Though the combat holds up, it’s just too difficult to find a way to recommend Element: Space as a whole. There’s not much of interest from a narrative standpoint, while all of the good points about the gameplay are offset by the technical problems. It’s a shame, as there’s a good base underneath it, but even with giving leeway based on the small size of the development team, the annoyances currently outweigh the good.

Part of my muted reaction to Mistover is probably due to my inability to find a rogue-like that I actually enjoy. Borrowing so many mechanics from that type of game ensures Mistover isn’t going to capture my affections very well. Certain aspects are admirable and easy to appreciate without making me want to return to see what might await after the credits, which includes DLC for new foes and dungeons. Others in the potential audience will probably find it highly addictive.

Persona 5 is certainly not a light endeavour, and Royal’s new additions understandably won’t be enough for everybody to want to go through it again, but for those considering reuniting with the Phantom Thieves, or completely new to the title, Persona 5 Royal is a perfect opportunity and an incredibly rewarding usage of time. Persona 5 already made an incredible mark when it released, and Persona 5 Royal just adds to Atlus’ richly deserved reputation among RPGamers.

In the end, Ara Fell isn’t showing off anything that hasn’t been seen in games for many years, but the full package comes together well; while the adage “greater than the sum of its parts” is sometimes overused, Ara Fell is an excellent example of the way a game can come together and simply be fun. For those craving a JRPG that feels like it could be played on a Super Nintendo, but still want modern conveniences like adjustable difficulty level, efficient world travel, and moulding characters based on what makes the most interesting party for the player, Ara Fell is a prime example of a throwback RPG.

Overall, Corruption 2029 will mainly appeal to the hardcore fans of Mutant Year Zero or those tactics fans desperate for a new game. This game feels like a watered-down Mutant Year Zero without the plot and charm. Depth is lacking as mission objectives, enemies, and maps are put on repeat, and the tactical stealth gameplay mechanic constantly acts to slow down completing mission objectives by slowly sneaking around and waiting to pick off enemies. There are some foundations of a good game here, but the characters could be better fleshed out, and the game could offer more incentive for the player to keep progressing in the form of a more compelling plot, more character growth, and more varied missions and mechanics.

There’s no question that both of these titles are first-rate tactical experiences though, and the ability to actually play Langrisser II legally in English is a massive boon to the RPG world. Any players with an affinity for tactical action should look them up immediately, especially since good sales might prompt the rest of the series to finally make its way elsewhere in the world.

Hero Must Die offers a fascinatingly different approach and is well worth checking out just for that. All of the RPG building blocks used are of the most basic sort, but the game manages to combine them effectively with its wilder ideas to ensure that there’s always a sense of building towards a bigger picture and a final goal as well. It takes an initial period to get used to, and there are still a few annoyances here and there, but there’s lots of satisfaction once the workings of the game become clearer and the path to progress is found.

Paranoia offers a unique premise with a ton of potential and under which many interesting scenarios can unfold. The balance between oppressiveness and humor is executed well, giving a very unique feel to this particular dystopian setting. Unfortunately, the developers are unsuccessful in using these to flesh out the world and narrative or to create characters that feel alive. While there are some cool ideas like termination booths, treason level, and cloning, they are executed a bit too close to the letter of the source material and don’t translate to a fun experience in a CRPG. The game is an interesting experience purely for its world and general atmosphere, but ultimately it fails to come together due to the lack of depth in its mechanics, character development, and world lore.

Romancing SaGa 3 looks and sounds just like the very best RPGs the 16-bit era had to offer, particularly with its rerelease facelift. But its approach is far different from what many RPGamers of that time are used to, and it takes quite a bit of adjustment, research, and grinding to make the jump. Changing gears mid-race is made more frustrating than it needed to be, particularly since the game itself is built around tinkering with party builds, and then scrapping it all and going the route of New Game Plus if it doesn’t work out. Underneath it all, however, lies an engaging combat system, though it’s a shame the story and writing under-serve what could have been an interesting world and cast of characters. Romancing SaGa 3 is certainly worth a shot, but it’s best enjoyed by those who come prepared.

Azur Lane: Crosswave doesn’t harbour ambitions to be more than it really is and, though it may be a bit underwhelming, it at least doesn’t outstay its welcome. It’s perfectly happy to just provide some hours of mild entertainment without trying to reinvent the wheel and that may be enough for some, but certainly not all.

Having played Nocked! True Tales of Robin Hood for 42 hours across two playthroughs, I was engaged by the mixture of role-playing and resource management, along with the emphasis on the sense of community and cooperation needed to fight against a corrupt institution even when the odds felt overwhelming. The writing isn’t going to win too many awards, and I could’ve done without the unnecessary anachronisms, yet there was still some magic to be found in my journey through the Deepwood.

The problems that The Dark Crystal: Age of Resistance Tactics has don’t automatically make it a bad game, it just doesn’t have enough pros to let them be overlooked. While the combat has the potential to be great, it’s dragged down by foolish AI, artificial resource starvation, and a lack of interesting music tracks. There will be some fans who will find content here to enjoy, however, with the vast breadth and depth of the Nintendo Switch library, those looking for quality games can no doubt find better candidates elsewhere.

SaGa Scarlet Grace: Ambitions is an ambitious game that hides a lot of content beneath its surface whilst offering one of the best combat systems and strongest replay values for an RPG. Its main problem lies in its accessibility to the average RPGamer. The game’s difficulty can be unforgiving at times, and it’s definitely not a game for everyone. But those who like endless party customisation, good battle strategies, rich world-building, and choosing how the adventure plays out will find a very rewarding title here. The SaGa series has always been about going against the grain and innovation, and this one outdoes all its predecessors in that regard and raises the bar for any new entries to come.

