The monster designs are particularly wacky and memorable. It’s not often that you’ll have to save the world by fighting zombie pensioners and demonic-looking Humpty Dumpty's. Undead Darlings isn’t afraid to poke fun at itself and, minor gameplay annoyances aside, the strong writing and compelling characters make this one worth checking out.

Ratchet & Clank: Full Frontal Assault has some interesting ideas, but repetition and poor level design let the single-player campaign down. The innovative multiplayer mode represents the mini-adventure's strongest asset, but it's unlikely to hold your attention for very long. PlayStation's most enduring duo have seen better days, but this is still a likeable celebration of a fantastic franchise.

A game designed for fans. Newcomers may (rightfully) frown at the poor controls and sub-par visuals, but series veterans will be thrilled to find their favourite characters integrated into such a baffling situation.

Forspoken should and could have been a better game than it actually is. Its strengths lie in its core gameplay, which is fast, fluid, and great fun at its best. However, unnecessary open world clutter hampers exploration, and the combat system only begins to hit its stride hours into the adventure. If you can push through a poorly paced story, packed with desperately dull characters, then you might find enjoyment in Frey's fantastical abilities, which undoubtedly steal the show both in and out of battle. It's not quite the disaster that the memes would have you believe, but it's certainly not the PS5 showpiece that was once promised, either.

If you've been searching for an excuse to take a trip down memory lane, look no further than Dragon Fantasy: Book I. Muteki Corporation's retro JRPG love-in offers a lengthy adventure that's a perfect fit for the Vita. Its humour, fast-paced gameplay, and endearing style make it especially difficult to put down – particularly if you can look past the tedious emphasis on grinding.

Darksiders hasn't changed much since 2012. It's still a fun mishmash of genres with a great protagonist and undemanding combat systems, but it's a pity that it feels outdated compared to its genre peers and stumbles when injecting Souls-like sensibilities.

As alluded, there's still enough to like about Murder on Eridanos for us to recommend it. There are a bunch of fun side quests to get stuck into and a number of secrets to discover — including some new endgame equipment that's cleverly hidden away — but it's hard to shake the feeling that this last hurrah could, and probably should, have hit a lot harder.

Infuse Studio has done a fantastic job in remastering Spirit of the North’s visuals for PS5, but while it looks gorgeous, this edition neglects the elements that needed an update most. Though the controls remain stiff and your objectives aren’t always clear, anyone willing to look past this will find a wonderful experience at the core. If you’ve been searching for a new adventure game, Spirit of the North is short but sweet and despite these flaws, comes recommended.

This is not a bad game, it’s just a boring one – and we never thought that we’d say that about a release that sees you chasing a tiger on a motorcycle.

Rainbow Skies is an epic adventure with a much improved narrative when compared to its predecessor. Its addictive gameplay makes it an absolute joy to explore every inch of the world, and with a huge amount of customisation options and an abundance of side quests, this superior sequel is sure to keep you enthralled for many, many hours.

James McAvoy, Daisy Ridley, and Willem Dafoe do an absolutely fantastic job at bringing the three main characters to life but even they can’t lift the frustration and tedium of having to repeat the same actions over and over again. Unfortunately, by the time you finally figure out how to change the outcome of the loop, the ending will make you wonder if it was even worth it.

Thanks to questionable tactics, a tedious and boring structure, bullet spongey enemies, and a narrative that’s completely throwaway, Wolfenstein: Youngblood is far and away the worst entry in the franchise this generation. Some of its inventive combat mechanics remain intact, but they’re completely overshadowed by throwaway side quests that we were tired of five years ago. This is a boring, tedious slog through Nazi-occupied Paris that you can probably skip.

For JRPG fans who missed this on the PS3 and are willing to sink hours into mastering its various systems, menus, and combat skills, it can prove to be a worthwhile battle-'em-up. For everyone else, it may be too much of a commitment – unless being bossed around by a super demanding, foul-mouthed evil witch is your cup of tea.

