Digimon Story: Cyber Sleuth is built for the fans of the series. There were things I enjoyed, like my trial-and-error of finding new Digimon through the evolutionary lines, and things I did not, like the lost item quests. The item was sometimes feet away from the person! The game may never win any awards for its story, but it was a solid romp in a digital atmosphere that reminded me how much I enjoyed the television series when I was younger.

Ultimately, while Pokémon Shield could be considered the best Pokémon game in the series, its repeated flubs keep it from being truly excellent. Shield gives the series a much needed rest by limiting Pokémon availability and move set overlap as well as adding some welcome variety to the game’s progression. It’s truly a joy to play, with ample side activities to break up the otherwise familiar gameplay loop. That being said, Shield is still a Pokémon game; anyone not already a fan or tired of the series won’t find a compelling reason to return here.

Stay Cool, Kobayashi-san! can easily be completed in under two hours, and the online rankings indicate that under ten minutes is readily doable once upgrades have been purchased. The game features multiple endings, though these are anticlimactic involving a tiny interaction based on those initial created character choices. There is a “true ending”, which is achieved by defeating the bosses in numerical order, though this order is only revealed in the text when meeting the bosses for the first time, so it is incredibly unlikely to get the first time. In the end, I’m not even sure if the game was even worth those few hours, and is one best left forgotten.

Ultimately, GreedFall is another step forward for Spiders and is its strongest entry to date. Its previous releases may elicit some skepticism, but GreedFall, while not perfect, is a welcome addition to the gaming canon. It is a fine example of what smaller developers like Spiders can offer to complement the other experiences out there. Even with its faults, RPGamers should welcome GreedFall into their personal collections.

Ni no Kuni: Wrath of the White Witch is a good JRPG held back by the poor design decisions made for the battle system. Straddling the line between the turn-based system of its DS forefather Ni no Kuni: Dominion of the Dark Djinn and the full action-based system of its PS4 sequel Ni no Kuni II: Revenant Kingdom does the game no favors, but for those that can successfully battle the familiars more than the system, there’s a great deal of fun to have with this game. With a solid story and an amazing, beautiful world to explore, the White Witch on Switch is a port that many JRPG fans will enjoy, especially those like me who are getting to play this for the first time.

What makes Sparklite noteworthy isn’t so much its gameplay ideas, which will certainly be familiar to fans of the genre. Rather, it does an admirable job of putting an engaging pick-up-and-play spin on a simple formula of roguelike elements fused with classic sensibilities, and becomes something greater than the sum of its parts. It isn’t incredibly lengthy, but each moment feels like progress made toward a larger goal, with plenty of inherent replayability baked right in; a top-tier soundtrack and pixel art presentation are just icing on what’s already a tasty RPG cake.

A Knight’s Quest is a respectable achievement. In terms of pure design, it has an impressive scope that it manages to make good on. Blending three gameplay styles — combat, platforming, and puzzle solving — in a vibrant and vast 3D world is no mean feat, and the game never falters in that regard. However, the hiccups that occur along the way range from inconvenient, like a fast travel system that is locked away until it’s not needed anymore, to downright frustrating, like being locked into an awkward camera angle during a finicky platforming boss fight. Though not perfect, the game is a simple idea given a decent execution, and should appeal to those currently waiting for their next Legend of Zelda fix.

Overall, Little Town Hero is a lot of great ideas mashed together with a solid story, but unpredictable combat, average graphics and forgettable music drag down and tend to overwhelm the best parts. Reducing the randomness of the largest battles or otherwise streamlining these encounters would have noticeably improved the game’s overall flow. As it stands, Little Town Hero is neither especially great nor particularly bad but harmlessly average; with ample patience in the face of bad luck, there’s the sparkle of an enjoyable gem hidden under the game’s false starts.

Ultimately, Conception Plus feels like its skating by on the curiousness of its premise rather than using it to build a strong experience. The Star Children are easily the most interesting thing about the game, but it gets bogged down with gameplay that doesn’t provide any reason to stick around longer than necessary. The characters are given nothing useful to do in a predictable and irreverent main plot, and though the dating sim aspects are more interesting, it’s still hard to call them any better than ok. Conception Plus works best as something to do while having something else going on at the same time, but it’s simply not strong enough to warrant full attention for long stretches of time.

