If you’ve a hankering for a fun Japanese RPG, then The Longest Five Minutes is a decent option. Battles can be a little lopsided, but with an intriguing story and a unique structure, these are five minutes worth experiencing for fans of the genre.

Bridge Constructor Portal successfully combines Portal with a bridge building physics puzzler. There's a clear love for Valve's series on display, with great presentation that takes you back to Aperture Science from a different perspective. While not as funny as either of the main games, the levels themselves incorporate Portal's elements in clever ways. The controls can be fiddly, and the trial and error nature of the game isn't for everyone, but this remains an addictive, fun title that fans of both Portal and physics-based challenges will appreciate.

Milestone's latest is a fun romp through a variety of off-road locations, offering both quantity and variety in terms of tracks, cards, and modes. It's not the most ambitious racer ever, but the non-serious style of the flagship Off-Road Masters mode will be very appealing to those wanting an enjoyable arcade experience.

Rad Rodgers struggles to find its difficulty sweet spot. Spending far too much time being either too easy or frustratingly hard, the inconsistent pacing means that neither those looking for a fun romp nor a hard as nails platformer will leave satisfied. While the gameplay at its core is decent and the design of each stage provides an enjoyable variety of challenges, the crass outdated humour and the radically varying difficulty mean that Rad Rodgers falls way short of being an excellent adventure.

Moss is sublime throughout, but it’s so good that you’ll wish there was more of it. Much more of it. Clocking in at just a few hours, the game feels like the prologue for a much bigger adventure, and it’ll leave you yearning for more. As a virtual reality experience, only minor technological limitations detract from its lush fantasy world and cunning use of the medium. There's no doubt that Polyarc's built the foundations for something truly special here; it now needs to write a few more chapters in Quill’s tale.

Immortal Redneck is an exciting roguelike FPS with enjoyable procedurally generated dungeons that encourage fast-paced gunplay. Although it can be repetitive at points, it has a fair but challenging difficulty curve and a wide variety of enemies, weapons, and abilities that keep things interesting. If you’re looking for something to really get wrapped up in, then Immortal Redneck is well worth your time.

Past Cure is a bad game. It's bad bad. But it's also the best kind of bad game, in that it's not for a lack of effort or that the team were bereft of ideas that the finished product doesn't come together. If anything, the game is too ambitious, with too many ideas, and it inevitably crumbles under the weight of numerous poorly implemented gameplay styles and a total lack of a cohesive identity. It's a bit like when your mum tries making Baked Alaska for the first time – sure, the end result is a sloppy mess, but you've got to applaud the audacity to try it in the first place.

Metal Gear Survive is not what many envisioned the follow up to Metal Gear Solid V: The Phantom Pain to be, but that doesn’t inherently make it a bad game. This is definitely a different experience, thanks to the introduction of survival mechanics and the extensive base building, but these aspects actually benefit what the title is going for. With a punishing but fascinating open world to explore, a crafting system that allows for all manner of items to be fashioned, and a suitably bizarre story that is sure to surprise even series veterans, Metal Gear Survive is likely to please those that give it a solid chance.

Sword Art Online: Fatal Bullet is easily the most polished Sword Art Online game to date, but it's also one of the least imaginative. A strange union of third-person shooting and role-playing action, it offers up quite a unique mix of gameplay and a progression loop that's really quite addictive, but the overall package rarely thrills. By stepping away from Kirito and the gang, the story definitely benefits, but it's not enough to inject life into a game that often feels bland and monotonous. Fatal Bullet's still a solid anime-based title, but unless you love to grind, you'll likely lose interest.

Fe is a decent puzzle platformer with some nice ideas, but it all rings a bit hollow in the end. The various songs are a fun way to interact with the world, but some are barely used at all, while you'll rely on others almost constantly. It can also be surprisingly difficult to control, with a camera that isn't always cooperative and platforming that isn't as tight as it needs to be, especially in an environment as vertical as this. The story, which strives to be poignant, fails to leave an impact, and while the world is a nice place to explore, there isn't a whole lot in it. Ultimately, it's a fine game, but it struggles to leave a lasting impression.

This Secret of Mana remake feels like a missed opportunity. It could have been a chance to tweak a few systems, strip away any outdated elements, and add in a few basic improvements. Overall the game is good but only because the original Secret of Mana was good; this remaster doesn’t add as much as it could and, if anything, removes some of the magic of the original.