Dead Island: Definitive Collection is by no means perfect, but it still succeeds in providing you with a substantial slice of flawed but generally fine zombie slaying action. Despite offering a graphical upgrade, though, there may not be much here to lure in those who have played these titles before – especially seeing as no real changes have been made to the core gameplay, and because newcomer Retro Revenge disappoints.

Hood: Outlaws & Legends should be applauded for doing something different. In a just world, this release would steal players from larger brands and establish itself as a unique online alternative – but right now, its community is small. Assuming you can find a match, the stealth-based competitive gameplay is refreshing, and while it’s not without its drawbacks, it can be seriously satisfying when you work as a team to achieve your objectives unnoticed. There’s huge potential here, Sumo Newcastle just needs to find a way to keep its playerbase engaged.

Ultimately, Neon Chrome is a game that wants you to keep coming back for more, but one that offers few reasons to actually do so.

An interesting genre mash-up that offers noir adventure and city management in bite-sized chunks. An expertly crafted atmosphere can't hide some rigid storytelling and shallow systems, but fans of cop movies and resource management should give this one a go.

The visuals are far and away the most impressive part of this boring journey around Mars, as multiple camera angles and well-crafted Lovecraftian tentacle monsters give the game a cinematic aesthetic that draws to mind the first Alien film. There is something engaging here, but it’s marred by weak scares and, less forgivably, dull as dishwater gameplay.

Simple but tight, Shadow Warrior 3 is a solid shooter with some occasional flashes of excitement. It's a shame the game's attempts at comedy squeeze the life out of it — and £40 for an eight-hour campaign is barely good value.

PixelJunk 4am is a really ambitious package that provides some of the best implementation of the PlayStation Move controller to date. Those with a passing interest in music production will get a lot of entertainment, but it's important to note that the unrestricted design makes it more of a tool than a game. Some control niggles limit what is feasibly possible, and the quality of the samples isn't always great, but the ability to perform live over the PlayStation Network is one of the most exhilarating and innovative ideas to grace the platform in years.

The dialogue is dull, the art style doesn't look good at all, and the game just doesn't have much appeal. It's certainly not bad, it's just so bang average that you'll have seen it all before.

Airheart: Tales of Broken Wings has potential but without a solid story powering it forward and lots of tedious grinding, you’ll struggle to see it through to the end. While the game is visually stunning and at least exciting in principle, Airheart never quite takes flight.

Terror, exhilaration and nausea. It's a testament to the power of VR that such a simple, straight-forward game as Windlands has the ability to makes its players feel so much. The biggest problem of course is trying to work out just what it's going to make you feel. Fortunately, if you can master your stomach – with help from the numerous VR comfort options – and throw yourself in head first, you just might find a frequently thrilling experience that despite its frustrations is worth falling for.

Despite being a little overwhelming at first, Dynasty Warriors 8: Empires blossoms into an engrossing, addictive hack and slash adventure that fans won't want to miss. It's a shame that the game's bogged down by poor presentation and an unstable framerate, but along with the property's trademark combat, strategic elements add some variety to the mix, and the vast amount of customisation options and role-playing systems allow you to forge a legend that's more than worthy of the Three Kingdoms.

Jailhouse Block is a big step in the right direction for Minecraft: Story Mode Season Two and is far better than the first two episodes with a really well-paced and fast flowing plot. The more impactful decisions and a humorous appearance from a well-known artist keep your attention from start to finish – although that’s not saying much with a running time shorter than an hour.

Insane Robots is a classy and fun new spin on a tried and tested concept. It runs like a dream on the PS4, looks nice, and is entertaining both solo or in local multiplayer.

You could do a lot better than Fatal Frame: Maiden of Black Water this Halloween season; the PS5 has built up its horror library up just enough for there to be something else worthy of your time. Those cutscenes, though. Very creepy.

While the story missions are enjoyable and the Strikes are some of the best, there just isn't enough new content here to reinvigorate Bungie's project for more than a few hours at most.