For those who relish bizarre interactive experiences, The Good Life is an essential oddity that can't be missed. For everyone else, this is a barely functional chore that is all but guaranteed to frustrate and bewilder. Still, you've got to hand it to SWERY: no one else makes games quite like this.

Dialogue between characters can often feel a tad overzealous considering the game's light-hearted approach to comedy, making it hard to recommend to anyone unable to stomach an inoffensive, self-aware fantasy romp of this fashion.

There's no mechanics, really, to speak of. There's no combat for us to discuss. You can't even jump on command — only at specific places. Submerged is a chillout experience about exploration with a slight story and basically nothing else, and honestly, we're okay with that. Not everything has to be explosions or sad-times-my-kid-died-and-now-I've-grown-a-beard depressing drama. Pop on Submberged as a palette cleanser between more involved titles or as an escape from the horror of reality and you'll be fine. This is fine.

While the overarching story in KONA will no doubt leave you cold, the tense atmosphere at the centre of its snowstorm setting will warm your desire to see it all the way through to the end. It should also be applauded for trying to add a surprising number of mechanics to what's ostensibly an adventure game, and while the survival gameplay ultimately feels superfluous, it at least works well in service of developer Parabole's presentational aspirations – which is more than can be said for the pointless combat and distinctly average collection of puzzles.

Adr1ft is by no means a bad game, but it comes with a few key caveats. Its opening hour is fantastic, as you begin to piece together what has happened and perilously search for the next oxygen canister, but it's the back half of the game that severely lets this intergalactic adventure down. And despite the story and its setting being so intriguing, it's not enough to paper over the glaring flaws present.

Initially, fans will eat this one up – the story and visual presentation acting as delectable dressing – but even the best of meals lose their allure over time if that's all there is to swallow.

Fe is a decent puzzle platformer with some nice ideas, but it all rings a bit hollow in the end. The various songs are a fun way to interact with the world, but some are barely used at all, while you'll rely on others almost constantly. It can also be surprisingly difficult to control, with a camera that isn't always cooperative and platforming that isn't as tight as it needs to be, especially in an environment as vertical as this. The story, which strives to be poignant, fails to leave an impact, and while the world is a nice place to explore, there isn't a whole lot in it. Ultimately, it's a fine game, but it struggles to leave a lasting impression.

A nice nostalgia trip, but not an essential purchase. Though all of the games bar Haunted Castle are good fun, none but the Gradius games and Thunder Cross truly stand the test of time. Considering the arcade games missing here, it’s hard to accept this as a ‘classics’ collection, but for what you’re given, you could certainly do worse.

Online-only play taints Next Up Hero and obviously puts off potential players, but this bright and colourful world can be enjoyable at times. Repetitive gameplay prevents the release from becoming a standout indie title, but it may have enough charm to entice a few aspiring heroes for at least a few hours.

Stood by itself, or put into the hands of a new player, Touch My Katamari might feel pretty great, but for experienced high rollers it misses the mark by nestling too close to the series' past. Though it attempts a new thing or two, it's not enough. Touch My Katamari's still fun at its core, but more clearly than ever it indicates that the series is dearly in need of another twist or a refreshed design.

By keeping simplicity at its core, Monkey King: Hero Is Back offers an entertaining if somewhat mindless distraction to the blockbuster titles releasing around it. Sure, it’s a little bit too short, the narrative isn’t particularly gripping, and it looks like an early PS3 game, but that all falls by the wayside in the heat of battle. Thanks to fun brawling mechanics, Monkey King: Hero Is Back does just enough to deserve your attention.

The atmosphere is perhaps the game's best achievement, though, with an ominous synth soundtrack and creepy environmental storytelling going on around you. It does just enough to keep you curious, but it's held back by some overly tough puzzles and enemies. It's not as smooth a ride as Playdead's efforts, then, but it's absolutely singing from the same hymn sheet. If you're into this brand of weird, wordless narrative adventures, it could be worth wiring up to 7th Sector.

While the game's underlying technology is impressive, there's just not enough content to keep you coming back.

As a whole, We Are Doomed doesn't quite meet its asking price. While what's here can be compelling for a short while, it quickly loses appeal. However, it's certainly not doomed, as it's a solid arcade shooter with a gorgeous – if occasionally distracting – art style and fitting music.