Ultimately, Mary Skelter 2 is more of the same, with an interesting story twist. This isn’t a bad thing for fans of the original, or those who haven’t experienced either game, but may unintentionally scare away those who had technical issues with the first Mary Skelter outing on Vita. Mary Skelter 2 invites those who haven’t yet dived into the series to partake of both the first and second title in one handy package. For those seeking a solid dungeon-crawler on the Nintendo Switch, Mary Skelter 2 gets a hearty recommendation.

At first brush, Destiny Connect by all rights appears to be successful in what it seems to have been created for: provide a cute, fun, and polished throwback game for both modern audiences and those who remember the older console generations fondly. The issues with the game don’t become apparent immediately, but do rear their heads before too long, causing fatigue with the bland, aimless narrative and frustration with the repetitive and simple combat. Time travel is a tricky thing, and in Destiny Connect’s case, the only fond memories I’m left with are the good times I’ve had with the games that were its inspirations.

Warsaw starts well enough. Its eye-catching premise and style do a good job getting players’ initial attention, while the brisk gameplay loop gets players up to speed quickly. However, the loop gets tiresome a short while in, with rather shallow depth and no narrative to support it, and so the experience of the game itself will not linger too long in the memory. But if nothing else, Warsaw still gives encouragement for others to learn more about one of the darker times in history and find further respect for those who fought through it.

Trails of Cold Steel II on the PlayStation 4 is definitely recommended for those who haven’t played it, and also works well for those who are looking to get back into the series ahead of Trails of Cold Steel III. The extra voice acting, the high definition graphics, and the turbo speed option make this version much more appealing to replay than the previous ones. Trails of Cold Steel II is an easy recommendation for any JRPG buff, but it’s always worth noting that patience is a virtue with this series. Those who stick with it leave with a feeling of satisfaction and catharsis, but it takes a while to get there.

Dragon Quest III laid the groundwork for a lot of modern Dragon Quest norms, such as class changing, spell and weapon variety, and world building. It’s also a clear product of game development of the era, where game length is inflated by mandatory leveling up paired with little story direction. Leaving it up to the player to figure out where to go and what to do next, as well as how much time to spend beating up foes to acquire all-important spells, is an artifact of NES-era development; whether this is attractive or repulsive is highly subjective and makes the game a problematic recommend. Still, I have no regrets about having gone back and finally having the chance to play, and for Dragon Quest fans who haven’t yet done so, it’s worth a look.

Any Metroidvania title’s bread and butter lies in how much fun it is to explore its environments, constantly unlocking new abilities along the way that make returning to old areas just as full of discoveries as the first time through. While the game certainly isn’t shy about doling out new abilities to maneuver around with, it’s the actual areas themselves that are just not much fun to poke around in, in some cases seeming to stretch out interminably with one lengthy platforming challenge after another. Expertly executed designs, visuals, voiceovers, and musical score still make Indivisible a great joy to behold, but its shortcomings do take away some of the triumph of actually playing it.

Upon revisiting the world of Dragon Quest II after a long hiatus, I still found it enjoyable, yet it no longer feels like the epic tale it was long ago. A world that felt so large in its day now feels both short and sweet and somehow also prolonged with unnecessary backtracking and excessive enemy encounters. Nonetheless, the Nintendo Switch version of Dragon Quest II is a fine-tuned port of an old game, with better graphics, music, and solid gameplay. Fans of the series and retro-enthusiasts may find enjoyment with this title, but newcomers to the series may find some of the story and gameplay elements archaic and outdated.

Minus needing an entire further game to get to the saga’s full conclusion, Trails of Cold Steel III is everything I want from an RPG with a world that fully sucks players in, amazing music and locations in which one can just sit and relax, and a twisting and fascinating story involving incredibly deep characters that are easy to get attached to. Erebonia once again gets some fantastic attention to detail that really brings its complex story and people to life, as the many threads that have been introduced throughout the series further intertwine and begin coming to a head. Combined with a further improved combat system and further quality-of-life improvements, it marks yet another step up for the rightly beloved series. Now all that’s left is just the agonising wait for the fourth and final part of the Cold Steel saga to see how it all ends.

Various Daylife is the kind of game that’s hard to universally recommend playing or avoiding. It’s structured like a game that’s intended to be played in short bursts, but the massive amount of content — a minimum of 30 hours to finish the main story, at least that much again to finish all the content the game has to provide. Anyone playing the title in 10 to 15-minute chunks would require nearly a year to finish fully. For the patient RPGamer, dive in — the story’s interesting and there’s a lot of great ideas to be found in Various Daylife. It’s unfortunate these unique ideas aren’t implemented or supported in better ways.