So called “walking simulators” live or die on whether they deliver an engaging story, and while The Station appears – at least at first glance – to have this covered, it misses the mark in a number of important ways. It’s not bad by any means, but its characters and themes feel light and underdeveloped. While it stumbles narratively, it does at least successfully craft a tense atmosphere, but neither this nor its modest number of enjoyable – if somewhat easy – puzzles are enough to make this a prime candidate for first contact.

Marooners can be fun with the right people but ultimately it lacks a lot of polish. The AI is lacklustre, there’s not a huge amount of content, and the online community is practically non-existent.

Time Recoil is a solid twin-stick shooter and is definitely the best of 10tons' previous titles in the genre. Its simplicity in both gameplay and controls mean it’s easy to pick up and play at your own leisure, making it a perfect fit for the PS Vita. If you’re a fan of Hotline Miami, Neon Chrome, Jydge, or any other twin-stick shooter for that matter, then Time Recoil is well worth your time.

Knockout League’s colourful cast of characters look chunky in PlayStation VR, and stepping into the ring with them is an immersive treat. The puzzle-like gameplay sticks rigidly to the Punch-Out!! format and can feel like you’re memorising attack patterns rather than engaging in a real fight, which grates in the later bouts. That said, fun minigames and great attention to detail make this an unexpected treat – just be prepared to earn your victories physically because even the fittest specimens will feel this game in their legs.

If you absolutely love simulators and really appreciate realism and the little details in games, then this will really grip you. But at the same time, many will find the game far too frustrating and unforgiving, both because of the intense focus on realism that doesn't always result in fun gameplay experiences, and the number of bugs and severe loading times. There's a compelling game here, but it needs a polished edge only a series of patches or a sequel can deliver. We can't wait for either.

When two outrageously detailed character models are slugging it out, EA Sports UFC 3 feels sublime. Incredible animations paired with a weighty physics system mean that you feel the thrills and spills of every bout. Unfortunately, the clunky ground game combat fails to hit the same highs, and the campaign – which is a novelty to begin with – loses its lustre after a few rounds. There’s still a lot to like here and more than enough content to sink your fists into, but it still feels like there’s a bit more refinement required before this series achieves G.O.A.T. status.

Many of the problems – like load times – are more quality of life issues than game problems, so if Milestone could tidy this stuff up then it'd go a long distance. But it's the inconsistent physics that are the real kicker, and detract from the generally acceptable presentation and decent selection of modes. It's better than nothing, and North American supercross fans will surely appreciate the fact that the title exists at all, but it could be so much better.

Crossing Souls is an interesting title. Absolutely in love with the pop culture of the 1980s, the title wears this love on its sleeve, and the charm of that is undeniable. Unfortunately, while the writing, art, music, and references are great, the gameplay peters out rather quickly. After a strong first couple of hours, full of interesting and layered puzzles, the last half of the title quickly devolves into no more than a collection of platforming and melee combat scenarios with little else to keep you going. The end result is game that’s fun and entertaining despite its gameplay, not because of it.

Dynasty Warriors 9 goes open world and the result is a game of extreme ups and downs. For every gloriously huge battle there's a boring stint of traversal across a dreadfully barren map. For every interesting story moment or interaction, there's a horribly ugly graphical glitch. Factor in an unconvincing combat system overhaul, and you've got a Dynasty Warriors title that may disappoint even the most dedicated of fans. There's still some good historical hack and slash fun to be had here, but we expected much more from the return of this flagship series.

Final Fantasy fans will likely be enamoured with the array of classic locales to battle in, re-imagined songs from previous games, and the impressive roster of fighters on offer here, but it's all downhill after that. Dissidia Final Fantasy NT is a disappointing fighting game that crumples under the weight of poor design choices and crippling technical issues, leaving little reason to recommend it to anyone other than fervent supporters of the brand.

Sprint Vector is a game that needs to be experienced by every PlayStation VR headset owner. The unparalleled sense of speed created by your Stride is one of the greatest feelings in virtual reality, and then combining it with the more advanced techniques on offer gives you a huge amount of depth to explore and master. Flying through the air is incredible, scaling a wall is thrilling, and using all of that momentum to launch yourself to the chequered flag is exhilarating. There’s nothing else quite like Sprint Vector in virtual reality right now, and so this is one you absolutely need to experience for yourself.

With such stellar source material, it’s a real shame that The Seven Deadly Sins: Knights of Britannia is so disappointing. What could have been an exciting, funny, and rich game has turned out to be a dull experience, offering nothing to players but repetition with little challenge.

