After sinking over fifty hours into Like a Dragon: Infinite Wealth to get to the story’s end, the game is an easy recommendation. The story is over-the-top bananas in the best way possible, and the twists and turns are definitely gasp-worthy. The fresh faces do a great job cementing themselves as new favourites, and the addition of Hawaii makes for a great setting change. While there is some recycling of assets and the collision issues are still present, it doesn’t detract from the overall experience. Like a Dragon: Infinite Wealth is addictive, campy, and a game to easily lose oneself in.

Crymachina is continually plagued by its imbalance. The emotion can be impactful, especially with the relationships forged between the characters, but it is bogged down by a convoluted story. Combat is snappy and fast, but slowed down by an excessive upgrade system and grueling grind. Lighting and effects are gorgeous and colorful, while areas remain repetitive and bland. It takes too much work to get to the good of Crymachina and only those desperately itching for a sci-fi action RPG will enjoy completing it. It’s a shame because the concept it uses to explore humanity is an interesting one, but too many issues dampen its emotional punch.

I wish that I could call Atlas Fallen an overlooked gem from an overstuffed year of games, but it doesn’t quite reach that bar. It’s not an unsalvageable project and with some refinement in the gameplay, a stronger script, and some better performances this could be a solid action RPG. I didn’t even have a chance to try out the game’s co-op, which could potentially go some ways to opening up the game’s RPG elements. That doesn’t change that what is there is a fine attempt at something new but one that never fully rises to the occasion.

My Time at Sandrock certainly doesn’t skimp on the content, with players able to expect at least a hundred hours before they hit the credits. It uses those hours well enough, with an absorbing gameplay loop that always gives players the feeling that they are progressing in one manner or another, even when it might be categorisable as busywork. Despite a weaker presentation than contemporary titles and a last third that meanders without the urgency of what came before, the game is a pleasing experience and one that those with even just a passing interest in the life and crafting sim genre are likely to enjoy their time with.

Super Mario RPG Remake is a classic, must-play RPG designed for casual RPGamers and hardcore fans alike. Even those who know the Italian plumber through his platforming antics should give this game a chance. The charming story is a heartwarming journey, and the gameplay is fun and captivating. The new art makes it feel modern while keeping its essence. While there was a missed opportunity to expand the story, Super Mario RPG Remake is still a fantastic experience worth playing.

Warriors of the Nile 2 is a game built for challenging the battle system. The ways one can break the combat builds are myriad, and a record is kept of every time through, with times, skills, and other stats all kept for posterity. Like any good roguelike, the journey is as important as the destination, and far more relevant to the plot. This is just a fun game to mess around with on occasion, regardless of the lack of story. This doesn’t keep me from wishing there was a story to care about, however. If this studio ever decides to produce a third game of the series with a plot, I would happily game like an Egyptian once again.

In Stars and Time brought forth one of my fears and forced me to confront it with its premise. While the game has such a fantastic story with wonderful characters and a powerful twist, a lot of the repetitive elements can and will be a turn-off to some. I mostly adored my time with the game, but I won’t sugarcoat my frustration in having to constantly replay the same battles and dialogue. For those who stick with it, In Stars and Time is an emotionally engaging tale that is worth the effort.

The Last Faith is less about revolutionizing the Metroidvania formula and more about staying true to its various elements, putting smooth gameplay and pretty visuals near the top of the list. Combat delivers options for various playstyles, even if the generally even difficulty doesn’t particularly warrant having to go outside of the tried-and-true melee approach. Bosses may not be pushovers, but there’s fun inherent in working out how to best each one, and the game is lengthy enough (and has enough hidden secrets on top of it) to feel a full, satisfying package. While some elements didn’t come off as well as planned — world building and narrative fall flat despite obvious attempts to bring them more into the spotlight, for example — the overall package will still go down a treat for Metroidvania fans, and offers plenty to even bring new followers into the fold.

Baldur’s Gate III is a title that many would not have thought possible just a few years ago. The game serves to further Larian Studios’s already strong reputation, and the studio deserves massive credit for refusing to panic, taking its time to get things right, and continuing to offer improvements even after launch at an impressive rate. Hopefully, it is able to reap the richly deserved rewards for doing so.