A surprisingly hardcore RPG that belies its child-friendly surface. Teeth-gnashing boss battles can almost always be overcome with careful consideration and patience, and, when you find the solution, you'll wonder why you were even annoyed in the first place. The story is guff with a set of bland characters that do little more than move you from place to place, but you could do worse.

There's a good, steady sense of progression, and elevators that take you to the end of each department alleviate some of the repetition. When you get on a good run and build yourself up with beneficial buffs and powerful attacks, the game starts to sing. There's definitely plenty to like about Have a Nice Death, but its flaws prevent it from reaching the heights of its contemporaries.

MediEvil's PS4 makeover sees the classic brought back to life, and it's an extremely faithful remake that fans will love. However, many of the old issues return as well, such as a dodgy camera and stiff gameplay. Sir Dan die-hards will be able to forgive these leftover problems, as this is otherwise a solid remake overflowing with character. If you've any nostalgia for this retro Sony title, or are looking for something spooky to play this Halloween, MediEvil has never been better -- just be wary of the skeletons in its closet.

Pac-Man and the Ghostly Adventures 2 is a simple game, but it’s a fine experience if you’re a fan of the franchise.

Worms Revolution is a cute experience, assuming you don't take it too seriously. If you do, it will drive you nuts. This is definitely a game that will appeal more to old-school fans, as newcomers will find the game frustrating due to its control issues. The sad truth is that Team 17's classic strategy series isn't as fun as it used to be – but it's still a decent timewaster if you've got some buddies nearby

Human: Fall Flat is a reasonably enjoyable puzzle platforming experience – especially if you bring a buddy along for the ride. Although its wacky controls and simplistic visuals may trip it up along the way, its solid variety of puzzles and beautiful music stop it from falling flat on its face.

Both Museum Archive volumes utilise the same basic user interface and generic retro music that is serviceable, if a bit dull. They also employ the same settings, including a screen size modifier and a rewind system that makes any game laughably easy when abused. Having exactly the same functionality in both games also raises the uncomfortable question of why these collections had to be separated into two volumes at all. Still, they both offer a good selection of nostalgic gems, the odd so-so title like the frustratingly sloppy Mappy-Land, as well as a disappointing lack of unlockable extras. If it were one complete collection it’d be easily recommended but, as two separate purchases, these are for hardcore Namco fans only.

Schim is a relaxing way to spend an afternoon. It’s not the kind of experience that’ll change your world, but if you’re looking for something a bit more laid-back and low-stress, you won’t go far wrong with this one.

The result is a package that settles for a par score – nothing less and nothing more.

While Nights of Azure is an enjoyable enough ride, it doesn't really possess anything that makes it worth investing a large amount of time in.

Both Museum Archive volumes utilise the same basic user interface and generic retro music that is serviceable, if a bit dull. They also employ the same settings, including a screen size modifier and a rewind system that makes any game laughably easy when abused. Having exactly the same functionality in both games also raises the uncomfortable question of why these collections had to be separated into two volumes at all. Still, they both offer a good selection of nostalgic gems, the odd so-so title like the frustratingly sloppy Mappy-Land, as well as a disappointing lack of unlockable extras. If it were one complete collection it’d be easily recommended but, as two separate purchases, these are for hardcore Namco fans only.

Puzzles which consist of navigating logic gates by pushing buttons are fine, but not particularly taxing. The hacking mechanic has its uses, though, and a surprisingly engaging story will pull you through the game despite its flaws. It's a shame that some of the gameplay doesn't measure up, because there are some good ideas here. Sadly, there's an inconsistent level of quality that makes Recompile hard to recommend.

There are several issues though and its biggest one regards movement, which offers three options: teleportation, swinging the PlayStation Move controller, or a smooth option reliant on button pressing. None of them click perfectly and adding to this, character models look a bit rough. If you can get past these flaws, Onslaught is ultimately enjoyable, bringing good combat and rebuilding Alexandria is quite fun. If you’re a fan of the TV series, this is worth a look.

Unquestionably the definitive version of Team Ninja’s flamboyant fighter, Dead or Alive 5 Ultimate repurposes the panache of its predecessor – and pops a glazed cherry on top. The gameplay mechanics are still a smidgen shallow, and there may not be enough meaningful content to woo those that have already had their fill with the original release – but franchise fans and curious newcomers will find a competent option here.