Although Strikers Edge doesn't quite reach the lofty heights of its peers, it's still a decent multiplayer game with a good premise and fun action. The differences between the characters give the combat just enough nuance to keep things interesting, but a lack of stages or alternate modes may quickly diminish your interest. If you're on the hunt for a new multiplayer title to play with your buddies, this certainly will do the trick, if only for a limited amount of time.

Even with what looks like decent ideas on paper, the implementation of just about everything in Out of Ammo is heinous. Looking for any semblance of positivity is like trying to find something new to watch on Netflix before your takeaway gets cold. No matter how good your day has been, Out of Ammo is willing and able to bring you down with a thump. You have been warned.

Like it or not, Madden NFL 18 is still by far the best American Football game on the PlayStation 4, but if you fancy something a little sillier then Mutant Football League is not a bad shout at all. It plays similarly to the iconic EA series, but its aggressive playbook and irreverent sense of humour make it a fun alternative for a few downs – just don’t expect the appeal to last long into overtime.

Tiny Metal is a fun military-themed, turn-based strategy game. It manages to put your brain in gear with the troops' different strengths and weaknesses creating interestingly close battles. However without a multiplayer mode, some translation issues, and a text-heavy story the game falls short of being a must buy.

With Under Night In-Birth Exe:Late, we've got another deep Japanese fighting experience on the PS4. It doesn’t have the looks to go toe-to-toe with some of the shinier games out there, but as Han Solo said, "she might not look like much, but she’s got it where is counts". If you can get past the mad title, this is a portal through which to jump in to the virtually endless realm of combat experimentation.

A fine addition to the scrolling beat-'em-up genre. The story and its historic backdrop is interesting and the combat is meaty and fun. Arcade and arena modes will keep you coming back for more, as will co-op.

One of the greatest games ever made resurrected in one of the greatest remakes of all time. Shadow of the Colossus remains faithful to the 2006 original, but its presentation is on par with the very best that the PS4 has to offer. A masterpiece.

Celeste is a wonderful precision platformer that does far more than simply challenge your dexterity. While there's plenty of intense screen-hopping to enjoy, it's offset by a well-told, personal story that softens the hard edged gameplay with some great slower moments. What's more, you can enjoy the story even if you're struggling with the platforming using the Assist Mode to bend the game's difficulty to your liking. The action is super smooth (though we did have to battle with the dash on occasion), there are lots of secrets to uncover, and it looks and sounds great. Even with some rare bugs, fans of both a steep challenge and a heartfelt narrative will find a lot to like about Celeste.

A less focused outing than its predecessor, Lost Sphear gets lost amid its various, undercooked systems, and it fails to successfully consolidate its many inspirations. It’s a pleasant enough game with a nice aesthetic, but we doubt we’ll be looking back on this one with too much sentimentality.

Utterly stunning in motion and effortlessly capturing the essence of Dragon Ball, Dragon Ball FighterZ is a masterful video game adaptation. Its combat system is relentlessly entertaining, fusing anime sensibilities with traditional, competitive fighting game mechanics, and its accessible controls allow anyone to get in on the action. Meanwhile, the online portion of the release is robust, and really sets the bar for social interaction when it comes to fighting games. Dragon Ball FighterZ is pretty much the best anime fighting game ever made.

Assassin's Creed Origins: The Hidden Ones is a rock solid expansion to a great game. It doesn't try to surprise or break the mould, but that's fine when the core gameplay remains this strong. For fans of Origins this is a no-brainer -- the story successfully builds upon the existing narrative, and there are some really enjoyable missions to sink your hidden blade into.

An impressive take on the monster collecting Japanese RPG format. Collecting and levelling up the digimon may seem a little too simple for die hard genre enthusiasts, but the typing, elements, and memory limit all help to add extra layers of depth to the gameplay. The DigiFarm and the interactions with your monsters also help create a bond, making them more than just tools at your disposal - something that other similar games miss. Hacker’s Memory is an enjoyable romp overall for both Digimon fans and non-fans alike.

Monster Hunter: World is easily the finest entry in the franchise to date. The move to PS4 has only done it favours, with stunning visuals and environments that you'll want to get lost in. Flashy, satisfying combat will lead to many water cooler chats, and vastly improved online features make it a breeze to find help. It's a real shame that Capcom still hasn't found an ideal way to welcome new players, but if you are able to sink your teeth into World, you'll discover an incredible action RPG experience.

The Inpatient’s strong opening is undone by a rushed finale, and while the various plot permutations add replayability, they come at the cost of a fulfilling narrative. As a PlayStation VR experience, this is a fine-looking spook-'em-up with some neat innovations that help create a tactile world, but the story is far too fragmented and, frankly, flat to do justice to the universe it’s inspired by.