Eternights deserves some credit as it brings a lot of ideas to the table – perhaps too many. Players are tasked to manage party members, social relationships, a calendar, dungeon crawling, and more during the game’s short run time of less than a dozen hours. There’s a lot going on, most of it competently designed, but lacking that touch of finesse or technical flourish that oozes from the few series that serve as inspiration. The game wants to be a hot date, with some beautifully designed characters who are full of personality. Unfortunately, like those characters stuck on a train during the end of the world, Eternights is all dressed up with nowhere to go.

There’s plenty to enjoy from balancing the equipment of Backpack Hero. Like fitting everything into a suitcase, figuring out where everything slots in can be very satisfying. However, there are plenty of rough edges. The story mode falls flat fast and the presentation fades quickly into the background. The gameplay loop is so richly varied that finding new ways to break the game with a build is always entertaining, it is just a shame that the presentation surrounding this gameplay is so lackluster.

As soon as Star Ocean: The Second Story R released, I was glued to my recliner and I didn’t want to stop playing. Not only is this a favourite gem from my childhood, but this edition is definitely the definitive one. Everything Gemdrops has produced in Star Ocean: Second Story R shows a lot of love and respect towards the original game while making it much more accessible and fresh to newcomers. While I will always cherish my memories of the cheesiness that is PSX edition, the joy I felt replaying a favourite game was strong throughout. Star Ocean: The Second Story R is the best Star Ocean game hands down, and every RPGamer owes themself a chance to enjoy this amazing remake. You won’t be disappointed.

Persona 5 Tactica offers a captivating tale in a really cute world. The game is solid in every aspect, but the battle system and the soundscape are undoubtedly where the game shines brightest. The simpler mechanics may be initially dismaying for veterans of the series, but they fit the game nicely once the player gets used to them. Persona 5 Tactica is an easy recommendation for both fans of the series, while newcomers who want to dip their toes into its stylings will find it very welcoming.

Given the amount of time between Lords of the Fallen’s initial outing and its reboot, this new release feels far less like an attempt to right the ship and more like its own thing. This is a positive, as it certainly forges a strong identity of its own, and provides a robust amount of content to back it up. But much like its predecessor, it struggles to push past its self-imposed limitations, in this case revolving around its combat system and dual-world gimmick. With frustrating encounter designs and a need to fine-tune some aspects, the game veers from joyful to jarring and back again far too frequently to let a sense of fun be its main takeaway.

The base gameplay of Dave the Diver is so engaging and addictive that Mintrocket really did not need to go the extra mile by crafting such a diverse and creative adventure, but doing so takes Dave the Diver from being a great game to a wonderful and memorable underwater adventure.

Did Kazuma Kiryu need another game? The short answer is both yes and no. It’s great that this side story exists as it does bridge some plot points from previous games together, and offers some interesting lead-ins for Like a Dragon: Infinite Wealth. On the other hand, the narrative overall doesn’t have the same strength that we’ve seen from this series time and again. There is a lot to love here for fans of the series, but there are also some noticeable issues that keep it from being an easy recommendation. The Man Who Erased His Name is a decent addition to the series, but it misses the mark in being a truly memorable experience.

Thirsty Suitors is a game made for those who love comedy and storytelling. Outerloop Games has made such an enjoyable love letter to IPs such as Persona and Scott Pilgrim, while still crafting a game that stands on its own two feet. There is so much personality and honesty that feels refreshing, and Jala is a winner of a heroine because her growth is so important and integral to the story being told. While the combat is serviceable and the game can be completed in under six hours, don’t let it detract you from giving Thirsty Suitors a chance. There is a lot of heart and soul in this game, and that alone makes it worth experiencing.

Silent Hope is an adorable romp through some dungeons. There are some detractions with the Princess trying her hardest to chat the player’s ear off as they try to navigate the frustrating menus in the base camp. But, each dive into the Abyss feels fun. Customizing the characters, obtaining more loot and punishing the too cute enemies is addicting. Many players should be happy to dive in to the Abyss and hit those adorable critters even if they might want to leave the Princess on mute.

In a year dominated by sequels to franchise favorites, there was a hope that Starfield would carve its own path to success. While the team at Bethesda should be commended for taking such a big swing, there’s no denying that the game doesn’t feel like a cohesive work. Maybe continued support and future sequels will make something more meaningful out of a work that is clearly deeply enamored with both science fiction and space exploration. Unforunately, this first launch has had far more mixed results than desired.

