Warsaw starts well enough. Its eye-catching premise and style do a good job getting players’ initial attention, while the brisk gameplay loop gets players up to speed quickly. However, the loop gets tiresome a short while in, with rather shallow depth and no narrative to support it, and so the experience of the game itself will not linger too long in the memory. But if nothing else, Warsaw still gives encouragement for others to learn more about one of the darker times in history and find further respect for those who fought through it.

Trails of Cold Steel II on the PlayStation 4 is definitely recommended for those who haven’t played it, and also works well for those who are looking to get back into the series ahead of Trails of Cold Steel III. The extra voice acting, the high definition graphics, and the turbo speed option make this version much more appealing to replay than the previous ones. Trails of Cold Steel II is an easy recommendation for any JRPG buff, but it’s always worth noting that patience is a virtue with this series. Those who stick with it leave with a feeling of satisfaction and catharsis, but it takes a while to get there.

Dragon Quest III laid the groundwork for a lot of modern Dragon Quest norms, such as class changing, spell and weapon variety, and world building. It’s also a clear product of game development of the era, where game length is inflated by mandatory leveling up paired with little story direction. Leaving it up to the player to figure out where to go and what to do next, as well as how much time to spend beating up foes to acquire all-important spells, is an artifact of NES-era development; whether this is attractive or repulsive is highly subjective and makes the game a problematic recommend. Still, I have no regrets about having gone back and finally having the chance to play, and for Dragon Quest fans who haven’t yet done so, it’s worth a look.

Any Metroidvania title’s bread and butter lies in how much fun it is to explore its environments, constantly unlocking new abilities along the way that make returning to old areas just as full of discoveries as the first time through. While the game certainly isn’t shy about doling out new abilities to maneuver around with, it’s the actual areas themselves that are just not much fun to poke around in, in some cases seeming to stretch out interminably with one lengthy platforming challenge after another. Expertly executed designs, visuals, voiceovers, and musical score still make Indivisible a great joy to behold, but its shortcomings do take away some of the triumph of actually playing it.

Upon revisiting the world of Dragon Quest II after a long hiatus, I still found it enjoyable, yet it no longer feels like the epic tale it was long ago. A world that felt so large in its day now feels both short and sweet and somehow also prolonged with unnecessary backtracking and excessive enemy encounters. Nonetheless, the Nintendo Switch version of Dragon Quest II is a fine-tuned port of an old game, with better graphics, music, and solid gameplay. Fans of the series and retro-enthusiasts may find enjoyment with this title, but newcomers to the series may find some of the story and gameplay elements archaic and outdated.

Minus needing an entire further game to get to the saga’s full conclusion, Trails of Cold Steel III is everything I want from an RPG with a world that fully sucks players in, amazing music and locations in which one can just sit and relax, and a twisting and fascinating story involving incredibly deep characters that are easy to get attached to. Erebonia once again gets some fantastic attention to detail that really brings its complex story and people to life, as the many threads that have been introduced throughout the series further intertwine and begin coming to a head. Combined with a further improved combat system and further quality-of-life improvements, it marks yet another step up for the rightly beloved series. Now all that’s left is just the agonising wait for the fourth and final part of the Cold Steel saga to see how it all ends.

Various Daylife is the kind of game that’s hard to universally recommend playing or avoiding. It’s structured like a game that’s intended to be played in short bursts, but the massive amount of content — a minimum of 30 hours to finish the main story, at least that much again to finish all the content the game has to provide. Anyone playing the title in 10 to 15-minute chunks would require nearly a year to finish fully. For the patient RPGamer, dive in — the story’s interesting and there’s a lot of great ideas to be found in Various Daylife. It’s unfortunate these unique ideas aren’t implemented or supported in better ways.

The combat is solid glue holding together a solid product, offering some fun cooperative shooting and a good amount of interesting items and weapons to build. Gunfire Games has already supported the game with two new modes and hopefully post-launch support will continue. While those who need a constant influx of new loot to parse through may find this game a bit on the slow side, those who are more familiar with games like Dark Souls may feel more at home here. The experience isn’t a perfect one, but there’s plenty to love in Remnant and excitement to be had in its future.