Little Red Lie is a difficult game to recommend without qualification. It’s uncomfortable, confronting, and just about the furthest thing away from a rollicking good time imaginable. And yet, if you’re willing to go on its journey, sharp writing and a laser thematic focus will force you to re-examine some of the reasons you lie, and some of the things you lie about.

Iconoclasts blends a complex story with neat puzzle platforming, and does so in great style. The game’s length occasionally works against it, and the boss fights aren’t all winners, but the story is worth seeing through to the end thanks to a memorable cast of characters and plenty of variety along the way. It’s just a very robust, unique game that you’d be a tool to miss.

It's such a shame that Kerbal Space Program is so shoddily ported, because underneath its buggy, messy experience lies a fantastically detailed game with plenty for science nerds. The career mode offers replayability and near-endless depth, while the tutorials are hugely helpful in bringing new people into the complex clutches of physics, but its plethora of bugs and some huge design oversights make it very hard to recommend. The gameplay itself shoots for the stars, but its technical problems bring it crashing back down.

Beholder: Complete Edition is a fun strategy game. Its gorgeous yet subtle dystopian aesthetic illustrates a totalitarian world on the brink of revolution, with an interesting set of characters and soundtrack to boot. But while it’s geared towards player agency, it can feel like you're under the thumb of the state more often than not, and that means you may feel forced to walk a path you didn't necessarily choose.

It's taken close to two years, but Street Fighter V finally resembles the game that it should have been from the start thanks to Arcade Edition. Newcomers can rest assured that there's now enough single player content to keep casual players happy, and at its core, the actual fighting remains top class. There's a cynical part of us that says Arcade Edition is little more than a glorified season three update, but the simple truth is that there's never been a better time to jump in.

InnerSpace feels like it rewards players more as a relaxation tool than as a game that grows and evolves through core progress. Indeed, its story is stimulating, the gameplay itself is serviceable, and the presentation is mesmerising, but it just feels a little too lacking as a full package. InnerSpace is worth a look if you find yourself intrigued, but be prepared for an experience that doesn’t quite feel fully realised.

In its systems and its storytelling, Romancing SaGa 2 is still a unique RPG -- one that genre enthusiasts may want to experience for its unorthodox methods alone. For all of its strange intricacies, though, this is a flawed fantasy adventure, hindered by potentially significant balancing issues and a horrible looking user interface. As a curiosity, Romancing SaGa 2 is worth looking into, but a lot more could have been done to bring the overall package up to speed.

We had some fun with Mortal Blitz's brief 90 minute campaign, but it’s hard to ignore the lack of imagination that’s gone into its makeup. For every moment of glee, mostly afforded by the VR headset than any real design philosophy, there’s an equal moment of disappointment. As a genre, it perfectly suits the VR medium, but the repetitive and uninspiring design leaves little to reflect on with too much positivity.

Above and Beyond is a rather disappointing end to a rather lacklustre second season for Minecraft: Story Mode. The season’s plot is forgettable, the pacing is slow throughout, and the same environments are used repeatedly. Although the final boss fight is enjoyable, the ending is surprisingly anticlimactic. Unless you were a huge fan of Jesse’s first outing, you won’t be missing much by skipping this season.

Papers, Please may be a few years old now, but it’s still unlike anything you’ll have ever played. The title’s unique gameplay has been reworked nicely for the PS Vita, and while your workspace can feel claustrophobic on a 5-inch screen, that’s actually a big part of the game’s appeal. Its bleak setting won’t be for everyone, but by marrying moral quandaries to arcade-like gameplay, it offers something that will live in your memory long after you’ve filed your last piece of paperwork.

Life Is Strange: Before the Storm is more down to Earth than the main campaign, and it’s actually better for it. Deck Nine’s done an incredible job of working within the boundaries that DONTNOD’s story set, and its biggest achievement is characterising the enigmatic Rachel Amber, who’s both intoxicating and fragile all at the same time. Episode 3: Hell Is Empty feels like it could use a little more breathing room, but it crescendos with a gorgeous conclusion that’s as heart-warming as it is heart-breaking. After all, we already know whether this story ends.

There’s an enjoyable core gameplay loop at the heart of nDreams’ latest VR outing, but there simply isn’t enough content here to allow you to delve any deeper than the surface level. We certainly had fun with Shooty Fruity, but with only enough levels to support four hours of fun, you may want to look a bit more upmarket with your next grocery shop.

