Atelier heroines have come in many varieties over the years. Students, heroes, shopkeepers, adventurers, and civil servants have all appeared in the series so far. As a parkour potion princess leaping through her open world, Yumia fills the alchemist role while stretching the mold, offering something new, much like many other aspects of her game. As the Alchemist of Memories, she offers an excellent start to what I hope will continue to be a fun new trilogy, or longer, for Atelier fans to enjoy.

On the whole, AI LIMIT hits the target it aims for. It is a solid, if somewhat thin, Soulslike with a pleasing anime aesthetic. The combat is fun with a few decent innovations, the narrative is compelling, and the presentation manages to toe the line of being unique while also feeling familiar to its contemporaries. Unfortunately, a few missteps in the enemy design, voice acting, and technical departments hold it back from true greatness. Those that don’t enjoy the genre are unlikely to find that AI LIMIT solves any problem they might have, but those that do will find a fun addition to their collection.

The First Berserker delivers an uncompromisingly tight combat experience that is further buoyed by an interesting, if somewhat unevenly paced, plot and a gorgeous presentation that is equal parts relentlessly grim and oppressive. The bosses are epic, enthralling, and even elegant at times, and even in easy mode, players are sure to get a tough but fair adventure. Its commitment to this identity is both impressive and formidable, and The First Berserker is sure to deliver thrills to players willing to meet its challenges.

Avowed is a surprising title, less in how entertaining it is and more in the ways it is entertaining. Obsidian set out to take the Pillars of Eternity franchise in a big, dumb action direction and largely it succeeded. It’s a blast to play, reducing a lot of the friction in the RPG mechanics while gaining strides in the action department. It feels good in the hands in ways that its contemporaries don’t, zipping the player all around the map. Even with a less-intriguing script, the decision-making doesn’t feel compromised. Every other issue with the game feels as though it can be addressed without having to crack the foundation open, leaving curious thoughts of what a sequel might be able to accomplish. Ignoring that, Avowed is still absolutely an adventure worth the time.

When Ender Lilies came out, it was a game that captured that side-scrolling feeling perfectly. Ender Magnolia hits all the notes as well, but it follows a game that was more original with a more engaging story. When crafting a sequel, one would hope that a new title would retain some of the spirit of the original work, but for Ender Magnolia, it feels more like a DLC than its own experience. Still, fans of Ender Lilies who want a new world to explore should check out Ender Magnolia.

Shujinkou is a great cover letter in the history of Rice Games, putting the developer on the radar of RPGamers. The game pays a fair homage to several of its influences such as some Atlus entries and also brings some good new ideas to the table. Learning Japanese is optional, but even for casual players vaguely interested in learning, some words will linger on their minds, and the didactic approach is a great idea. Shujinkou has some flaws that can dismay some players, but the overall experience is great and makes one look forward to the next release of Rice Games.

Monster Hunter Wilds is a truly extraordinary game and a masterpiece of presentation. With its compelling monster designs, riveting fights, and amazingly lush world, it’s bound to thrill and fill players with intrigue and wonder as they smoothly and effortlessly traverse beautifully crafted environments on their Seikret mount. The environmental systems and interactions between monsters are truly something to behold, and even though their integration leaves more to be desired, the rest of the package soars tremendously high in every other element for what ultimately amounts to a monstrously mouthwatering RPG.

While it may not be the most meorable entry in the series, The Legend of Heroes: Trails through Daybreak II still has plenty that series fans thoroughly enjoy. Spending more time with the memorable and delightful cast is never a bad thing, and even though there are elements that don’t quite hit the same or feel a bit superfluous, there’s never any point where the game is in danger of becoming grating. Fans may well come to appreciate its role in simply holding the fort before Kai no Kiseki comes to shake Zemuria up.

Tails of Iron 2 is the poster child for a game that’s going to have a hard time winning over anyone who wasn’t already sold on its predecessor, not due to any lack of quality but because it essentially is its predecessor. It looks and sounds identical, and has nearly the same narrative, despite its new protagonist and setting. It also plays much the same, though the introduction of elemental magic is a welcome bonus source of dishable punishment. Returning players will know to expect a considerable challenge, as the game’s default settings don’t extend a helping paw (though both easier and harder modes are available and can be switched to at any time). All of these elements are what made the first game such a treat, so getting more of them is great, even if it means the game isn’t moving forward in any noticeable way. Unfortunately, some of this excitement is undercut by the new beast hunts, which feel like rather uninspired ways to pad a few extra hours into the game’s runtime. A retread of a fun game isn’t a bad thing by any means, but returning players should be aware that they’ve seen what’s on offer here before.

Ultimately, Tales of Graces f Remastered is a game of peaks and valleys. For some, the combat alone will be enough to carry the experience while they ignore the narrative. For others, the characters will carry an otherwise average and unsatisfying plot. Thankfully, the game gives players as many tools as possible to make their playthrough as accessible as can be, making this an easy starting point for those who haven’t played a Tales game and potentially a fun retread for those who played the PS3 release.

While Pirate Yakuza in Hawaii retreads some familiar ground, it is hard to deny what a joyful experience it is. It’s as though Ryu ga Gatoku Studio knew gamers needed a bit more stupidity in their lives, decided One Piece and Like a Dragon should have a baby, and boom — you get this delightful oddball spinoff that is just fun. Much like Monkey D. Luffy in One Piece, Majima is no thoughts and just vibes, on the adventure of a lifetime, and while finding treasure and becoming a pirate king would be a great reward, it really is more about the friends we make along the way. Everything in Pirate Yakuza in Hawaii is exactly what we’ve come to expect from the Like a Dragon series dialed up to a hundred, and while other series would long ago have gotten stale, sometimes injecting a large dose of stupidity can go a long way.