The Surge 2 is like a juicy, metal-plated bone that gamers looking for a well-crafted yet brutal combat experience can really sink their teeth into: it will push them to their limits, hurt and punish in all the right ways, but offers that sweet, sweet payoff when you finally emerge victorious.

While Oninaki had its fair share of ideas that could have potentially made it a gem, it is ultimately undone by weak storytelling that doesn’t do its heavy subject matter justice and combat that is enjoyable at times yet held back by design flaws that hinder the experience. It never quite executes its best ideas in a wholly satisfactory way, resulting in a game that I tried my best to open my heart to, but the game refused to open its own.

Anyone who never liked the Metroidvania entries in the Castlevania series is extremely unlikely to be enthralled by Bloodstained. Koji Igarashi made no intimations of reinventing the wheel in Ritual of the Night, and the game is recognizably from the creator of Symphony of the Night. Playing this game nevertheless reminded me of how much fun a quality Metroidvania can be, and Konami is certainly in no mood to use its own intellectual property for anything other than Pachinko machines lately – plus if it had, something like paying money for additional save slots might have been introduced. Kickstarter-funded games have a decidedly mixed record, but Bloodstained: Ritual of the Night is fortunately one of the success stories.

Final Fantasy VIII Remastered showcases the definitive version of a game that has withstood the test of time. The story and characters are still engaging, the score sounds as beautiful as ever, and the art-design looks impressive. The game is much more enjoyable with the remaster’s new features, which help alleviate the issues with the archaic controls and the experimental Junction system. Players who had once despised the PlayStation edition due to its sluggish nature may be enticed to give Final Fantasy VIII a second chance with the remastered edition. I surely enjoyed this adventure more on the second go-round.

It took an unusual amount of effort for me to finally play Child of Light, but the game lingers fondly in my memory now that it finally happened. This is a unique and affecting title that is worth seeking out by any who haven’t tried it before. Just be prepared for Ubisoft not to make playing the game an easy task.

The Legend of Zelda: Link’s Awakening has quickly become my favourite Zelda game to date, and the pacing is a strong reason why I enjoyed it so much. Every time I thought to myself, “I could really use an item to fill a specific need,” there it was. Combat is satisfying and it feels really good to take down a tough boss. Grabbing the Seashell Tuning Fork and trying to dig up all 50 is a fun diversion from the main plot and rewarding to boot. The gameplay is highly accessible, offering both a normal mode for newer players like myself or a more challenging hero mode for veterans. It’s the perfect game for anyone looking for just the right title to dip a toe into the Zelda universe and proves quality top-down RPGs are not a lost art.

River City Girls brought me so much joy, and playing it with my roommate we beat it in two days without taking too many breaks. It’s fantastic to have a couch co-op game that takes all of the classic elements of beat-’em-ups and gives them an upgrade that feels modern and fresh. I can’t remember the last time I played a beat-’em-up that had both a fun and entertaining story, but was also great to play, even with its few frustrations.

Cat Quest II: The Lupus Empire could be easily summarized as more Cat Quest, but that alone wouldn’t encompass how fun the game is or its many improvements. Though built with familiar RPG trappings, between the puntastic writing, fun combat, excellent story pacing, and world building, there’s nothing out there quite like Cat Quest II. With expanded character options, and an even bigger world to explore, there’s really very little not to like about the second romp from The Gentlebros. A full adventure will take players five to ten hours to complete, and the game never overstays its welcome, so be sure not to catnap on this one.

Having played numerous Puzzle Quest offerings, including Nintendo DS and Xbox 360, as well as iOS, Puzzle Quest: The Legend Returns is the definitive way to play the first adventure, despite the slowdowns and occasional crash. It’s both beginner friendly with improved tutorials as well as veteran compatible with new content.

Astral Chain is a very welcome addition the Nintendo Switch’s library and PlatinumGames’ portfolio. Some areas are stronger than others; the combat and style are both excellent, but platforming sections are less engaging and the game’s doesn’t make full use of its interesting premise and setting by preferring to go into more straightforward anime melodrama. It’s one that’s well worth checking out for RPGamers and non-RPGamers alike.