Tokyo Xanadu eX+ is a wonderful way to spend several hours thanks to a delightfully fun combat system. The standard JRPG storyline means everything feels very familiar, but it's not all bad. Overall, the game's nothing special -- certainly not to look at -- but there's at least plenty of content here, and the title does a decent job of keeping things fresh.

What we’re left with is a multiplayer game that still has the ability to delight and surprise, but perhaps lacks some finishing touches to make it truly great. With online play a bit of a mess and a limited number of modes, Gang Beasts isn’t short of issues, but just about gets away with it due to a solid core idea that, with friends, can be uproariously entertaining. If you’re after a new title for gaming nights with buddies, or indeed, the Christmas party, you can do far worse than this.

Final Fantasy XV: Episode Ignis is the most impactful character episode yet, and it's easily the most essential. Those already invested in Final Fantasy XV should find a lot to like in terms of additional story elements, and Ignis' flashy, fast, and fluid fighting style keeps enemy encounters engaging. Here's hoping that future episodes build upon what this latest scenario gets right.

Resident Evil 7: Biohazard’s End of Zoe expansion offers the kind of tongue-in-cheek silliness only Capcom’s survival horror franchise can provide. Played straight with some pretty serious stakes, the DLC still manages to be downright stupid all at the same time. It’s a wonderful send-off for one of 2017’s greats.

It’s hard to complain about an additional two hours of Resident Evil 7: Biohazard – especially when it’s free. There’s some fun lore for fans to soak up here, and some pretty tense scenarios, too. While it never really has anything to rival the main game’s best bits, it’s worth the bandwidth for Redfield’s masterfully manicured mane alone.

Star Ocean: The Last Hope straddles the line between highs and lows – it’s both exhilarating and bombastic in equal measure, even though its story never reaches the same euphoria as its predecessor. It makes up for this with a tactical and action-packed combat system, interesting crew management system, tons of content, and a marvellous remaster job that has the game running beautifully on both PS4 and PS4 Pro.

A party title with great visuals, sound, and gameplay, Ultimate Chicken Horse is a great combination of conniving strategy and frantic platforming. With plenty of modes to play, maps to customise, and unlocks to go for, Clever Endeavour Games’ PS4 debut is as good for your wallet as it is for your sofa. An essential for any get together, the game’s well-tuned mechanics lead to pure animania.

A Hat in Time excels with an overwhelming charm in its writing and art direction that overcomes any missteps in these areas. Its core, smooth mechanics also benefit from promising ideas, but none of them prevent the game from being pulled into a wormhole of mediocre level design and objectives. The potential for phenomenal platforming and exploration is here, but for every positive, there seems to be a negative in A Hat in Time.

Aside from some more inventive level design and a couple of new bells and whistles to keep you occupied, LocoRoco 2 Remastered is more of the same, which in our book is no bad thing. There’s little here that will surprise you, but it does just as good a job as the first game in providing a simple, grin-inducing few hours. We’ve rather enjoyed revisiting both titles this year, and we think fans old and new will still get a lot of fun out of them. Games as jovial as this one don’t come around very often these days, so if you’re after something light, you’ll have a ball.

Okami is a joy to play and delivers not just a great adventure but along the way actually boosts your sense of well-being as you bring life to the plants, people, and flowers of the world. This is a thoroughbred classic game that deserves to be experienced by as wide an audience as possible; if you missed it before then this new HD version is the best way to experience such an engaging game – don’t miss it this time.

Destiny 2: Curse of Osiris is ultimately more Destiny 2 for those who want it, and that would be fine if it wasn't stuffed with so much squandered potential. For its asking price, there's no reason not to expect more from this first expansion. The story missions range from okay to insultingly dull, and the one truly interesting concept that Bungie introduces -- the Infinite Forest -- ends up being little more than a tedious shooting gallery. The most frustrating part of all this is that the developer has been here before, and it still insists on repeating the same mistakes all over again.

Mike Posner was a few years early: all he needed was to set a high score in Invector to show Avicii that he’s cool. This is a hyperactive rhythm game, which is perhaps defined more by its presentation and soundtrack than its simplistic underlying gameplay. It’s good fun, though, and playing it will make you feel cool – even if it’s only for a fleeting second. There’s something to be said for empowerment like that.

Though Dead Rising 4: Frank's Big Package has noticeably distanced itself from its predecessors - a move likely to alienate series fans - Capcom's latest is still a damn fun game that doesn't take itself too seriously. Its Christmas setting benefits the game's character as a whole, and the wacky weapons and great gunplay, coupled with the new exo suit, ensure that combat is as punchy and enjoyable as ever, and while there is a feeling that it lacks identity, it certainly doesn't lack comedy. Frank West has risen again, and while he isn't as recognisable as his former self, he's been revamped in style.