The combat is solid glue holding together a solid product, offering some fun cooperative shooting and a good amount of interesting items and weapons to build. Gunfire Games has already supported the game with two new modes and hopefully post-launch support will continue. While those who need a constant influx of new loot to parse through may find this game a bit on the slow side, those who are more familiar with games like Dark Souls may feel more at home here. The experience isn’t a perfect one, but there’s plenty to love in Remnant and excitement to be had in its future.

The Surge 2 is like a juicy, metal-plated bone that gamers looking for a well-crafted yet brutal combat experience can really sink their teeth into: it will push them to their limits, hurt and punish in all the right ways, but offers that sweet, sweet payoff when you finally emerge victorious.

While Oninaki had its fair share of ideas that could have potentially made it a gem, it is ultimately undone by weak storytelling that doesn’t do its heavy subject matter justice and combat that is enjoyable at times yet held back by design flaws that hinder the experience. It never quite executes its best ideas in a wholly satisfactory way, resulting in a game that I tried my best to open my heart to, but the game refused to open its own.

Anyone who never liked the Metroidvania entries in the Castlevania series is extremely unlikely to be enthralled by Bloodstained. Koji Igarashi made no intimations of reinventing the wheel in Ritual of the Night, and the game is recognizably from the creator of Symphony of the Night. Playing this game nevertheless reminded me of how much fun a quality Metroidvania can be, and Konami is certainly in no mood to use its own intellectual property for anything other than Pachinko machines lately – plus if it had, something like paying money for additional save slots might have been introduced. Kickstarter-funded games have a decidedly mixed record, but Bloodstained: Ritual of the Night is fortunately one of the success stories.

Final Fantasy VIII Remastered showcases the definitive version of a game that has withstood the test of time. The story and characters are still engaging, the score sounds as beautiful as ever, and the art-design looks impressive. The game is much more enjoyable with the remaster’s new features, which help alleviate the issues with the archaic controls and the experimental Junction system. Players who had once despised the PlayStation edition due to its sluggish nature may be enticed to give Final Fantasy VIII a second chance with the remastered edition. I surely enjoyed this adventure more on the second go-round.

It took an unusual amount of effort for me to finally play Child of Light, but the game lingers fondly in my memory now that it finally happened. This is a unique and affecting title that is worth seeking out by any who haven’t tried it before. Just be prepared for Ubisoft not to make playing the game an easy task.

The Legend of Zelda: Link’s Awakening has quickly become my favourite Zelda game to date, and the pacing is a strong reason why I enjoyed it so much. Every time I thought to myself, “I could really use an item to fill a specific need,” there it was. Combat is satisfying and it feels really good to take down a tough boss. Grabbing the Seashell Tuning Fork and trying to dig up all 50 is a fun diversion from the main plot and rewarding to boot. The gameplay is highly accessible, offering both a normal mode for newer players like myself or a more challenging hero mode for veterans. It’s the perfect game for anyone looking for just the right title to dip a toe into the Zelda universe and proves quality top-down RPGs are not a lost art.

River City Girls brought me so much joy, and playing it with my roommate we beat it in two days without taking too many breaks. It’s fantastic to have a couch co-op game that takes all of the classic elements of beat-’em-ups and gives them an upgrade that feels modern and fresh. I can’t remember the last time I played a beat-’em-up that had both a fun and entertaining story, but was also great to play, even with its few frustrations.

Cat Quest II: The Lupus Empire could be easily summarized as more Cat Quest, but that alone wouldn’t encompass how fun the game is or its many improvements. Though built with familiar RPG trappings, between the puntastic writing, fun combat, excellent story pacing, and world building, there’s nothing out there quite like Cat Quest II. With expanded character options, and an even bigger world to explore, there’s really very little not to like about the second romp from The Gentlebros. A full adventure will take players five to ten hours to complete, and the game never overstays its welcome, so be sure not to catnap on this one.

Having played numerous Puzzle Quest offerings, including Nintendo DS and Xbox 360, as well as iOS, Puzzle Quest: The Legend Returns is the definitive way to play the first adventure, despite the slowdowns and occasional crash. It’s both beginner friendly with improved tutorials as well as veteran compatible with new content.