Not being a fan of card games myself, I approached this game with low expectations. I found myself pleasantly surprised by the game’s addicting nature, compounded by the robust content and fan service. I spent many hours trying to unlock more character cards and scenarios. Super Saiyan 3 Vegito. Various non-canon transformations of Broly. I even got a character card of Bulma, which I immediately added to my main deck. Despite the immense fun factor and extra features, the card game itself isn’t compelling enough to entice those who are unfamiliar with the anime series. However, devout fans of the Dragon Ball series should find plenty of content to feast on here.

At the end of the day, Super Neptunia RPG does quite a few things differently than other titles in the series; a few that improve the experience, a few that make it more frustrating. For those who have previously enjoyed the tales of Neptune and her crew, it’s possibly worth a try, but for those uninitiated, this won’t create any new Nep Nep fans. While I went into this game excited to try a different type of Neptunia, it hardly held my attention for more than a half-hour at a time, requiring a lot more stamina and time than it should to complete a game that clocks in well under twenty hours.

It’s hard to recommend Dandy Dungeon on the strength of any one of its aspects. The gameplay is designed to be repetitive, and does too little to appeal much to either those interested in dungeon-crawling combat or puzzle-solving. The story gels well with the comically exaggerated pixel graphics and silly music, and delivers a good amount of cheekiness, though it’s unfortunately eclipsed by the game’s large amount of grinding. In the end, it’s not a terrible game, but its idiosyncrasies don’t push it beyond average, and may be too much for many gamers to swallow.

It was and still is an absolute must-play for any JRPG fan, and a master class in slow-burn world-building that should be mandatory gaming, and if a modern-hardware remaster puts it into the hands of even more gamers, I can’t help but be all for it. If the original release was already a modern classic, then this improved version is nothing short of a masterpiece.

There are many unique mechanics introduced here that have a lot of potential, but between the lack of interesting ways in which said mechanics are used and the terrible controls, they only work to hinder the game. The game is also one of the buggiest games I’ve played; its litany of bugs range from falling through walls, to abilities that don’t work correctly or unintentionally trivialize encounters and obstacles, and even bugs of the game-breaking kind. This is a game with great ideas but horrid execution, both from a technical and a design perspective, and it’s really a shame. Here’s hoping the developers will take what’s good here and execute better on it in the future.

Utawarerumono is a property that deserves greater awareness, but unfortunately Utawarerumono Zan is unlikely to help. It might serve some as a brief reminder of events, but taken in a vacuum neither the storytelling nor gameplay do enough to warrant much attention. At least there is the remake of its first title to look forward to in 2020.

Crystar ends up as a bit of a mixed bag. The interesting ideas, story elements, and audio are let down by generally mediocre gameplay, which is particularly exacerbated when its most repetitive portion is forced upon players for very little story benefit. There’s enough about it that many will find plenty to enjoy, particularly on the narrative side of things, but there may not be too many streams of joyful tears.

I’m an antisocial recluse and took no advantage of the features available by connecting to the Internet, but the presence of such things in addition to the core experience means Wargroove has an enormous amount of content. Even without going through all the internet-enabled content, this game has plenty of material to keep anyone interested in a tactical experience invested. It’s not a game in which every element is effective, especially for those who demand a powerful narrative, but Chucklefish has made something worth investigating for those thinking Nintendo has let Advance Wars sit around without a follow-up for too long.

While Fire Emblem: Three Houses isn’t a perfect game, it comes incredibly close to it. It quickly became my favourite Fire Emblem entry and is quite possibly my favourite TRPG of all time. After finishing the game, all I wanted to do was dive back in and take a different route. Coming from someone who doesn’t replay games, that by itself is a truly telling statement of how excellent the game is. With lovable characters, a deep combat system with great improvements, an interesting story and a beautiful presentation, there’s very little not to adore about this Switch title.

Marvel Ultimate Alliance 3: The Black Order is a mighty callback that brings back a series that was an afterthought. It is a successful return for the series, boasting strong gameplay and an impressive and growing list of available heroes. There are a few missteps and annoyances, but these do not outweigh the positives features this game offers. The game shines when played with friends, but is perfectly fine as a single player action RPG romp. It is an easy game for Marvel fans to pick up and play, but is also enjoyable to those that might not be as familiar with the characters and settings.