Bethesda’s really tried to make DOOM work in virtual reality, but despite supporting all three of PlayStation VR’s control options, it doesn’t really feel like the title was designed with any of them in mind. That said, if you can ignore the flaws with whichever peripheral you choose, then the over-the-top action of id Software’s series transfers well, and this is arguably one of the better looking virtual reality titles to date. It’s a little on the short side, but the price point reflects that, and the gunplay is still as intense as it’s ever been.

We really wanted to like Black Mirror more than we did, but a few too many technical hitches put a cap on our enjoyment. This mystery is absolutely one worth solving thanks to the captivating plot and engaging characters, but be prepared to wrestle with poor controls, glitches, and frequent load times.

While this game is a good addition to the existing lore of the Planet of the Apes franchise, it offers little in terms of actual gameplay. The plot of the game is strong, but it's just not enough to totally carry the experience. Final Frontier feels like a valiant attempt at storytelling in a new environment, but it just doesn't quite stick the landing.

With a solid progression system that means no defeat has to be too punishing and every attempt gets you a little further, Sky Force Reloaded is a ‘one more try’ shooter. Building up your ship from a pathetic husk to a monstrous killing machine is satisfying and fun, but it’s a slight shame that the game is let down at times by bland environments and all too familiar enemy types.

The wonky motion tracking and cumbersome menus may leave you reeling, but Monster of the Deep: Final Fantasy XV is not the gimmicky gag that many expected it to be. This is a hearty package with a surprising amount of meat on its bones, and it’s a feast for the eyes in PlayStation VR. Cut corners like 2D cut-scenes do break the immersion somewhat, but relative to expectations, this is way better than it has any right to be.

Episode 3: Fractured Mask doesn’t quite hit the same highs as its immediate predecessor, but the tangled web that Telltale’s cast in Batman: The Enemy Within is getting increasingly intriguing with each episode. This particular instalment may pump the brakes slightly in order to include necessary setup for the impending finale, but it feels meaningful, and the scenes with Selina and Bruce are particularly engaging.

With a huge web of choices to make and an enjoyable competitive mode to boot, there’s a lot to like in this crime analysis. Hidden Agenda proves that the PlayLink initiative can be taken advantage of in more than just casual party games, but this particular outing doesn’t quite realise its full potential. This investigation is absolutely one worth experiencing, but one too many caveats with the app itself holds things back from greatness.

The Sims 4 is the latest and best in the long running franchise and there's absolutely nothing else like it on the market for PlayStation 4. It's the most faithful recreation of the drudgery of daily life on the market, but it's also marred by a bewildering array of control quirks, annoying bugs, and overnumerous menus. If you're prepared to persevere with the more clumsily implemented aspects of the game then there's a lot to love - and there's a ridiculous amount of content - but some will likely be put off by its often obtuse nature.

Far From Noise is not a game for everyone. If you go in expecting traditional gameplay, you will be highly disappointed, but if you approach it with the understanding of it being almost like a picture book, then you will be in for a magnificently written reflection of yourself as well as musings on some of the heaviest topics about life. We went into this expecting a short title with a bizarre premise, and walked away having consumed a beautiful, occasionally melancholic story that helped us understand ourselves a little better along the way.

Star Wars Battlefront 2’s saving grace is its multiplayer. A strong offering provides you with a number of ways to play and a variety of locations to battle on, and if it manages to stick to a level playing field once the infamous microtransactions are added back into the game, it’s an experience we’ll continue to return to. But this is not enough to excuse the abysmal campaign. Any uniqueness dissipates all too quickly, and what follows is a boring set of missions that often feel misguided and unrealistic.

School Girl/Zombie Hunter is a rough, low budget release that's a guilty pleasure for all of a few minutes. Awful cutscenes pepper a forgettable story mode, and the online co-op is stunted. Rather than being so bad that it's actually good, the game's simply below average, weighed down by too many issues.

London Studio's latest karaoke effort may have a decent Party mode and PlayLink functionality, but its one-note tracklist and lack of four-player functionality make it a poor choice for a party game. SingStar: Celebration certainly doesn't live up to its name, then – it's only marginally more fun than a Jehovah's Witness' birthday bash.

Tokyo Tattoo Girls is a simple strategy game which can be fun in small doses but is sadly not interesting enough to keep you playing for long. The story is poor, the characters are strange (and not in a good way), and the gameplay is lacking. The artwork and tattoos look gorgeous, so it’s a pity they weren’t in a better game.