Fans of the first Phantom Brave know just what to expect with the sequel, and it delivers on those grounds. Phantom Brave: The Lost Hero brings the best gameplay mechanics from the first title and lightly refreshes them for a new era, with crisp graphical updates and slight improvements that are sure to delight fans of the genre or developer. While the story lacks the narrative depth of its predecessor, Phantom Brave: The Lost Hero is a sequel that knows what it is good at, and leans into it, delivering a sharper and more refined experience.

While Keep Driving has its flaws, I can’t deny how addicted I was to the game overall. With short playthroughs that clock anywhere between an hour or two, I became obsessed with obtaining all of the endings, trying different hitchhiker skills, and just enjoying the ride through pixilated backgrounds with my Swedish indie pop in the CD player. While the game’s story is minimal, it’s a point in its favour as it allows the player to create their own road trip adventure. Even though elements struggle — the writing needs another editing pass and the awkward UI made for some sticky situations — there is a lot to love that kept me coming back for more.

Rift of the Necrodancer continues finding ways to integrate amazing music into fun gameplay that creates a lovely blend of art and artist interaction that is just a joy to experience. It can be difficult to find a perfect spot of tempo matching hand dexterity for some, but each song ages beautifully as practice matches zip by, with incremental mastering. There’s challenge every step of the way as mini-games and boss battles throw in some curveballs along with the rifts. As a result getting lost in a soundtrack has never felt more fun, challenging, and rewarding then it does here with these well composed tunes leading the way.

Citizen Sleeper 2 is a timely story about hope in the face of collapse and how the inevitability of endings can’t negate nobility, sacrifice, or human connections. Although it doesn’t offer as much narrative freedom as suggested by its expansive maps, the strength and depth of its stories more than recommend a play. It’s dark in space, but the points of light we find and nourish can guide us.

Dynasty Warriors: Origins is a very welcome return for the series. Omega Force has done a fine job learning from its previous collaborations to help inject a fresh feeling into the game, while retaining the strengths that have given it such success in the past. Both newcomers and returning fans are very well catered for with this latest hack-and-slash enterprise.

Fantasian Neo Dimension is a tale of two halves. Its first half feels like an homage to the older parts of the legendary catalogue of its creators. The second half, meanwhile, feels like that homage got to flex its muscles and pummel players into submission as they endeavor against boss fights until the adventure reaches its conclusion. Those able to adapt to the shifting changes between halves will find a love letter to turn-based RPGs that could only come from lifelong experts. The pacing shifts cause a juxtaposition between a restrictive feeling start and thematically minimal end, which just goes to show that even experts can find ways to grow in a given field. Where passion, creativity, and talent co-exist in such a lovely harmony always means there’s new avenues to explore and this wonderful game is worth undertaking the journey.

While the Darksiders II Deathinitive Edition has plenty of positives in its column, this is primarily due to the original release already representing an impressive effort that is largely unchanged here. Frenetic combat and acrobatic exploration are still satisfying, with some optional collectible-hunting and a handful of other sidequests. The game’s lengthy dungeons and impressive graphics and audio have all been well-preserved, and the inclusion of all three DLC spells even more value for money. As positive as that sounds, there’s also a distinct sense of the game resting on its laurels. There’s a dearth of new features, from quality-of-life options to performance improvements — it’s worth noting that the game crashed a few times during the review playthrough. It seems there just wasn’t a whole lot of tinkering under the hood. Even story recaps, soundtrack samples, or cinematic galleries would have been welcome, but are all conspicuously absent, making for a barebones-effort remaster of an otherwise exciting game.

The game has bit of a slow start, but despite this, I thought the pacing was mostly good, especially compared to Mario & Luigi: Dream Team. Despite a few other issues like the frame rate and some mild frustration with muscle memory, Brothership is one of the better games in the series. It’s fun, it’s engaging, it’s creative, and it’s even full of heart. It may not be as laugh-out-loud funny as prior games, but for the first time, this game went for an overarching theme and a good but basic message of bonds and connections. It certainly warmed my heart. If Acquire were to continue developing Mario & Luigi games, I’d say it’s in good hands.

River City Girls 2 is mostly a refinement of the first game, and there’s honestly nothing wrong with that. While there are new characters and stories to enjoy, the core combat and gameplay remain relatively identical. However, some of the quest glitches and the game’s high price point hurt it at launch, making it a tough sell to purchase at full price for what amounts to a ten-hour experience. Even so, River City Girls 2 is a fun game to knock out over a weekend, especially with a good friend, and I hope Wayforward Technologies considers giving Misako, Kyoko, and friends another whacky adventure in the future.

HeistGeist is deserving of more attention. Those looking for an engaging title to get sucked into for a dozen or so hours will do very well to check it out. It’s not a particularly deep title; a lot of the choices feel like they have very little impact and there’s not a huge amount of ways for players to properly customise their deck, but there’s also a powerful argument that increasing the scope could very easily have caused more problems than benefits and diluted where the game does stand out. However, the tight implementation and focus on the narrative works in HeistGeist’s favour, and its storytelling and gameplay do more than enough to make me interested should Alex ever return for more.