For anyone who played the initial release on the Wii U, there’s not a ton to revisit, though the combat remains immensely satisfying and the story continues to hold up and is further beefed up by new content. While the game won’t appeal to those seeking the tactical gameplay of a classic Fire Emblem, anyone who didn’t jump onto the idol train last generation could do far worse than picking up this Encore, especially with a dearth of other games in a similar vein on the Nintendo Switch.

The game sports an involving combat system and a fascinating world to explore, one that is ripe for expansion in a promised sequel. I commend the work that went into this title from Talerock’s dedicated staff. The technical issues that creep up are hard to ignore though, and the localization doesn’t help a game that’s trying to have a spectacular narrative. Hopefully the promised follow-up improves on this first Grimshade.

It’s very hard to find the positives from Arc of Alchemist. The music at least alleviates some of the monotony and players won’t need to spend too long with it to spark the ending credits, but the combat and systems contrive to make the gameplay far from enjoyable, and the story is almost not worth mentioning. One can only hope that it allows lessons to be quickly learned ahead of any future action RPG endeavours.

What probably best summarizes The Outer Worlds is that, in spite of my qualms with aspects of it, I still enjoyed my time playing it. It doesn’t overstay its welcome and by the fills a void that feels wider in the wake of many larger western studios losing interest in making dedicated RPG experiences. It’s not the kind of game to stand the test of time and Obsidian has made much better and more interesting games in the past, but there is a pleasant experience to be had. For those looking for that style of single-player RPG will find a lot to like and could do a lot worse.

Players shouldn’t expect too much from Skellboy, but it does what it sets out to do and provides some good sessions of entertainment. Its length hits a good balance for what the gameplay has to offer and the steps of progress come along frequently enough that even when some annoyance does occur, players can be confident it won’t last very long. The game offers enough humourous charm and strong enough gameplay to make it an enjoyable experience.

After the disaster that is Nelke, I wasn’t sure if I would ever get back to playing and reviewing the Atelier series. While Ryza is a shorter experience clocking in at just over thirty hours, I admit to enjoying nearly every second of my time with the game. Atelier Ryza ushers in something new while still feeling like a familiar experience. Sure, it’s not the perfect Atelier experience, but I appreciate the changes in Ryza in a way I did not with any of the Mysterious subseries or recent iterations. Ryza is easily the best heroine since Totori, and while her game has some ups and downs, I would play another game with her at the helm.

It tries to do a lot of things, and definitely has a distinct personality from anything else I remember playing. Layering everything with needless profanity is not the magic bullet to become amazing though, and using the game’s real bullets is often more complicated than it should be. If a sequel should come to pass, there’s plenty of room for improvement.

Everreach: Project Eden somehow manages to avoid being as annoying to play as its constituent parts would indicate, and there will be some out there who can get a decent evening or two’s entertainment from it. The game at least flows along quickly and the writing just about holds interest through the six or so hours it takes to see everything on offer. But this papering over fails to deal with the major underlying cracks, and it remains one that is impossible to actively recommend.

Heroland is a game that won’t be for everyone, as the gameplay loop is fairly short and the music as well as combat can quickly become repetitive, but it remains worth the price of admission. It is ultimately saved by a strong, witty localisation that isn’t afraid to embrace the silly premise and run with it full tilt. The game made me outright guffaw multiple times, and even when I was chasing a frustratingly rare drop, I was still having a lot of fun raising affection levels and crafting the best strategies for different party formations. For those who don’t mind oft-repeated gameplay, there’s tons of fun to be found in Heroland.

Cthulhu Saves Christmas brings a lot of fun to the Christmas table. Brilliantly written and artistically designed, Zeboyd Games has gifted their fans with a game reminiscent of previous titles, but with enough new tweaks and holiday-themed fun for anyone to jump into this winter. If any RPGamers need a break from the story-heavy, hundred-hour games that we often find ourselves enmeshed in, this hilarious little breath of fresh winter air might be just what the doctor ordered.

If a steep difficulty curve, the promise of learning and juggling deep gameplay systems, and keeping a close eye trained on stats at all times sound right up your alley, or if you just want to be immersed in a well-made, atmospheric world, then Stygian is well worth checking out.

While this expansion will certainly frustrate new hunters learning the ropes, it gives veterans nearly everything they craved for after finishing the original experience. Capcom continues to do what it does best in this series, improving upon prior efforts to refine these games for an even finer sheen. When it comes to games about hunting monsters, Monster Hunter World: Iceborne proves that this series is the apex predator.

Players coming to Shenmue III will find neither a fast-paced plot nor an action-packed story. Instead, they will pour many hours into mundane things and accomplish very little for their time and effort. But that is the point of Shenmue. That is its greatest strength and weakness: to pass time doing the insignificant things while enjoying what’s around them. Fans of the previous games will love the third instalment, and those who disliked the previous two games will not find anything here to change their minds. This game shamelessly and unapologetically retains the old-style gameplay in spite of two decades of new developments in the game industry. The magic is still there, though diminished to a degree due to a few poor design decisions, mainly in the broken QTE and food systems.

Star Ocean: First Departure R is a quality game that any fan of RPGs should add to their library. The series might have faded, but its origins still shine brightly, even in today’s age.

Virgo Versus the Zodiac does a fine job of standing out from the crowd. Its ideas and characters remain engaging throughout, aided by the highly enjoyable music and varied designs. There are times when its inscrutability comes to the fore, but the game pushes past those quickly enough to remain enjoyable. It’s an easy recommendation for anyone who either wants to try something a little bit different or just wants a strong RPG experience.