While it's not as unique or charming as its predecessor That's You, Knowledge Is Power is a solid, fun quiz game for when you've got friends or family around. While it's a little light on actual quizzing, the Power Plays allow for plenty of game-changing moments and inject some tension into the game as everyone scrambles to wipe virtual goo off of their phones and answer first. With another solid game added to its lineup and many more coming over the next few months, Sony's PlayLink service won't be going away anytime soon.

de Blob holds up surprisingly well to modern standards. It’s not without its problems: a dodgy camera, floaty jumping, and repetitive tasks rear their heads throughout the game. However, the simple concept of bounding through large environments splashing colour onto every surface remains original, fun, and satisfying – especially when accompanied by a great soundtrack that’s impacted by your play as much as the levels. Somehow, de Blob still feels contemporary, and it’ll cheer you up if this year’s other 3D platformer efforts have left you feeling blue.

Ben 10 is an enjoyable little beat-'em-up romp. All 10 of Ben's aliens feel fleshed out and vastly different from one another, and jumping from enemy-to-enemy in the fast-paced combat is suitably satisfying. Fans of the show will be thrilled with the faithful recreation of the show's art style and general feel. Unfortunately, it's a little bit let down by the afterthought upgrade system, incredibly short length, and non-existent difficulty.

Virtual reality breathes new life into an already excellent campaign. While you’ll have probably seen everything that The Elder Scrolls V: Skyrim VR has to offer before, you’ll have never seen it quite like this: vast, varied, and like an actual living, breathing place. Bethesda’s proven that blockbusters can make the transition to PlayStation VR – and on this evidence, it’s something we’d like to see happen more often.

Final Fantasy XV: Comrades ends up being a missed opportunity. The groundwork for a good co-op-based grind is here, but constant bouts of loading make the whole thing feel like a chore. The bite-sized missions are mostly enjoyable, but they're overshadowed by how long it takes to actually get into the action, and Final Fantasy XV's somewhat stunted combat system just isn't strong enough to support an entire expansion. With a few updates, Comrades could get better, but right now, it's too flawed to recommend to anyone other than hardcore fans of the main game.

One of the best detective games of all time, L.A. Noire on PS4 will certainly give you bang for your buck thanks to its improved graphical prowess and neat package containing all of the original’s content. It may not be the greatest looking remaster overall, but visuals aside, it's still the engaging storylines and the complex characters that you'll come back for. Team Bondi may have been shot three days before retirement, but its spirit lives on.

Cat Quest is a decent little game that we’d definitely recommend, with a charmingly cute presentation and a solid combat system that together form an overall enjoyable experience. Although you will definitely feel the pangs of repetition, there's just about enough here to keep you engaged until you reach the title's satisfying conclusion. If you’re a big RPG fan or you’re a cat purr-son, then Cat Quest is going to be right up your alley.

Road Rage is an open world motorcycle combat game that is so shoddy in every single facet of its being that it could function as parody without actually changing a thing. A game of this dubious merit is so rare that it belongs in a museum, destined to be studied by the gaming scholars of the future in How Not To Make a Video Game 101. The list of offences that Road Rage perpetrates are so heinous in nature and so humorous in quantity that the strict 1,000 word limit imposed upon the humble reviewers here by the Push Square overlords can't possibly do it justice. So let's just say it's a broken, bewildering, shambolic mess, and never speak of it again.

Need for Speed Payback is a real-world example of microtransactions gone wrong. As an open world racer, the game’s inoffensively average – but when paired with its bafflingly bad progression system, it’s frankly an embarrassment. It’s scary to think that publishers are quite literally sabotaging their own games in pursuit of a bonus buck or two these days.

The finale's heightened pace plays to the series' strengths, removing much of what made previous episodes so frequently frustrating, and so perhaps if there is a second season of Telltale's Guardians -- and, like any Marvel movie, you should probably stick around until after the credits for hints as to what might happen next -- we can only hope that it follows the blueprint of Don't Stop Believin'. It's not perfect, but if you're a fan of Telltale's formula or the eponymous Marvel characters, the improved latter half of the series makes Guardians of the Galaxy just about worth playing.

Playing LEGO Marvel Superheroes 2 is a constant battle between being pulled in by TT Games' charm and being pushed away by the repetitive gameplay. For every excellent moment there are seemingly multiple forgettable ones, but if you can stomach the lows of the story, then there are some fun times to be had. Still, this middling effort shows that the LEGO series is in need of some revitalising changes.