Fate/Samurai Remnant makes its mark with a strong story and setting, though the gameplay isn’t quite enough to make the most of it. It’s still enjoyable to work through, but the repetitiveness of everything begins to grate by the time a first playthrough is done, running counter to the game’s clear intention of getting players to revisit it for the additional story elements and endings. Fans of the series will certainly be able to appreciate its take on the formula and how it connects to the wider series, and despite the game’s weaknesses, its story should be more than strong enough to get new fans into the franchise.

While I was expecting to turn tail and run during my experience with World of Horror, I am happy to report that I couldn’t put the game down. I adore the dark elements in the game’s presentation and storytelling, but the experience forced me to confront some of my personal thresholds, reminding me that pushing boundaries is what I signed up for. Although I wasn’t incredibly keen on the game’s combat and UI, I cannot deny how often I kept crawling back to my computer to play just one more round. World of Horror is a compelling game that begs the player’s attention, providing an addictive experience that one cannot easily run away from.

I wanted to love Fae Farm, but honestly, the full package was mostly disappointing. It is a game that tries to compete with the popular farming sims, but never quite does enough to stand on its own feet. While there are kernels of good ideas, they are marred by questionable design choices, with quests and goals that never feel satisfying. I am all for the coziness revolution, but Fae Farm, unfortunately, feels anything but.

Forspoken has plenty of other glaring issues like its occasionally janky platforming that results in Frey falling off buildings or its less than memorable soundtrack. It also has a number of additional points to praise like the scale of its cities and the cast of cute cat chimeras that Frey can lay down and cuddle with. This duality of fantastic ideas with less-than-stellar execution places Forspoken in a place where very few games end up — smack dab in the middle. It’s not so bad that it should be burned by fire, but not nearly good enough to make anyone’s game of the year list.

Long Gone Days is ultimately a case of tempered expectations. The combat and visuals have little details that show a lot of care has gone into everything. The scope of the story is where the snag comes in, as too many hard-hitting moments get lost in the brisk pace that it attempts to juggle everything, making many of them fall flat in execution. This can be disheartening as there’s a nearly constant feeling of wanting them to do more with what they’re providing. It can be a lot to get past but, taking the game at face value the story beats still flow well enough and tell a good story providing moments that players can reflect on. The adventure is quick and has fun gameplay moments, so it is a perfectly satisfactory way to experience a well-intentioned story.

The Legend of Nayuta: Boundless Trails is a fun, breezy action RPG with an interesting story and great cast. Though combat can become repetitive and frustrating, it’s never enough to significantly detract from an addictive gameplay loop. Its boss battles and visual performance are excellent highlights, even if its simplistic look alludes to its decade-old portable origins. Trails veterans should enjoy some of the references to the main series and lore-building, while any action RPG fan will find lots to love about Falcom’s latest effort to bring the entire series to English-speaking audiences.

Sea of Stars is a perfectly balanced modern RPG with a beautiful world to explore. The game’s story is full of heart and charismatic characters that push it forward in emotional and meaningful ways. There is a plethora of amazing music and sounds that contribute to its classic vibe, and some great minigames. Its retro RPG inspirations are used only as a foundation; it comes into its own through clever storytelling ideas and vivid world interactions. Although it never quite reaches the heights of the classic RPGs it takes inspiration from, Sea of Stars stands out as a superb, modern turn-based RPG due to its incredible polish and refinement.

My time with Lies of P was exactly the intense and gratifying experience that I hoped for. As one who holds Bloodborne in the highest regard as one of FromSoftware’s finest achievements, I found myself absolutely enamored with Round 8 Studio’s unique, clever take on the formula. While the game broadly functions similarly to the best the Soulslike genre has to offer, Lies of P‘s tweaks and refinements are so masterfully planned out and implemented that they make every moment of gameplay a pleasure. From the dopamine hits provided by exploring the labyrinthine level layouts, to the extreme elation of finally besting a challenging boss, there’s nary a moment of Lies of P‘s meaty campaign that feels wasted or unsatisfactory. With a post-credits teaser hinting at a second incredible twist on another literary classic lying in wait, the future looks bright for this new addition to the genre. Lies of P, welcome to the top!

Monochrome Mobius: Rights and Wrongs Forgotten is an enjoyable game with a good story and a couple of interesting ideas in its battle system. It is an easy recommendation for fans of the series and those looking for a traditional RPG that does not try to invent the wheel. Monochrome Mobius: Rights and Wrongs Forgotten does nothing wrong yet nothing remarkably right to make it memorable.