Touching base with your origins is necessary to not lose touch with your audience, and that’s exactly what Call of Duty: WWII does without simply regressing. It gets to the core of its key modes and seizes on their intrinsic appeal with some neat, little twists thrown in. However, its campaign and zombies modes (while solid) feel unusually safe, whereas the multiplayer suffers from lacklustre map design and technical issues. You could say this Call of Duty is a sign of hopeful action to ground the series once more, but doesn’t go beyond its iconic namesake to deliver something truly special.

Below the Bedrock is a rock solid penultimate episode for what’s been a very under-par Season Two so far for Telltale’s Minecraft Story Mode. With a well-balanced structure and a steadily paced plot progression that is intriguing throughout, Episode 4 has pulled off what the first three episodes failed to do: setting up firm foundations for future episodes. It’s a real shame that Below the Bedrock didn’t come earlier on in the season.

Max: The Curse of Brotherhood may be a few years old now, but though its visuals don't always hold up, its gameplay certainly does. The ingenuity of the physics and puzzles in the game allow for some truly mind-boggling moments at times, while the exhilarating chase set-pieces will set your heart racing. Its price tag is a little steep, but de-pen-ding on your passion for puzzle platformers, it's a good buy.

Sonic Forces is a disappointing step back for the franchise. Uninteresting level design and subpar gameplay on all three playable characters make for a game that can be frustrating to get through. The nonsense story is poorly written and makes more tonal shifts than Mariah Carey with an ice cube down her back. The game is perfectly fine for the younger audience it’s targeting, and we’re sure they’ll enjoy it for what it is, but in the wake of Sonic Mania’s tremendous success, the problems 3D Sonic has always faced are becoming much harder to ignore.

Your fate is decided by a scattering of cards across a table; dice rolls mean death or fortune and your next step could warp you to an insurmountable brawl. Hand Of Fate’s mix of strategic planning, random chance, and meaty combat is both rewarding and addictive. Fighting lacks complexity and doesn't quite stand up to the eventual repetition, but this game within a game is still well worth your time overall.

League of War: VR Arena does exactly what it says on the tin. It provides you with a basic strategy experience that remains fun for a few hours, but as you realise that the game won’t be introducing any sort of innovation or new mechanics to mess around with, repetition sets in fast. Introducing a second player into the mix through arcade mode does shake things up a little, but it’s not enough to mitigate the feeling that what’s on offer here is slim on content and all a little too basic.

Featuring improved graphics and more polished gameplay, .hack//G.U. Last Recode offers a fascinating look back at a classic JRPG series. While repetition can sometimes bog things down, the story and characters will keep you coming back to The World, determined to see Haseo’s journey through to the end.

Spintires: Mudrunner is a hard-crusted simulation title that makes you earn your fun through hard work and determination. It’s certainly not for everyone with a crawling pace and a muted aesthetic, but the impressive physics and sandbox design make for some great moments, especially if you’re playing with others. The UI and vehicle handling will have you wrestling for control at times, but if you persevere, this is a game with surprisingly rewarding gameplay and plenty to get stuck into.

Horizon: Zero Dawn delivers a timely reminder of why it should be a Game of the Year candidate with The Frozen Wilds. This sizeable selection of snowy quests expands upon an already excellent campaign with a decent new storyline and plenty of fresh exposition. While it is, by its very nature, more of the same, it’s hard to complain when the foundations are already so strong.

Slayaway Camp: Butcher's Cut is an enjoyably addictive sliding puzzle game that although it can get repetitive has enough variety within its puzzles to keep you returning for more. Its cartoony visuals help to make for some humorous, murder cut-scenes that will either make you chuckle or grimace. If you're a huge Hallowe'en hooligan or a profoundly psychotic puzzler, Slayaway Camp is well worth checking out.

Bubsy: The Woolies Strike Back is a wholly unremarkable experience. The presentation, controls, and level design are all lacking, and the handful of stages offer little variety. It’s not the worst platformer ever – it’s not even the worst Bubsy game – it’s simply inconsequential, forgettable, and bland in every aspect. Fans of the original games may get a kick out of this, but even they may feel disappointed by the bobcat’s latest, and probably last, adventure.

Without a doubt the best Assassin's Creed game since Black Flag – and right up there with the best entries in the entire series – Assassin's Creed Origins is a top notch open world title. Egypt itself is the star of the show, Ubisoft having meticulously crafted a stunningly detailed and varied landscape, but outside of the setting, a parade of gameplay and design improvements make this the roaring return to form that the franchise desperately needed.